Remastered: The Complete Studio Recordings (1949-1969)

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: The First Recordings (1949)
2▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (1952)
3▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (1952)
4▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1952)
5▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1953)
6▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1953)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (1953)
9▶CD: Pietro Mascagni: Cavalleria rusticana (1953)
10▶CD: Giacomo Puccini: Tosca (Act 1) (1953)
11▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (1953)
12▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (1953)
13▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (1953)
14▶CD: Norma: Act 1, Scene 1 (1954)
15▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (1954)
16▶CD: Vincenzo Bellini: Norma (Act 2) (1954)
17▶CD: Ruggero Leoncavallo: I pagliacci (1954)
18▶CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (1954)
19▶CD: Giuseppe Verdi: La forza del destino (Act 3) (1954)
20▶CD: Giuseppe Verdi: La forza del destino (Act 4) (1954)
21▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (1954)
22▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (1954)
23▶CD: Puccini Arias (1954)
24▶CD: Lyric and Coloratura Arias (1954)
25▶CD: Callas at La Scala (1955)
26▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (1955)
27▼CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (1955)
Nr.TitelKünstlerBewertungLänge
1Madama Butterfly: Atto II. “C'è. Entrate” (Goro, Sharpless, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [Goro]:
Renato Ercolani (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:34
2Madama Butterfly: Atto II. “Non lo sapete insomma” (Butterfly, Sharpless, Goro, Yamadori)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [Goro]:
Renato Ercolani (tenor) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [Yamadori]:
Mario Carlin (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:52
3Madama Butterfly: Atto II. “A voi però giurerei fede costante” (Yamadori, Sharpless, Goro, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [Goro]:
Renato Ercolani (tenor) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [Yamadori]:
Mario Carlin (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “A voi però giurerei fede costante” (Yamadori, Sharpless, Goro, Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:32
4Madama Butterfly: Atto II. “Ora a noi” (Sharpless, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini6:09
5Madama Butterfly: Atto II. “E questo? e questo?” (Sharpless, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:25
6Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:32
7Madama Butterfly: Atto II. “Io scendo al piano” (Sharpless, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Io scendo al piano” (Sharpless, Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:43
8Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [Goro]:
Renato Ercolani (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:59
9Madama Butterfly: Atto II. “Una nave da guerra” (Suzuki, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:30
10Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Suzuki, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:14
11Madama Butterfly: Atto II. “Or vienmi ad adornar” (Suzuki, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:10
12Madama Butterfly: Atto II. “Coro a bocca chiusa” (Coro)
Produzent(in):
Walter Legge (British classical producer)
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
chorus master:
Norberto Mola (chorus master) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:09
13Madama Butterfly: Atto II. “Oh eh! Oh eh! Oh eh!” (Coro)
Produzent(in):
Walter Legge (British classical producer)
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
chorus master:
Norberto Mola (chorus master) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Oh eh! Oh eh!” (Voci dei marinai) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini7:31
14Madama Butterfly: Atto II. “Già il sole!” (Suzuki, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:01
15Madama Butterfly: Atto II. “Povera Butterfly!” (Suzuki, Sharpless, Pinkerton)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [B.F. Pinkerton]:
Nicolai Gedda (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Povera Butterfly!” (Suzuki) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:49
16Madama Butterfly: Atto II. “Io so che alle sue pene” (Suzuki, Sharpless, Pinkerton)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [B.F. Pinkerton]:
Nicolai Gedda (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini4:02
17Madama Butterfly: Atto II. “Addio, firito asil” (Pinkerton, Sharpless)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [B.F. Pinkerton]:
Nicolai Gedda (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:56
18Madama Butterfly: Atto II. “Glielo dirai?” (Kate, Suzuki, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Kate Pinkerton]:
Luisa Villa (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Glielo dirai?” (Kate, Suzuki) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:14
19Madama Butterfly: Atto II. “Che vuoi da me?” (Butterfly, Suzuki, Sharpless, Kate)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Sharpless]:
Mario Borriello (baritone) (von 1955-08-01 bis 1955-08-06)
Mezzosoprangesang [Kate Pinkerton]:
Luisa Villa (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Quella donna? Che vuol da me?” (Butterfly) (non‐standard aria) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:41
20Madama Butterfly: Atto II. “Come una mosca priogioniera” (Suzuki, Butterfly)
Produzent(in):
Walter Legge (British classical producer)
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano) (von 1955-08-01 bis 1955-08-06)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:53
21Madama Butterfly: Atto II. “Con onor muore” (Butterfly, Pinkerton)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (von 1955-08-01 bis 1955-08-06)
Tenor-Gesang [B.F. Pinkerton]:
Nicolai Gedda (tenor) (von 1955-08-01 bis 1955-08-06)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1955-08-01 bis 1955-08-06)
conductor:
Herbert von Karajan (conductor) (von 1955-08-01 bis 1955-08-06)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1955-08-01 bis 1955-08-06)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (von 1955-08-01 bis 1955-08-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:25
28▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (1955)
29▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (1955)
30▶CD: Giuseppe Verdi: Rigoletto (Act 1) (1955)
31▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (1955)
32▶CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (1956)
33▶CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (1956)
34▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (1956)
35▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (1956)
36▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (1956)
37▶CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (1956)
38▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (1957)
40▶CD: Vincenzo Bellini: La sonnambula (Act 1) (1957)
41▶CD: Vincenzo Bellini: La sonnambula (Act 2) (1957)
42▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (1957)
43▶CD: Giacomo Puccini: Turandot (Acts 3) (1957)
44▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (1957)
45▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (1957)
46▶CD: Luigi Cherubini: Medea (Act 1) (1957)
47▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (1957)
48▶CD: Callas Portrays Verdi Heroines (Verdi Arias I) (1958)
49▶CD: Mad Scenes (1958)
50▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (1959)
51▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (1959)
52▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (1959)
53▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (1959)
54▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (1959)
55▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (1960)
56▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (1960)
57▶CD: Vincenzo Bellini: Norma (Act 2) (1960)
58▶CD: Great Arias from French Opera (Callas à Paris I) (1961)
59▶CD: More Arias from French Opera (Callas à Paris II) (1963)
60▶CD: Mozart, Beethoven, Weber Recital (1963 & 1964)
61▶CD: Verdi Arias II (1963 & 1964)
62▶CD: Rossini & Donizetti Arias (1963 & 1964)
63▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (1964)
64▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (1964)
65▶CD: Giacomo Puccini: Tosca (Act 1) (1964 & 1965)
66▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (1964 & 1965)
67▶CD: Verdi Arias III (1965 & 1969)
68▶CD: The Callas Rarities (1953-1969) (1953, 1958, 1960 & 1961)
69▶CD: The Callas Rarities (1953-1969) (1962, 1964, 1965 & 1969)
70▶Daten-CD: Libretti

Nennungen

Veröffentlichungsgruppe

enthält:Aida (1955 studio cast) von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Callas à Paris (Album II) von Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Callas à Paris I von Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (Französisches Nationalorchester, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
Callas at La Scala von Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Callas sings Rossini and Donizetti Arias von Rossini (composer), Donizetti (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Callas Sings Verdi Arias von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Carmen (1964 studio cast) von Georges Bizet (French composer); Maria Callas (soprano), Nicolai Gedda (tenor), Andréa Guiot (soprano), Robert Massard (baritone), Nadine Sautereau (French soprano), Jane Berbié (mezzo-soprano), Claude Calès (French baritone), Chœurs René Duclos, Chœurs d’enfants Jean Pesneaud, Orchestre du Théâtre national de l’Opéra de Paris, Georges Prêtre (French conductor)
Cavalleria rusticana (1953 EMI recording) von Pietro Mascagni (composer & conductor); Maria Callas (soprano) - Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
I puritani (1953 Milan studio cast) von Vincenzo Bellini (Sicilian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Nicola Rossi‐Lemeni (operatic bass), Rolando Panerai (baritone), Coro & Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Il barbiere di Siviglia (1957 studio recording) von Rossini (composer); Maria Callas (soprano), Tito Gobbi (baritone), Alva (tenor), Carturan (mezzo-soprano), Ollendorff (operatic bass), Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Alceo Galliera (organist, conductor and composer)
Il trovatore (1956 recording) von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
Il turco in Italia (1954 studio cast) von Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
La bohème (1956 studio cast) von Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Anna Moffo (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
La forza del destino (1954 Milan recording) von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Richard Tucker (tenor), Carlo Tagliabue (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
La Gioconda (1959 recording) von Ponchielli (composer); Callas (soprano), Cossotto (mezzo-soprano), Companeez (mezzo-soprano / contralto), Vinco (operatic bass), Ferraro (tenor), Cappuccilli (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La Gioconda (1952 recording) von Amilcare Ponchielli (composer); Maria Callas (soprano), Fedora Barbieri (mezzo-soprano), Giulio Neroni, Maria Amadini (mezzo-soprano), Gianni Poggi (tenor), Paolo Silveri (baritone), Piero Poldi (bass vocalist), Armando Benzi (operatic tenor), Orchestra Sinfonica di Torino della RAI, Antonino Votto (conductor)
La sonnambula (1957 studio cast) von Vincenzo Bellini (Sicilian opera composer); Nicola Zaccaria (operatic bass), Fiorenza Cossotto (mezzo-soprano), Maria Meneghini Callas (soprano), Eugenia Ratti (soprano), Nicola Monti (tenor), Giuseppe Morresi (operatic bass), Franco Ricciardi (Italian tenor), Coro e Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La traviata (1953 studio recording) von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Francesco Albanese (tenor), Ugo Savarese (Italian baritone), Coro Cetra, Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Gabriele Santini (conductor)
Lucia di Lammermoor (1959 London Recording) von Donizetti (Italian opera composer); Maria Callas (soprano), Ferruccio Tagliavini (tenor), Piero Cappuccilli (baritone), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Tullio Serafin (conductor)
Lucia di Lammermoor (1953 Florence Recording) von Gaetano Donizetti (Italian opera composer); Maria Callas (soprano), Tullio Serafin (conductor)
Lyric and Coloratura Arias von Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Manon Lescaut (1957 studio cast) von Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Maria Meneghini Callas Sings Arias From Tristano e Isotta, Norma, I puritani von Wagner (Richard Wagner, composer), Bellini (Sicilian opera composer); Maria Meneghini Callas (soprano), Orchestra Sinfonica di Torino della RAI, Arturo Basile (Italian opera conductor)
Maria Meneghini Callas Sings Operatic Arias by Puccini von Puccini (Italian composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Medea (1957 Milan recording) von Luigi Cherubini (composer); Maria Callas (soprano), Renata Scotto (operatic soprano), Miriam Pirazzini (mezzo soprano), Mirto Picchi (tenor), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Mozart, Beethoven & Weber Arias von Mozart (Wolfgang Amadeus Mozart, classical composer), Beethoven (Ludwig van Beethoven, German composer), Weber (composer); Maria Callas (soprano), Paris Conservatoire Orchestra, Nicola Rescigno (conductor)
Norma (1960 studio cast) von Bellini (Sicilian opera composer); Maria Callas (soprano), Franco Corelli (tenor), Christa Ludwig (mezzo-soprano), Nicola Zaccaria (operatic bass), Piero de Palma (tenor), Edda Vincenzi (soprano), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Norma (1954 studio cast) von Bellini (Sicilian opera composer); Maria Callas (soprano), Mario Filippeschi (tenor), Ebe Stignani (mezzo soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Pagliacci (1954 Scala cast) von Leoncavallo (composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Rolando Panerai (baritone), Nicola Monti (tenor), Orchestra (Orchestra of La Scala, Milan) and Chorus of La Scala, Milan, Tullio Serafin (conductor)
Rigoletto (1955 studio cast) von Giuseppe Verdi (Italian opera composer); Giuseppe di Stefano (tenor), Tito Gobbi (baritone), Maria Meneghini Callas (soprano), Nicola Zaccaria (operatic bass), Adriana Lazzarini (mezzo-soprano), Giuse Gerbino (Italian mezzo-soprano), Plinio Clabassi (operatic bass), William Dickie (british bass-baritone), Renato Ercolani (tenor), Carlo Forti (operatic bass), Elvira Galassi (soprano / mezzo-soprano), Tullio Serafin (conductor), Norberto Mola (chorus master), L'Ente Autonomo del Teatro alla Scala (Orchestra of La Scala, Milan)
The Callas Rarities
Tosca (1964 studio cast) von Giacomo Puccini (Italian composer); Maria Callas (soprano), Carlo Bergonzi (tenor), Tito Gobbi (baritone), Chœurs du Théâtre National de l'Opéra de Paris (Paris National Opera Chorus), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
Turandot (1957 studio cast) von Giacomo Puccini (Italian composer); Maria Callas (soprano), Eugenio Fernandi (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Un ballo in maschera (1956 studio cast) von Verdi (Giuseppe Verdi, Italian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Fedora Barbieri (mezzo-soprano), Eugenia Ratti (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
Verdi Arias I von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
Verdi Arias III von Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno (conductor)