The Edge of the 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Peek‐a‐boo
assistant engineer:
Yardov Ail (in 1988), Stuart Brown (engineer) (in 1988), Jonathan Dee (UK engineer) (in 1988), Angie Newman (in 1988) and Curtis Schwartz (UK engineer) (in 1988)
engineer:
Mike Hedges (UK producer/recording engineer) (in 1988)
producer:
Banshees and Hedges (UK producer/recording engineer)
recorded at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom (in 1988)
mixed at:
Marquee Studios in London (Greater London), England, United Kingdom (in 1988)
recording of:
Peek-A-Boo
lyricist:
Siouxsie Sioux (Susan Janet Ballion)
composer:
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees3.43:13
2Grimly Fiendish (edit version)
The Damned3:47
3This Is Not a Love Song
producer:
Martin Atkins (UK drummer) and John Lydon (Johnny Rotten of the Sex Pistols)
recording of:
This Is Not a Love Song
writer:
Martin Atkins (UK drummer), Keith Levene and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing and Warner/Chappell Music Ltd. (1996–2019)
version of:
Love Song
Public Image Ltd3:31
4Love Like BloodKilling Joke4:10
5Skin Deep
producer:
Laurie Latham and The Stranglers
music videos:
Skin Deep by The Stranglers
recording of:
Skin Deep
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
EMI Songs Ltd. and Plugshaft Ltd.
The Stranglers4.53:55
6Tower of Strength (radio edit)
recording of:
Tower of Strength
lyricist:
Wayne Hussey
composer:
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler and Wayne Hussey
The Mission2.54:25
7Martha’s Harbour
engineer:
Tony Phillips (engineer, mix, remix credits)
producer:
Paul Samwell-Smith
guitar:
Tim Bricheno (in 1987)
vocals:
Julianne Regan (in 1987)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988)
recorded at:
Ridge Farm in Dorking, Surrey, England, United Kingdom (in 1987) and The Manor in Oxfordshire, England, United Kingdom (in 1987)
part of:
The Downloader’s Music Source Book (number: 369)
recording of:
Martha’s Harbour (in 1987)
writer:
Tim Bricheno, Andy Cousin and Julianne Regan
publisher:
BMG Music Publishing Ltd.
All About Eve3.53:02
8Never Take Me Alive
engineer:
Neill King (sound engineer)
producer:
Zeus B. Held (Bernd Held)
recording of:
Never Take Me Alive
lyricist and composer:
Kirk Brandon
Spear of Destiny4.54:14
9Do You Believe in the Westworld (7″ version)
Theatre of Hate3:49
10Mexican RadioWall of Voodoo4.654:06
11The Future’s So Bright, I Gotta Wear Shades
recording of:
The Future's So Bright, I Gotta Wear Shades
lyricist and writer:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
publisher:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.) and IRS Songs
Timbuk 33:21
12Der Kommissar (7″ version)
producer:
ATF and John Eden (producer)
bass guitar and lead vocals:
Andy Piercy (in 1982)
drums (drum set):
Peter King (UK drummer for After the Fire/BAP) (in 1982)
guitar:
John Russell (British guitarist, member of After The Fire) (in 1982)
keyboard:
Peter 'Memory' Banks (keyboard player) (in 1982)
vocals:
Peter 'Memory' Banks (keyboard player) (in 1982) and John Russell (British guitarist, member of After The Fire) (in 1982)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 51) and The Downloader’s Music Source Book (number: 250)
cover recording of:
Der Kommissar (English version) (in 1982)
lyricist:
Johann Hölzel (Austrian pop & rock musician)
composer:
Robert Ponger
translator:
Andy Piercy
publisher:
IQ Music Ltd.
translated version of:
Der Kommissar
After the Fire54:08
13E=mc²
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:30
14Def Con One
engineer:
Cenzo Townshend (engineer)
producer:
Robert Gordon (producer from Sheffield, UK)
mixer:
Flood (British producer Mark Ellis)
turntable:
DJ Winston (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
produced for:
The FON Force
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
samples:
Crazy Horses (original version) by Osmonds, Funkytown by Lipps, Inc., I Wanna Be Your Dog by The Stooges and Right Now by The Creatures (Siouxsie and the Banshees side project)
recording of:
Def.Con.One (in 1989)
writer:
Graham Crabb, Clint Mansell (English singer and score composer), Richard March and Adam Mole
additional composer:
Marius Constant (Romanian-born French composer and conductor)
publisher:
BMG Music Publishing Ltd. and SBK Songs Ltd.
Pop Will Eat Itself4.353:59
15Sonic Boom Boy
recording of:
Sonic Boom Boy
writer:
Bob Derwood Andrews, Nick Burton (UK techno producer/artwork/photography) and Elizabeth Westwood
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Westworld2:54
16Revolution BabyTransvision Vamp4:53
17Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
writer:
Paul Court (of "The Primitives"), Steve Dullaghan and Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:34
18No MemoryScarlet Fantastic3:47
19Radio Africa
recording of:
Radio Africa
writer:
Mike Jones (lyricist of Latin Quater), Ron Keefe and Steve Skaith
Latin Quarter3:53
20When Love Breaks Down
producer:
Phil Thornalley
remixer:
Thomas Dolby
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
When Love Breaks Down by Prefab Sprout
recording of:
When Love Breaks Down
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3.54:08
3CD