Flaming Guitars

~ Release by Speedy West & Jimmy Bryant (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1Candy Kisses
producer:
Lee Gillette
accordion:
Billy Liebert (on 1949-01-21)
bass:
Cliffie Stone (on 1949-01-21)
fiddle:
Harold Hensley (on 1949-01-21)
guitar:
Eddie Kirk (US country singer/songwriter) (on 1949-01-21) and Merle Travis (on 1949-01-21)
piano:
J.D. Uhey (on 1949-01-21)
steel guitar:
Speedy West (on 1949-01-21)
vocals:
Eddie Kirk (US country singer/songwriter) (on 1949-01-21)
cover recording of:
Candy Kisses (on 1949-01-21)
lyricist and composer:
George Morgan (US country music singer)
Eddie Kirk2:35
2Ain’t Nobody’s Business but My Own
producer:
Lee Gillette
bass:
Cliffie Stone (on 1950-06-28)
drums (drum set):
Muddy Berry (on 1950-06-28)
fiddle:
Harold Hensley (on 1950-06-28)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1950-06-28) and Eddie Kirk (US country singer/songwriter) (on 1950-06-28)
piano:
Billy Liebert (on 1950-06-28)
steel guitar:
Speedy West (on 1950-06-28)
vocals:
Tennessee Ernie Ford (on 1950-06-28) and Kay Starr (on 1950-06-28)
cover recording of:
Ain’t Nobody’s Business but My Own (on 1950-06-28)
lyricist and composer:
Irving Taylor
Kay Starr & Tennessee Ernie Ford2:42
3I’ll Never Be Free
producer:
Lee Gillette
bass:
Cliffie Stone (on 1950-06-28)
drums (drum set):
Muddy Berry (on 1950-06-28)
fiddle:
Harold Hensley (on 1950-06-28)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1950-06-28) and Eddie Kirk (US country singer/songwriter) (on 1950-06-28)
piano:
Billy Liebert (on 1950-06-28)
steel guitar:
Speedy West (on 1950-06-28)
vocals:
Tennessee Ernie Ford (on 1950-06-28) and Kay Starr (on 1950-06-28)
performer:
Tennessee Ernie Ford
cover recording of:
I’ll Never Be Free (on 1950-06-28)
writer:
Bennie Benjamin and George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) and Claude A. Music Co. (in 1950, in 1977)
Kay Starr & Tennessee Ernie Ford2:36
4Wild Card
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
accordion:
Pedro DePaul (on 1950-08-09)
bass:
Deuce Spriggins (on 1950-08-09)
drums (drum set):
Muddy Berry (on 1950-08-09)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1950-08-09), Dean Eacker (on 1950-08-09) and Smokey Rogers (on 1950-08-09)
piano:
Ossie J. Godson (on 1950-08-09)
steel guitar:
Fred “Travanis” Tavares (on 1950-08-09)
violin:
Cactus Soldi (on 1950-08-09), Max Fidler (on 1950-08-09) and Harry Sims (on 1950-08-09)
vocals:
Tex Williams (on 1950-08-09)
cover recording of:
Wild Card (on 1950-08-09)
writer:
Buddy Ebsen and Bonnie Lake
Tex Williams2:46
5Oakie Boogie
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1951-12-12)
drums (drum set):
Frankie Carlson (on 1951-12-12)
guitar:
Bob Bain (guitarist) (on 1951-12-12)
piano:
Milt Raskin (Milton Raskin) (on 1951-12-12)
saxophone:
Robert Lawson (on 1951-12-12)
steel guitar:
Speedy West (on 1951-12-12)
trombone:
Harold Diner (on 1951-12-12), Francis L. "Joe" Howard (american trombone player) (on 1951-12-12), Ray Sims (on 1951-12-12) and Paul Tanner (on 1951-12-12)
trumpet:
Pete Candoli (on 1951-12-12) and Vito N. Mangano (on 1951-12-12)
vocals:
Ella Mae Morse (on 1951-12-12)
conductor:
Nelson Riddle (on 1951-12-12)
cover recording of:
Oakie Boogie (on 1951-12-12)
writer:
Johnny Tyler (country)
Ella Mae Morse2:15
6Down South
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (on 1952-02-04)
drums (drum set):
George Siracusa (on 1952-02-04)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-02-04) and Eddie Kirk (US country singer/songwriter) (on 1952-02-04)
piano:
Marvin Ash (on 1952-02-04)
steel guitar:
Speedy West (on 1952-02-04)
trumpet:
William R. Guy (on 1952-02-04) and George Rock (on 1952-02-04)
vocals:
Eddie Kirk (US country singer/songwriter) (on 1952-02-04) and Marilyn Tuttle (on 1952-02-04)
conductor:
Spike Jones (on 1952-02-04)
cover recording of:
Down South (on 1952-02-04)
lyricist:
Sigmund Spaeth
composer:
William H. Myddleton
Spike Jones2:47
7I’ve Turned a Gadabout
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (on 1952-02-04)
drums (drum set):
George Siracusa (on 1952-02-04)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-02-04) and Eddie Kirk (US country singer/songwriter) (on 1952-02-04)
piano:
Marvin Ash (on 1952-02-04)
steel guitar:
Speedy West (on 1952-02-04)
trumpet:
William R. Guy (on 1952-02-04) and George Rock (on 1952-02-04)
vocals:
Eddie Kirk (US country singer/songwriter) (on 1952-02-04) and Marilyn Tuttle (on 1952-02-04)
conductor:
Spike Jones (on 1952-02-04)
cover recording of:
I've Turned a Gadabout (on 1952-02-04)
writer:
Pee Wee King and Redd Stewart
Spike Jones2:43
8Stop Your Gamblin’
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (on 1952-02-04)
drums (drum set):
George Siracusa (on 1952-02-04)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-02-04) and Eddie Kirk (US country singer/songwriter) (on 1952-02-04)
piano:
Marvin Ash (on 1952-02-04)
steel guitar:
Speedy West (on 1952-02-04)
trumpet:
William R. Guy (on 1952-02-04) and George Rock (on 1952-02-04)
vocals:
Eddie Kirk (US country singer/songwriter) (on 1952-02-04) and Marilyn Tuttle (on 1952-02-04)
conductor:
Spike Jones (on 1952-02-04)
cover recording of:
Stop Your Gamblin' (on 1952-02-04)
writer:
Jack Pepper and Willard Robison
Spike Jones2:31
9There’s a Blue Sky Way Out Yonder
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (on 1952-02-04)
drums (drum set):
George Siracusa (on 1952-02-04)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-02-04) and Eddie Kirk (US country singer/songwriter) (on 1952-02-04)
piano:
Marvin Ash (on 1952-02-04)
steel guitar:
Speedy West (on 1952-02-04)
trumpet:
William R. Guy (on 1952-02-04) and George Rock (on 1952-02-04)
vocals:
Eddie Kirk (US country singer/songwriter) (on 1952-02-04) and Marilyn Tuttle (on 1952-02-04)
conductor:
Spike Jones (on 1952-02-04)
cover recording of:
There's a Blue Sky Way Out Yonder (on 1952-02-04)
writer:
Arthur Fields, Fred Hall and Bert Van Cleve
Spike Jones2:20
10Oakie Boogie
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
bass:
Cliffie Stone (on 1952-02-06)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1952-02-06)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-02-06), Skeets McDonald (on 1952-02-06) and Billy Strange (on 1952-02-06)
piano:
Billy Liebert (on 1952-02-06)
steel guitar:
Speedy West (on 1952-02-06)
trumpet:
Pete Candoli (on 1952-02-06), Vito N. Mangano (on 1952-02-06) and George Seaberg (on 1952-02-06)
vocals:
Ella Mae Morse (on 1952-02-06)
cover recording of:
Oakie Boogie (on 1952-02-06)
writer:
Johnny Tyler (country)
Ella Mae Morse2:29
11Twice the Lovin’ (In Half the Time)
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
bass:
Cliffie Stone (on 1952-09-30)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1952-09-30)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-09-30) and Billy Strange (on 1952-09-30)
piano:
Billy Liebert (on 1952-09-30)
steel guitar:
Speedy West (on 1952-09-30)
vocals:
Jean Shepard (American honky tonk singer-songwriter) (on 1952-09-30)
cover recording of:
Twice the Lovin' (In Half the Time) (on 1952-09-30)
lyricist and composer:
Floyd Huffman
Jean Shepard2:42
12Crying Steel Guitar Waltz
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
bass:
Cliffie Stone (on 1952-09-30)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1952-09-30)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-09-30) and Billy Strange (on 1952-09-30)
piano:
Billy Liebert (on 1952-09-30)
steel guitar:
Speedy West (on 1952-09-30)
vocals:
Jean Shepard (American honky tonk singer-songwriter) (on 1952-09-30)
cover recording of:
Crying Steel Guitar Waltz (on 1952-09-30)
writer:
Dolly Long and Shorty Long (1950s country/rockabilly artist)
Jean Shepard2:28
13Nobody Else Can Love You Like I Do
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
bass:
Cliffie Stone (on 1952-09-30)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1952-09-30)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-09-30) and Billy Strange (on 1952-09-30)
piano:
Billy Liebert (on 1952-09-30)
steel guitar:
Speedy West (on 1952-09-30)
vocals:
Jean Shepard (American honky tonk singer-songwriter) (on 1952-09-30)
cover recording of:
Nobody Else Can Love You Like I Do (on 1952-09-30)
lyricist and composer:
Rod Morris
Jean Shepard2:11
14Keep It a Secret
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
bass:
Cliffie Stone (on 1952-09-30)
drums (drum set):
Roy Harte (drummer and Pacific Jazz founder) (on 1952-09-30)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-09-30) and Billy Strange (on 1952-09-30)
piano:
Billy Liebert (on 1952-09-30)
steel guitar:
Speedy West (on 1952-09-30)
vocals:
Jean Shepard (American honky tonk singer-songwriter) (on 1952-09-30)
cover recording of:
Keep It a Secret (on 1952-09-30)
lyricist and composer:
Jessie Mae Robinson
Jean Shepard2:34
15Y’all Come
producer:
Tom Mack
bass:
Phil Stevens (country bass player) (on 1953-11-14)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1953-11-14)
guitar:
Red Roundtree (on 1953-11-14)
piano:
Buddy Cole (on 1953-11-14)
steel guitar:
Speedy West (on 1953-11-14)
trombone:
Francis L. "Joe" Howard (american trombone player) (on 1953-11-14) and Ted Vesely (on 1953-11-14)
violin:
Charles Hurta (on 1953-11-14)
vocals:
Bing Crosby (on 1953-11-14)
conductor:
Perry Botkin Jr. (composer, producer, arranger, and musician) (on 1953-11-14)
cover recording of:
Y’all Come (on 1953-11-14)
lyricist and composer:
Arlie Duff
Bing Crosby2:25
16The Boys in the Backroom
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (on 1952-11-06)
drums (drum set):
George Siracusa (on 1952-11-06)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1952-11-06) and Eddie Kirk (US country singer/songwriter) (on 1952-11-06)
piano:
Marvin Ash (on 1952-11-06)
steel guitar:
Speedy West (on 1952-11-06)
trumpet:
George Rock (on 1952-11-06)
vocals:
Mack McLean (on 1952-11-06), Loulie Jean Norman (on 1952-11-06), Betty Noyes (on 1952-11-06), Charles Parlato (on 1952-11-06), Charles Schroeder (on 1952-11-06) and Gloria Wood (on 1952-11-06)
conductor:
Spike Jones (on 1952-11-06)
cover recording of:
The Boys in the Backroom (on 1952-11-06)
lyricist:
Frank Loesser
composer:
Frederick Hollander
Spike Jones2:23
17Under the Double Eagle
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (from 1952-07-01 until 1952-07-07)
drums (drum set):
George Siracusa (from 1952-07-01 until 1952-07-07)
guitar:
Jimmy Bryant (country music guitarist & composer) (from 1952-07-01 until 1952-07-07) and Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
piano:
Marvin Ash (from 1952-07-01 until 1952-07-07)
steel guitar:
Speedy West (from 1952-07-01 until 1952-07-07)
trumpet:
George Rock (from 1952-07-01 until 1952-07-07)
vocals:
Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
conductor:
Spike Jones (from 1952-07-01 until 1952-07-07)
recording of:
Under the Double Eagle (catch-all for arrangements) (from 1952-07-01 until 1952-07-07)
version of:
Unter dem Doppeladler, op. 159 (Under the Double Eagle)
Spike Jones2:25
18Hot Lips
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (from 1952-07-01 until 1952-07-07)
drums (drum set):
George Siracusa (from 1952-07-01 until 1952-07-07)
guitar:
Jimmy Bryant (country music guitarist & composer) (from 1952-07-01 until 1952-07-07) and Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
piano:
Marvin Ash (from 1952-07-01 until 1952-07-07)
steel guitar:
Speedy West (from 1952-07-01 until 1952-07-07)
trumpet:
George Rock (from 1952-07-01 until 1952-07-07)
vocals:
Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
conductor:
Spike Jones (from 1952-07-01 until 1952-07-07)
cover recording of:
Hot Lips (from 1952-07-01 until 1952-07-07)
lyricist:
Lou Davis (in 1922)
composer:
Henry Busse (in 1922) and Henry Lange (in 1922)
publisher:
Leo Feist, Inc. (on 1922-09-19)
Spike Jones2:04
19Hotter Than a Pistol
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (from 1952-07-01 until 1952-07-07)
drums (drum set):
George Siracusa (from 1952-07-01 until 1952-07-07)
guitar:
Jimmy Bryant (country music guitarist & composer) (from 1952-07-01 until 1952-07-07) and Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
piano:
Marvin Ash (from 1952-07-01 until 1952-07-07)
steel guitar:
Speedy West (from 1952-07-01 until 1952-07-07)
trumpet:
George Rock (from 1952-07-01 until 1952-07-07)
vocals:
Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
conductor:
Spike Jones (from 1952-07-01 until 1952-07-07)
cover recording of:
Hotter Than a Pistol (from 1952-07-01 until 1952-07-07)
lyricist and composer:
Tom Glazer
Spike Jones2:14
20Keystone Kapers (Bags of Rags)
producer:
Henri René (producer, composer, conductor and arranger)
bass:
Cliffie Stone (from 1952-07-01 until 1952-07-07)
drums (drum set):
George Siracusa (from 1952-07-01 until 1952-07-07)
guitar:
Jimmy Bryant (country music guitarist & composer) (from 1952-07-01 until 1952-07-07) and Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
piano:
Marvin Ash (from 1952-07-01 until 1952-07-07)
steel guitar:
Speedy West (from 1952-07-01 until 1952-07-07)
trumpet:
George Rock (from 1952-07-01 until 1952-07-07)
vocals:
Eddie Kirk (US country singer/songwriter) (from 1952-07-01 until 1952-07-07)
conductor:
Spike Jones (from 1952-07-01 until 1952-07-07)
recording of:
Keystone Kapers (Bags of Rags) (from 1952-07-01 until 1952-07-07)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Spike Jones2:25
21Whistle Stop
producer:
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
bass:
Joe Mondragon (on 1953-12-29)
drums (drum set):
Alvin Stoller (on 1953-12-29)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1953-12-29) and Al Hendrickson (on 1953-12-29)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1953-12-29)
saxophone:
Fred Fallensby (on 1953-12-29), Chuck Gentry (on 1953-12-29), Skeets Herfurt (on 1953-12-29), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-12-29) and Wilbur Schwartz (on 1953-12-29)
trombone:
Ed Kusby (on 1953-12-29), Murray McEachern (on 1953-12-29), Pullman “Tommy” Pederson (on 1953-12-29) and Si Zentner (on 1953-12-29)
trumpet:
Johnny Best (jazz trumpeter) (on 1953-12-29), Conrad Gozzo (on 1953-12-29), Manny Klein (on 1953-12-29) and Uan Rasey (on 1953-12-29)
conductor:
Billy May (on 1953-12-29)
recording of:
Whistle Stop (on 1953-12-29)
writer:
Jimmy Bryant (country music guitarist & composer) and Billy Strange
Billy May2:40
22This Must Be the Place
producer:
Lee Gillette
bass:
Joe Mondragon (on 1954-03-03)
drums (drum set):
Alvin Stoller (on 1954-03-03)
guitar:
Jimmy Bryant (country music guitarist & composer) (on 1954-03-03)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1954-03-03)
saxophone:
Fred Fallensby (on 1954-03-03), Chuck Gentry (on 1954-03-03), Skeets Herfurt (on 1954-03-03), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-03-03) and Wilbur Schwartz (on 1954-03-03)
steel guitar:
Speedy West (on 1954-03-03)
trombone:
Ed Kusby (on 1954-03-03), Murray McEachern (on 1954-03-03), Pullman “Tommy” Pederson (on 1954-03-03) and Si Zentner (on 1954-03-03)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-03-03), Conrad Gozzo (on 1954-03-03), Manny Klein (on 1954-03-03) and Uan Rasey (on 1954-03-03)
vocals:
Tennessee Ernie Ford (on 1954-03-03) and Betty Hutton (on 1954-03-03)
conductor:
Billy May (on 1954-03-03)
cover recording of:
This Must Be the Place (on 1954-03-03)
writer:
Allan Copeland and Ed Pola
Tennessee Ernie Ford & Betty Hutton1:54