Folk Heroes

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Same as release https://www.discogs.com/Various-Folk-Heroes/release/12572514 but with a different barcode

Label Code: LC0542
Rights Society: bel BIEM
Price Code: PM 503

Annotation last modified on 2024-01-20 12:00 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Talkin' Bout a Revolution
engineer and mixer:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
producer:
David Kershenbaum
acoustic guitar, electric guitar [rhythm] and percussion:
Tracy Chapman (American singer‐songwriter)
bass guitar:
Larry Klein
drums (drum set) and percussion:
Denny Fongheiser
electric guitar and Hammond organ:
Jack Holder
vocals:
Tracy Chapman (American singer‐songwriter)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
recorded at and mixed at:
Powertrax Studio in Hollywood, Los Angeles, California, United States
recording of:
Talkin’ Bout a Revolution
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Tracy Chapman3.752:42
2The Sound of Silence
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
Bob Bushnell (from 1964-03-10 until 1965-06-15)
drums (drum set):
Bobby Gregg (from 1964-03-10 until 1965-06-15)
guitar:
Vinnie Bell (from 1964-03-10 until 1965-06-15) and Al Gorgoni (guitarist, composer, arranger, and producer) (from 1964-03-10 until 1965-06-15)
lead vocals:
Art Garfunkel (on 1964-03-10) and Paul Simon (of Simon & Garfunkel) (on 1964-03-10)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 74) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 156)
recording of:
The Sound of Silence (from 1964-03-10 until 1965-06-15)
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-19)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963-11 until 1964-02-09)
publisher:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Simon & Garfunkel4.553:07
3Lady D'Arbanville
engineer:
Michael Bobak (Engineer, guitarist, songwriter)
producer:
Paul Samwell-Smith
arranger:
Cat Stevens (now known as Yusuf Islam)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1970-01 until 1970-02)
recording of:
Lady D’Arbanville (from 1970-01 until 1970-02)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Irving Music, Inc., Island Music Ltd. and Salafa Ltd.
Cat Stevens3.53:45
4Chuck E.'s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:31
5Don't Think Twice, It's Alright
producer:
John Hammond (producer)
bass guitar:
George Barnes (in 1962-11)
double bass:
Gene Ramey (in 1962-11)
drums (drum set):
Herb Lovelle (in 1962-11)
guitar:
Bruce Langhorne (in 1962-11)
piano:
Dick Wellstood (in 1962-11)
lead vocals:
Bob Dylan (in 1962-11)
recording of:
Don’t Think Twice, It’s All Right (in 1962-11)
lyricist:
Bob Dylan (in 1962)
composer:
[traditional] (special purpose artist) (in 1962) and Bob Dylan (in 1962)
arranger:
Paul Clayton (in 1962) and Bruce Langhorne (in 1962)
publisher:
Budde Musikverlag (German publisher), Neue Welt Musikverlag, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Witmark & Sons Essex Music, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991), Warner Bros.-Seven Arts Records, Inc. (not a label) (in 1965) and Special Rider Music (from 1991 to present)
adaptations:
Anna olla älä huoli lain
version of:
Who’s Gonna Buy You Ribbons (When I’m Gone)
recording of:
Bob Dylan’s Dream
lyricist and composer:
Bob Dylan (in 1963-01)
publisher:
Sony/ATV Music Publishing France, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
adaptations:
Bob Dylanin uni
is based on:
Lady Franklin’s Lament
Bob Dylan4.33:40
6A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.24:14
7Here With Me
recording of:
Here With Me
writer:
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Paul Statham
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido4:08
8Come Away With Me
assistant engineer:
Dick Kondas
engineer:
Jay Newland (producer, engineer and mixer)
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
Norah Jones3.753:19
9Goodnight MoonShivaree3.654:06
10Runaway (radio edit version)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1995) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995)
edit of:
Runaway (album version) by The Corrs
recording of:
Runaway
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs3:47
11Suzanne
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
Leonard Cohen4.153:50
12Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Music (in 1967) and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.553:01
13California Dreamin'
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40
14Mexico
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
acoustic guitar:
James Taylor (singer-songwriter and guitarist)
bass:
Lee Sklar (bassist, session musician)
drums (drum set) [drums] and shakers:
Russ Kunkel (session drummer)
electric guitar:
Danny Kortchmar (Danny Kootch) and James Taylor (singer-songwriter and guitarist)
harp:
Gayle Levant (American studio musician, harpist)
percussion:
Milt Holland
background vocals [vocal harmonies]:
David Crosby and Graham Nash
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Mexico
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
James Taylor4.52:59
15Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd and Southern Music (publisher)
Donovan2:57
16Mercedes Benz
recorded in:
Los Angeles, California, United States (on 1970-10-01)
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul A. Rothchild
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-10-01)
drums (drum set):
Clark Pierson (on 1970-10-01)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-10-01)
guest tambourine:
Sandra Crouch (on 1970-10-01)
guitar:
John Till (rock guitarist) (on 1970-10-01)
organ:
Ken Pearson (on 1970-10-01)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-10-01)
background vocals:
Phil Badella (on 1970-10-01), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-10-01), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-10-01), John Cooke (on 1970-10-01), Janis Joplin (on 1970-10-01), Vince Mitchell (on 1970-10-01), Ken Pearson (on 1970-10-01), Clark Pierson (on 1970-10-01) and John Till (rock guitarist) (on 1970-10-01)
lead vocals:
Janis Joplin (on 1970-10-01)
performer:
Full Tilt Boogie (on 1970-10-01)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-10-01)
recording of:
Mercedes Benz (on 1970-10-01)
writer:
Janis Joplin, Michael McClure and Bob Neuwirth
Janis Joplin3.551:48
17Drive
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
music videos:
Drive (music video) by R.E.M. (American rock band)
recording of:
Drive
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.3.954:28
18Walk Away
recording of:
Walk Away
lyricist and composer:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals)
Ben Harper3:50
19Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:54
20The Last Day of Our Acquaintance
engineer:
Chris Birkett
producer:
Sinéad O’Connor (Irish singer‐songwriter)
acoustic guitar:
Sinéad O’Connor (Irish singer‐songwriter)
bass guitar:
Jah Wobble
drums (drum set):
John Reynolds (Irish producer, drummer for Jah Wobble)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
recording of:
The Last Day of Our Aquaintance
lyricist and composer:
Sinéad O’Connor (Irish singer‐songwriter)
Sinéad O’Connor44:41
21Dirty Old Town
engineer:
Nick Robbins (engineer) and Paul Scully
producer:
Elvis Costello
recorded at:
Elephant Studios in Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Dirty Old Town
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor) (in 1949)
publisher:
Albert Music Publishing, Cooking Vinyl Ltd. (use “Cooking Vinyl” for release label), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Francis, Day & Hunter (publisher) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
The Pogues4.83:46
22Morning Glory
engineer:
Bruce Botnick
producer:
Jerry Yester
bass:
Jimmy Bond (in 1967-05)
flute and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar and lead vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
membranophone:
John Clauder (in 1967-05)
piano:
Don Randi (in 1967-05)
background vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) and Jerry Yester (in 1967-05)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1967-05)
recording of:
Morning Glory
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
Tim Buckley32:50
2CD