Queens of Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1No Tears Left to Cry
programming and producer:
ILYA (Swedish/Iranian songwriter, producer, and singer) and Max Martin (Swedish record producer)
assistant engineer:
Cory Bice and Jeremy Lertola
engineer:
Sam Holland (sound engineer)
mixer:
Serban Ghenea
bass:
Max Martin (Swedish record producer)
drums (drum set), keyboard and percussion:
ILYA (Swedish/Iranian songwriter, producer, and singer) and Max Martin (Swedish record producer)
background vocals:
Ariana Grande
vocals:
Ariana Grande
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2018)
recorded at:
MXM Studios in Stockholm, Stockholms län (Stockholm county), Sweden and Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
no tears left to cry by Ariana Grande
part of:
Stereogum: The 200 Best Songs of the 2010s (number: 9), Billboard Year-End Hot 100 singles of 2018 (number: 20) and BILLIONS CLUB
recording of:
no tears left to cry
writer:
Ariana Grande, Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha and Max Martin (Swedish record producer)
publisher:
GrandAriMusic, MXM, Universal Music Group Corp. (USA, affiliated with ASCAP), Warner/Chappell Music SCAND (STIM) and Wolf Cousins
Ariana Grande4.053:26
2Chandelier
additional engineer:
Julian Burg and Alex Pasco
engineer and producer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin) and Greg Kurstin
executive producer:
Sia (Australian singer‐songwriter)
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
drums (drum set):
Jesse Shatkin (US hip-hop producer Jesse Shatkin) and Greg Kurstin
guitar, mellotron and piano:
Greg Kurstin
keyboard:
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
phonographic copyright (℗) by:
Monkey Puzzle Records (imprint of Monkey Puzzle Records Ltd.) (in 2014, in 2015)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
part of:
Stereogum Readers’ 10 Best Songs of 2014 (number: 8), Billboard Year-End Hot 100 singles of 2014 (number: 25), Rolling Stone: The 100 Best Songs of the 2010s (number: 27), Billboard Year-End Hot 100 singles of 2015 (number: 90), TheNeedleDrop: Top 100 Songs of the 2010s (number: 93), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 99) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 176)
recording of:
Chandelier
writer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin) and Sia Furler (Sia, Australian singer‐songwriter)
publisher:
Aidenjulius Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing, Inc. and Sony/ATV Music Publishing LLC (1995–2020)
part of:
Moulin Rouge! The Musical: Act 2
Sia4.153:35
3Firework
recording engineer:
Mikkel S. Eriksen and Miles Walker (engineer)
additional engineer:
Damien Lewis and Carlos Oyanedel
assistant engineer:
Josh Houghkirk
producer:
StarGate (Norwegian production/songwriting team) and Sandy Vee
mixer:
Phil Tan (Malaysian-American audio engineer) and Sandy Vee
instruments:
Erik Hermansen, Mikkel S. Eriksen and Sandy Vee
vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recorded at:
Roc the Mic Studios in New York, New York, United States
mixed at:
Soapbox Studios in Atlanta, Georgia, United States and The Bunker Studios in Paris, Île-de-France, France
music videos:
Firework by Katy Perry
part of:
Billboard Year-End Hot 100 singles of 2011 (number: 3), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 30) and BILLIONS CLUB
recording of:
Firework
writer:
Ester Dean, Mikkel Storleer Eriksen, Tor Erik Hermansen, Katy Perry and Sandy Wilhelm (French electro DJ/producer, key track “Promised Land”)
publisher:
Dat Damn Dean Music, EMI Music Publishing Ltd. (PRS‐affiliated), Victor Music Arts, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Di Piu S R L (in 2010), EMI Music Publishing (do not use as a release label!) (in 2010), Peermusic III, Ltd. (BMI) (in 2010), Ultra Tunes (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Moulin Rouge! The Musical: Act 1
Katy Perry3.953:46
4Blow Me (One Last Kiss)
programming, engineer and producer:
Greg Kurstin
additional engineer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
assistant mixer:
Phil Seaford
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
bass, guitar and keyboard:
Greg Kurstin
recorded at:
Earthstar Creation Center in Venice, Los Angeles, California, United States and Echo Studio in Los Feliz, Los Angeles, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
Blow Me (One Last Kiss) (official video) by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2012 (number: 37)
recording of:
Blow Me (One Last Kiss) (in 2012)
writer:
Alecia Moore (American singer/songwriter) and Gregory Kurstin
P!nk3.44:15
5Womanizer
additional recording engineer:
Jim Beanz and Marcella “Ms. Lago” Araica (American songwriter, recording and mixing engineer)
assistant recording engineer:
Derik Lee (engineer)
recording engineer:
Bojan “Genius” Dugic and Brendan Dekora
additional assistant engineer:
Tim Roberts (engineer)
additional engineer:
John Hanes (audio engineer, mixer)
executive producer:
Larry Rudolph and Teresa LaBarbera Whites
producer:
K. Briscoe (Karin Briscoe) and The Outsyders
mixer:
Serban Ghenea
recorded at:
Glenwood Place Studios in Burbank, California, United States and Legacy Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
Womanizer (official music video, director's cut) by Britney Spears and Womanizer (director's cut) by Britney Spears
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 39) and Billboard Year-End Hot 100 singles of 2008 (number: 80)
recording of:
Womanizer
writer:
Nikeshia Briscoe and Rafael Akinyemi
publisher:
Gametyme Music Publishing Group and Outsyder Entertainment Music Publishing
Britney Spears3.953:43
6On the FloorJennifer Lopez13:39
7Hips Don’t Lie
guest vocals and guest performer:
Wyclef Jean (Haitian rapper, musician and actor)
samples:
Amores como el nuestro by Jerry Rivera (Puerto Rican salsa singer and songwriter) and Dance Like This by Wyclef Jean (Haitian rapper, musician and actor) feat. Claudette Ortiz
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 282)
recording of:
Hips Don’t Lie
writer:
Luis Diaz (US freestyle producer aka Funky Luis Diaz), Jerry Duplessis, Wyclef Jean (Haitian rapper, musician and actor), Latavia Parker, Omar Alfano and Shakira Ripoll (Colombian singer-songwriter)
Shakira feat. Wyclef Jean3.153:38
8All by Myself
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1996)
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Céline Dion3:58
9I Have Nothing
engineer:
David Reitzas
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Mick Guzauski
strings arranger:
David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1993)
recorded at:
Encore Recording Studios in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States
recording of:
I Have Nothing
writer:
David Foster (Canadian music producer, arranger and composer) and Linda Thompson (American actress, lyricist)
part of:
The 65th Academy Award for Best Original Song (number: 2)
Whitney Houston4.24:50
10The Promise
programming:
Nick Coler, Miranda Cooper, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Owen Parker (UK composer, instrumentalist and producer), Tim Powell (Songwriter and producer, ex-Xenomania), Jason Resch and Toby Scott (UK pop producer and songwriter)
engineer:
Dan Aslet and Toby Scott (UK pop producer and songwriter)
producer:
Brian Higgins (British producer and song writer) and Xenomania
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
drums (drum set) [drums]:
Florrie Arnold (Florence Arnold)
guitar [guitars]:
Nick Coler, Kieran Jones, Owen Parker (UK composer, instrumentalist and producer) and Jason Resch
keyboard [keyboards]:
Nick Coler, Miranda Cooper, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Owen Parker (UK composer, instrumentalist and producer), Tim Powell (Songwriter and producer, ex-Xenomania), Jason Resch and Toby Scott (UK pop producer and songwriter)
strings and woodwind:
Stefan Defilet, Susan Early, Jo Auckland, Mike Kearsey, Mark C. Brown (London based saxophonist and keyboardist), Adrian Smith (viola player) and Nick Squires (cellist, composer, producer, strings arranger)
vocals:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts and Kimberley Walsh
recording of:
The Promise
writer:
Carla Marie Williams, Nick Coler, Miranda Cooper, Brian Higgins (British producer and song writer), Kieran Jones, Tim Powell (Songwriter and producer, ex-Xenomania) and Jason Resch
publisher:
Warner Chappell (1999-2019) and Xenomania
Girls Aloud54:03
11Wings
additional programming:
MNEK
additional engineer:
Daniel Aslet (lead vocals [vocal])
assistant engineer:
Phil Seaford
engineer:
John Hanes (audio engineer, mixer)
additional producer:
James F Reynolds (mixer/writer/music producer) (task: vocal)
producer:
TMS (UK songwriting/production team)
mixer:
Serban Ghenea
alto saxophone and baritone saxophone:
Simon Clarke (UK saxophonist)
brass:
Kick Horns
drums (drum set) [drums]:
Tom Barnes (UK songwriter and drummer)
guitar:
Ben Kohn (songwriter and producer)
keyboard [keyboards]:
Pete Kelleher (multi-instrumentalist)
tenor saxophone:
Tim Sanders (UK saxophonist)
trombone:
David Liddell
trumpet:
Ryan Quigley and Darren Wiles
background vocals:
Carmen Reece and Iain James
vocals:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson and Perrie (English singer‐songwriter)
bass arranger:
Simon Clarke (UK saxophonist), Tim Sanders (UK saxophonist) and TMS (UK songwriting/production team)
arranger:
Simon Clarke (UK saxophonist), Tim Sanders (UK saxophonist) and TMS (UK songwriting/production team)
vocals arranger:
Carmen Reece and Iain James
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) and Warner Music UK Limited (not for release label use!) (in 2021)
recorded at:
The Music Shed in London (Greater London), England, United Kingdom
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
Wings by Little Mix (British girl group)
recording of:
Wings
writer:
Thomas Barnes (UK songwriter and drummer), JADE (UK vocalist, member of Little Mix), Iain James, Peter Kelleher (multi-instrumentalist), Ben Kohn (songwriter and producer), Leigh‐Anne, Michelle Lewis (singer-songwriter), Mischke, Jesy Nelson, Erika Nuri, Perrie (English singer‐songwriter) and Heidi Rojas
publisher:
Bea the Dog Music, Eternal Dance Media, Golden Sunset Music, Mischkemusic, Inc, Sony Music Publishing (2003–2008, 2021–present), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Limited (2019–present)
Little Mix3:39
12How Long Will I Love You
engineer:
Joe Kearns (British record producer, writer and engineer), Ashley Krajewski and Richard Kayvan
producer:
John Fortis
mixer:
Richard Kayvan
bass and keyboard [keyboards]:
John Fortis
guitar:
Nick Cornu
percussion:
Ashley Krajewski
music videos:
How Long Will I Love You by Ellie Goulding
cover recording of:
How Long Will I Love You
lyricist and composer:
Mike Scott (The Waterboys)
Ellie Goulding32:34
13Big Girls Don’t Cry (Personal)
music videos:
Big Girls Don’t Cry (personal version) by Fergie (American singer)
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 22) and Billboard Year-End Hot 100 singles of 2008 (number: 78)
recording of:
Big Girls Don’t Cry
writer:
Fergie (American singer) and Toby Gad (German songwriter, producer, pianist)
Fergie3.94:29
14Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:03
15Wrecking Ball
programming and producer:
Cirkut and Dr. Luke
engineer:
Mike Caffery (engineer), Clint Gibbs and Sven Heidinga
mixer:
Serban Ghenea
cello:
Suzie Katayama
instruments:
Cirkut and Dr. Luke
strings:
David Richard Campbell (US‐based Canadian violinist, composer, conductor and arranger)
viola:
Andrew Duckles and Darrin McCann
violin:
Charlie Bisberat (violinist), Kevin Connolly (violinist) and Songa Lee
lead vocals:
Miley Cyrus
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
music videos:
Wrecking Ball (official video) by Miley Cyrus
part of:
Billboard Decade End Chart: Streaming Songs (2010s) (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 156) and BILLIONS CLUB
recording of:
Wrecking Ball
writer:
Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald (pop singer/songwriter, active from the mid–2000s), Stephan Moccio and Sacha Skarbek
publisher:
BMG Platinum Songs, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing (ASCAP affiliated), Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing Canada II
Miley Cyrus3.73:41
16Skyscraper
phonographic copyright (℗) by:
Hollywood Records (a label of Disney Music Group) (in 2011)
recording of:
Skyscraper
writer:
Toby Gad (German songwriter, producer, pianist), Kerli Kõiv (Estonian singer‐songwriter) and Lindy Robbins (American songwriter)
publisher:
EMI April Music Inc., Gad Songs, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Tiny Cute Monster and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Demi Lovato3.453:41
17Hurt
recording of:
Hurt
writer:
Christina Aguilera, Linda Perry (rock singer‐songwriter & producer) and Mark Ronson (British DJ and producer)
Christina Aguilera4:02
18No More “I Love You’s”Annie Lennox4.54:49
19Only Love Can Hurt Like This
recording engineer:
Mario Luccy
additional producer:
AC Burrell and Kyle Townsend
producer:
AC Burrell
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass:
Bryan “B-Dub” White (bassist and producer)
lead vocals:
Paloma Faith
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Realsongs in Los Angeles, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Only Love Can Hurt Like This
lyricist and composer:
Diane Warren (US songwriter)
Paloma Faith3.353:52
20Blue Velvet
phonographic copyright (℗) by:
Lana Del Rey (in 2012)
music videos:
Blue Velvet (H&M commercial) by Lana Del Rey
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lana Del Rey2.42:39
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ASIN:UK: B07YMFZHRD [info]