The Great Summit: The Complete Sessions

~ Veröffentlichung von Louis Armstrong & Duke Ellington (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: The Master Takes
Nr.TitelBewertungLänge
1Duke's Place
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
Duke’s Place (in 1961-04)
Texter:
Bill Katz, Ruth Roberts und Bob Thiele (producer & songwriter)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
“C” Jam Blues
5:08
2I'm Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter) (am 1961-04-04)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
vocals:
Louis Armstrong (am 1961-04-04)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
I’m Just a Lucky So and So (am 1961-04-04)
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
43:11
3Cottontail
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
Cotton Tail
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:47
4Mood Indigo
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
vocals:
Louis Armstrong (am 1961-04-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
Mood Indigo (1930 jazz composition and song) (am 1961-04-04)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:00
5Do Nothin' Till You Hear From Me
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
Do Nothin’ Till You Hear From Me (am 1961-04-03)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
2:39
6The Beautiful American
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
3:11
7Black and Tan Fantasy
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
Black and Tan Fantasy
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
4:03
8Drop Me Off in Harlem
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
Drop Me Off in Harlem (am 1961-04-04)
Texter:
Nick Kenny (in 1933)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:53
9The Mooche
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
The Mooche (am 1961-04-04)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
3:46
10In a Mellow Tone
recording engineer:
Ray Hall (engineer) (am 1961-04-03)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
In a Mellow Tone (am 1961-04-03)
Texter:
Milt Gabler (in 1939)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:53
11It Don't Mean a Thing
recording engineer:
Ray Hall (engineer) (am 1961-04-03)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1961-04-03)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
44:01
12Solitude
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
(In My) Solitude (am 1961-04-03)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
4:58
13Don't Get Around Much Anymore
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
Don’t Get Around Much Anymore (am 1961-04-03)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
3:35
14I'm Beginning to See the Light
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
I’m Beginning to See the Light (am 1961-04-03)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:40
15Just Squeeze Me
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
Klarinette:
Barney Bigard (am 1961-04-03)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-03)
Kontrabass:
Mort Herbert (am 1961-04-03)
Posaune:
Trummy Young (am 1961-04-03)
Schlagzeug:
Danny Barcelona (am 1961-04-03)
Trompete:
Louis Armstrong (am 1961-04-03)
vocals:
Louis Armstrong (am 1961-04-03)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
Just Squeeze Me (but Don’t Tease Me) (am 1961-04-03)
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:01
16I Got It Bad and That Ain't Good
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:34
17Azalea
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1961-04-03 bis 1961-04-04)
recording of:
Azalea
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
5:06
2▶CD: The Making of The Great Summit