British Composers: The Lark Ascending

~ Release by Butterworth, Delius, Elgar, Holst, Vaughan Williams, Walton, Warlock (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Fantasia on a Theme by Thomas Tallis
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (on 1962-06-17)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-06-17)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (on 1962-06-17)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1962-06-17)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:14
2English Folk Songs Suite: I. March. Seventeen Come Sunday
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
3English Folk Songs Suite: II. Intermezzo. My Bonny Boy
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:52
4English Folk Songs Suite: III. March. Folk Songs from Somerset
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:00
5Fantasia on "Greensleeves"
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
6Serenadein E minor, op. 20: I. Allegro piacevole
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:58
7Serenadein E minor, op. 20: II. Larghetto
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar5:59
8Serenadein E minor, op. 20: III. Allegretto
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:07
9The Banks of Green Willow - Idyll for orchestra
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1976-12-15 until 1976-12-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-15 until 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1976-12-15 until 1976-12-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-12-15 until 1976-12-16)
recording of:
The Banks of Green Willow, Idyll (from 1976-12-15 until 1976-12-16)
composer:
George Butterworth (composer) (in 1913)
George Butterworth5:47
10Summer Night On The River
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Summer Night on the River, RT VI/19 no. 2
composer:
Frederick Delius (English composer) (in 1911)
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius6:23
11Sospiri, op. 70
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-06-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-06-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-06-16)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (on 1966-06-16)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Edward Elgar5:08
12On Hearing the First Cuckoo in Spring
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1
composer:
Frederick Delius (English composer) (in 1912)
dedicated to:
Balfour Gardiner
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius5:42
13The Dargason (Saint Paul's Suite, op. 29, IV)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro (from 1971-07-21 until 1971-07-22)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst3:20
14The Wasps - Aristophanic Suite (Overture)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Aristophanic Suite “The Wasps”: I. Overture (from 1978-11-27 until 1978-11-28)
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
Ralph Vaughan Williams9:08