| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | I Put a Spell on You (Fifty Shades of Grey)- recording engineer:
- Urban Soul Orchestra
- Programmierung:
- Mike Stevens (in 2014)
- Techniker(in) und Mix:
- Cameron Craig (in 2014) und Mike Stevens (in 2014)
- Produzent(in):
- Annie Lennox (in 2014) und Mike Stevens (in 2014)
- accordion, Gitarre, Hammond-Orgel, Keyboard, Mundharmonika und Vibraphon:
- Mike Stevens (in 2014)
- Bassgitarre:
- Chris Hill und Chris Hill (in 2014)
- Bratsche / Viola und Geige / Violine:
- Stephen Hussey (in 2014)
- Cello:
- Ivan Hussey (in 2014)
- flute, Klavier und Rhodes Piano:
- Annie Lennox (in 2014)
- Kontrabass:
- Chris Hill (in 2014)
- Perkussion:
- Richard Brook (in 2014) und Annie Lennox (in 2014)
- Posaune:
- Nichol Thomson (in 2014)
- Schlagzeug:
- Neil Wilkinson (in 2014)
- Schlagzeug [drums]:
- Neil Wilkinson
- Trompete:
- Simon Finch (in 2014)
- vocals:
- Annie Lennox (in 2014)
- conductor:
- Stephen Hussey (in 2014)
- Saiteninstrumente arranger:
- Annie Lennox (in 2014) und Mike Stevens (in 2014)
- arranger:
- Annie Lennox und Mike Stevens
- Orchestrator(in):
- Stephen Hussey (in 2014)
- aufgenommen bei:
- Sheen Lane Studios in London , England, Vereinigtes Königreich (in 2014) und State of the Ark Studios in Richmond, Richmond upon Thames, London , England, Vereinigtes Königreich (in 2014)
- cover recording of:
- I Put a Spell on You (in 2014)
- Texter und Komponist(in):
- Screamin’ Jay Hawkins
- publisher:
- Copyright Control , SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
| Annie Lennox | | 3:31 |
| 2 | Undiscovered | Laura Welsh | | 2:54 |
| 3 | Earned It (Fifty Shades of Grey)- recording engineer:
- Jay Paul Bicknell (in 2014)
- Programmierung:
- Stephan Moccio (in 2014)
- zusätzliche Programmierung:
- Jay Paul Bicknell (in 2014) und David Reitzas (in 2014)
- assistierende(r) Techniker(in):
- Evin O’Cleary (in 2014)
- Produzent(in):
- Jason Quenneville (in 2014) und Stephan Moccio (in 2014)
- Mix:
- David Reitzas (in 2014)
- Bassgitarre:
- Paul Bushnell (in 2014)
- Gitarre:
- Jonathan Martin Berry (in 2014)
- Klavier:
- Stephan Moccio (in 2014)
- vocals:
- Abel Tesfaye (in 2014)
- zusätzlich vocals:
- Jason Quenneville (in 2014)
- arranger:
- Stephan Moccio (in 2014)
- phonographisches Urheberrecht (℗) von:
- Universal Studios (in 2014)
- aufgenommen bei:
- Maison de Musique in Toronto, Ontario, Kanada (in 2014)
- Teil von:
- Spotify CLASSICS: The 100 Greatest R&B Songs of the Streaming Era (Nummer: 54)
- recording of:
- Earned It (Fifty Shades of Grey) (in 2014)
- Texter und Komponist(in):
- Belly , DaHeala, Stephan Moccio und The Weeknd
- Verfasser(in):
- Abel “The Weeknd” Tesfaye , Ahmad “Belly” Balshe , Jason Quenneville und Stephan Moccio
- publisher:
- Sing Little Penguin Inc., Songs Music Publishing, LLC, Songs of SMP, Universal Music Corp. und WB Music Corp.
- Teil von:
- The 88th Academy Award for Best Original Song (Nummer: 2)
| The Weeknd | 3.8 | 4:11 |
| 4 | Meet Me in the Middle | Jessie Ware | | 5:08 |
| 5 | Love Me Like You Do- Programmierung und Produzent(in):
- Max Martin (in 2014) und Ali Payami (in 2014)
- Techniker(in):
- John Hanes (Aufgabe: engineered for mix) und Sam Holland (in 2014)
- Mix:
- Serban Ghenea (in 2014)
- Editing:
- Peter Carlsson (in 2014)
- Bass, Keyboard, Perkussion und Schlagzeug:
- Max Martin (in 2014) und Ali Payami (in 2014)
- Cello:
- David Bukovinszky (in 2014)
- Geige / Violine:
- Mattias Johansson (in 2014)
- Saiteninstrumente:
- Mattias Bylund (in 2014)
- Hintergrundgesang:
- Peter Carlsson (in 2014), Robin Fredriksson (in 2014), Oscar Görres (in 2014), Oscar Holter (in 2014), ILYA (in 2014), Mattias Larsson (in 2014), Max Martin (in 2014), Ali Payami (in 2014) und Ludvig Söderberg (in 2014)
- Saiteninstrumente arranger:
- Mattias Bylund (in 2014)
- aufgenommen bei:
- MXM Studios in Stockholm, Stockholms län , Schweden (in 2014)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten (in 2014)
- Teil von:
- Billboard Year-End Hot 100 singles of 2015 (Nummer: 13)
- recording of:
- Love Me Like You Do (in 2014)
- Verfasser(in):
- Ilya Salmanzadeh , Savan Kotecha, Max Martin , Ali Payami und Tove Lo
- publisher:
- BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB und Wolf Cousins
| Ellie Goulding | 4.05 | 4:10 |
| 6 | Haunted (Michael Diamond remix)- recording engineer:
- BOOTS und Stuart White
- zusätzliche membranophone [drum]-Programmierung:
- Hit‐Boy
- Techniker(in):
- Ramon Rivas
- Produzent(in):
- Beyoncé Knowles und BOOTS
- assistierende(r) Mix:
- Justin Hergett und James Krausse
- Mix:
- Tony Maserati und Stuart White
- Instrumente:
- BOOTS
- Hintergrundgesang:
- BOOTS
- remixer:
- Michael Diamond (in 2014)
- aufgenommen bei:
- Jungle City Studios in New York, New York, Vereinigte Staaten und Oven Studios in Chelsea, New York, New York, Vereinigte Staaten
- mixed at:
- Mirrorball Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Haunted (in 2014)
- Verfasser(in):
- Beyoncé Knowles und BOOTS
- publisher:
- In Souls, Oakland 13 Music, Songs of Roc Nation Music, Warner–Tamerlane Publishing Corp. und WB Music Corp.
| Beyoncé | 3 | 5:09 |
| 7 | Salted Wound | Sia | | 4:31 |
| 8 | Beast of Burden | The Rolling Stones | 2.75 | 3:30 |
| 9 | I'm on Fire | AWOLNATION | 4 | 2:34 |
| 10 | Crazy in Love (2014 remix)- recording engineer und Mix:
- Stuart White
- assistierende(r) Techniker(in):
- Rob Suchecki
- Produzent(in):
- BOOTS
- assistierende(r) Mix:
- Ramon Rivas
- Instrumente:
- BOOTS
- Saiteninstrumente arranger:
- BOOTS und Margot
- engineered at:
- Jungle City Studios in New York, New York, Vereinigte Staaten
- Samples:
- Are You My Woman von The Chi‐Lites
- recording of:
- Crazy in Love (in 2014)
- Verfasser(in):
- Beyoncé Giselle Knowles, Rich Harrison, Eugene Record und Shawn Carter
- publisher:
- Beyoncé Publishing, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Hitco South, Intersong Music Ltd., P and P Songs Limited, Unichappell Music, Inc. und Warner Chappell North America
- basiert auf:
- Are You My Woman? (Tell Me So)
| Beyoncé | 4 | 3:46 |
| 11 | Witchcraft (Remastered)- Produzent(in):
- Dave Cavanaugh
- Bass:
- Joe Comfort (am 1957-05-20)
- Bassposaune:
- George Roberts (am 1957-05-20)
- Bratsche / Viola:
- Maxine Johnson (am 1957-05-20) und Barbara Simons (am 1957-05-20)
- Cello:
- Cy Bernard (am 1957-05-20), Edgar Lustgarten (am 1957-05-20) und Eleanor Slatkin (am 1957-05-20)
- Geige / Violine:
- Alex Beller (am 1957-05-20), Harry Bluestone (am 1957-05-20), Robert Cross (am 1957-05-20), Walter Edelstein (am 1957-05-20), Ben Gill (am 1957-05-20), Paul Nero (am 1957-05-20), Mischa Russell (am 1957-05-20), Marshall Sosson (am 1957-05-20) und Gerald Vinci (am 1957-05-20)
- Gitarre:
- Nick Bonney (am 1957-05-20)
- Harfe:
- Kathryn Julye (am 1957-05-20)
- Klavier:
- Bill Miller (am 1957-05-20)
- Posaune:
- Jim Priddy (am 1957-05-20), Dick Noel (am 1957-05-20) und Juan Tizol (am 1957-05-20)
- Rohrblattinstrumente:
- Buddy Collette (am 1957-05-20), Harry Klee (am 1957-05-20), Joe Koch (am 1957-05-20), Wilbur Schwartz (am 1957-05-20) und Warren Webbe (am 1957-05-20)
- Schlagzeug:
- Frank DeVito (am 1957-05-20)
- Trompete:
- Clarence "Shorty" Sherock (am 1957-05-20), Harry “Sweets” Edison (am 1957-05-20), Conrad Gozzo (am 1957-05-20) und Vito "Mickey" Mangano (am 1957-05-20)
- vocals:
- Frank Sinatra (am 1957-05-20)
- Orchester:
- The Nelson Riddle Orchestra (am 1957-05-20)
- conductor:
- Nelson Riddle (am 1957-05-20)
- arranger:
- Nelson Riddle
- Herausgeber:
- Morley Music Corp. und Notable Music Co., Inc.
- recording of:
- Witchcraft (am 1957-05-20)
- Texter:
- Carolyn Leigh
- Komponist(in):
- Cy Coleman
- publisher:
- Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp.
| Frank Sinatra | 1 | 2:52 |
| 12 | One Last Night | Vaults | | 3:20 |
| 13 | Where You Belong | The Weeknd | 3 | 4:58 |
| 14 | I Know You | Skylar Grey | | 4:59 |
| 15 | Ana and Christian | Danny Elfman | | 3:24 |
| 16 | Did That Hurt? | Danny Elfman | | 2:55 |