| recording location for |
|---|
| 2001-06-24 – 2001-06-29 | O mon bel inconnu | | Susan Graham, City of Birmingham Symphony Orchestra, Yves Abel | 3:54 |
| 2002-01 | Ambleside | | John Taylor, Marc Johnson & Joey Baron | 15:12 |
| 2002-01 | Between Moons | | John Taylor, Marc Johnson & Joey Baron | 9:03 |
| 2002-01 | Pure and Simple | | John Taylor, Marc Johnson & Joey Baron | 9:52 |
| 2002-01 | Tramonto | | John Taylor, Marc Johnson & Joey Baron | 8:02 |
| 2002-01 | Up Too Late | | John Taylor, Marc Johnson & Joey Baron | 12:22 |
| 2002-10-27 | Boots of Lead | | Birmingham Contemporary Music Group, Simon Rattle, Rinat Shaham | 14:22 |
| 2003-06-26 – 2003-06-27 | Eco-Pavan | | Birmingham Contemporary Music Group, Martyn Brabbins, Rolf Hind | 14:48 |
| 2004-04-05 | Feet of Clay | | Ulrich Heinen | 11:58 |
| 2004-04-05 | Kites | | Birmingham Contemporary Music Group, Martyn Brabbins | 15:28 |
| 2004-04-05 | Lilith | | Birmingham Contemporary Music Group, Martyn Brabbins | 11:00 |
| 2005-03-06 | Tiroirs | | Birmingham Contemporary Music Group, Susanna Mälkki | 11:17 |
| 2007-04-14 – 2007-04-15 | Ben Somewhen | | Birmingham Contemporary Music Group | 12:16 |
| 2007-04-14 – 2007-04-15 | Chamber Concerto: I. Con bravura | | Birmingham Contemporary Music Group, James Weeks | 1:03 |
| 2007-04-14 – 2007-04-15 | Chamber Concerto: II. Tempo giusto | | Birmingham Contemporary Music Group, James Weeks | 1:23 |
| 2007-04-14 – 2007-04-15 | Chamber Concerto: III. Grazioso | | Birmingham Contemporary Music Group, James Weeks | 1:47 |
| 2007-04-14 – 2007-04-15 | Chamber Concerto: IV. Teneramente | | Birmingham Contemporary Music Group, James Weeks | 1:26 |
| 2007-04-14 – 2007-04-15 | Clarinet Quintet: I. Andante | | Birmingham Contemporary Music Group | 3:00 |
| 2007-04-14 – 2007-04-15 | Clarinet Quintet: II. Comodo | | Birmingham Contemporary Music Group | 2:57 |
| 2007-04-14 – 2007-04-15 | Clarinet Quintet: III. Largo | | Birmingham Contemporary Music Group | 2:45 |
| 2007-04-14 – 2007-04-15 | Suite from Delicate: I. Pulse | | Birmingham Contemporary Music Group | 8:44 |
| 2007-04-14 – 2007-04-15 | Suite from Delicate: II. Triangle 1 | | Birmingham Contemporary Music Group | 2:54 |
| 2007-04-14 – 2007-04-15 | Suite from Delicate: III. Easy | | Birmingham Contemporary Music Group | 0:42 |
| 2007-04-14 – 2007-04-15 | Suite from Delicate: IV. Triangle 2 | | Birmingham Contemporary Music Group | 1:31 |
| 2007-04-14 – 2007-04-15 | Suite from Delicate: V. Solo | | Birmingham Contemporary Music Group | 3:31 |
| 2007-04-14 – 2007-04-15 | Suite from Delicate: VI. Ending | | Birmingham Contemporary Music Group | 0:49 |
| 2008-11-11 | Katsina | | Ken Vandermark, Barry Guy, Mark Sanders | 11:58 |
| 2008-11-11 | Kwingyaw (For T. D-E) | | Ken Vandermark, Barry Guy, Mark Sanders | 22:38 |
| 2008-11-11 | Northern Lights | | Ken Vandermark, Barry Guy, Mark Sanders | 6:23 |
| 2008-11-11 | Revontulet | | Ken Vandermark, Barry Guy, Mark Sanders | 9:10 |
| 2008-11-11 | Up North | | Ken Vandermark, Barry Guy, Mark Sanders | 11:59 |
| 2010-12-05 | Falling Angel | | Birmingham Contemporary Music Group, Christopher Austin | 16:35 |
| 2010-12-05 | Iris | | Birmingham Contemporary Music Group, Simon Haram, Christopher Austin | 14:51 |
| 2012-05-26 | Loopholes and Lynchpins: Loophole 1 | | Huw Watkins | 2:26 |
| 2012-05-26 | Loopholes and Lynchpins: Loophole 2 | | Huw Watkins | 1:48 |
| 2012-05-26 | Loopholes and Lynchpins: Loophole 3 | | Huw Watkins | 1:54 |
| 2012-05-26 | Loopholes and Lynchpins: Lynchpin 1 | | Huw Watkins | 2:45 |
| 2012-05-26 | Loopholes and Lynchpins: Lynchpin 2 | | Huw Watkins | 3:17 |
| 2012-05-26 | Static | | Samuel Boden, Huw Watkins | 2:10 |
| 2012-05-26 | This Love | | Samuel Boden, Huw Watkins | 2:52 |
| 2013-07-09 | The Most Painful Time Happens Only Once Has It Arrived Already…? | | Nazoranai | 18:40 |
| 2013-07-09 | Who Is Making the Time Rot | | Nazoranai | 8:59 |
| 2013-07-09 | Will Not Follow Your Hoax Called History | | Nazoranai | 17:56 |
| 2013-07-09 | You Should Look Closely Those Shattered Spells Never Attaining Embodiment as Prayer They Are Born Here Again | | Nazoranai | 18:52 |
| 2017-09-26 – 2017-09-27 | Four Pieces: Fantastic March | | Mark Bebbington | 4:28 |
| 2017-09-26 – 2017-09-27 | Four Pieces: Idyll | | Mark Bebbington | 4:15 |
| 2017-09-26 – 2017-09-27 | Four Pieces: Phantasie | | Mark Bebbington | 4:35 |
| 2017-09-26 – 2017-09-27 | Four Pieces: Romanza | | Mark Bebbington | 5:14 |
| 2017-09-26 – 2017-09-27 | In the Night (Passacaglia) | | Mark Bebbington | 8:35 |
| 2017-09-26 – 2017-09-27 | Legend | | Mark Bebbington | 8:24 |
| 2017-09-26 – 2017-09-27 | Russian Impressions: Sunset on the Volga | | Mark Bebbington | 1:43 |
| 2017-09-26 – 2017-09-27 | Russian Impressions: The Exile | | Mark Bebbington | 1:43 |
| 2017-09-26 – 2017-09-27 | Russian Impressions: The Old Church at Wilna | | Mark Bebbington | 2:50 |
| 2017-09-26 – 2017-09-27 | Russian Impressions: The Tartars | | Mark Bebbington | 3:16 |
| 2017-09-26 – 2017-09-27 | Sonata in E-flat major: Allegro moderato e feroce – Molto cantabile | | Mark Bebbington | 13:47 |
| 2017-09-26 – 2017-09-27 | Sonata in E-flat major: Lento con molta espressione | | Mark Bebbington | 10:27 |
| 2017-09-26 – 2017-09-27 | Sonata in E-flat major: Scherzo – Finale | | Mark Bebbington | 9:56 |
| 2017-09 | Evening of Roses | | Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | 3:03 |
| 2017-09 | No Woman, No Cry | | Sheku Kanneh-Mason | 2:29 |
| 2017-09 | Sardana | | Sheku Kanneh-Mason, Guy Johnston, CBSO Cellos | 6:03 |
| 2017-09 | Song of the Birds | | Sheku Kanneh-Mason, CBSO Cellos | 3:56 |
| 2017-09 | The Swan | | Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | 2:35 |
| 2019-09-03 – 2019-09-04 | Concertino for Bassoon and String Orchestra: Lento espressivo, intimo | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 5:53 |
| 2019-09-03 – 2019-09-04 | Concertino for Bassoon and String Orchestra: Moderato | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 5:39 |
| 2019-09-03 – 2019-09-04 | Concertino for Bassoon and String Orchestra: Presto giocoso | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 5:08 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Adagio lamentoso – | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 3:45 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Aria – | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 10:13 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Cadenza – | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 2:08 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Epilogo | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 1:40 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Prologo – | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 1:51 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Recitativo I – | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 5:12 |
| 2019-09-03 – 2019-09-04 | Concerto for Bassoon and Small Orchestra: Recitativo II | | Laurence Perkins, City of Birmingham Symphony Orchestra, William Goodchild | 2:56 |
| Coal Face: 1. Andante: "A Sterile Landscape" | | Benjamin Britten | 0:40 |
| Coal Face: 2. "Coal Mining Is the Basic Industry of Britain" | | Benjamin Britten | 1:11 |
| Coal Face: 3. Andante: "The Chief Coal-Producing Centres" | | Benjamin Britten | 0:42 |
| Coal Face: 4. "Yorkshire and Lancashire" | | Benjamin Britten | 1:01 |
| Coal Face: 5. Moderato: "The Temp'rature Often Reaches" | | Benjamin Britten | 0:29 |
| Coal Face: 6. Andante: "The Seven and a Half Hour Shift" | | Benjamin Britten | 0:48 |
| Coal Face: 7. Ad Libitum Sempre: "One Thirty A.M." | | Benjamin Britten | 0:50 |
| Coal Face: 8. Allegro ma non troppo: "In Many Pits" | | Benjamin Britten | 1:05 |
| Coal Face: 9. Allegro molto: "The Shift Is Finished" | | Benjamin Britten | 2:03 |
| Coal Face: 10. "Making Up Coal Trains" | | Benjamin Britten | 2:27 |
| Coal Face: 11. Allegro: "Coal Mining Is the Basic Industry" | | Benjamin Britten | 0:14 |
| Coal Face: 12. Andante: "There Are the Miners" | | Benjamin Britten | 0:23 |
| Men Behind the Meters: Allegro moderato: 1935 Sequence | | Benjamin Britten | 1:17 |
| Men Behind the Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls" | | Benjamin Britten | 1:33 |
| Men Behind the Meters: Title Music | | Benjamin Britten | 0:22 |
| Negroes - Music from GPO Film: "The Slaves Were the Absolute Property of Their Masters" | | Benjamin Britten | 0:58 |
| Negroes - Music from GPO Film: 2. Allegro - "Then the Portuguese and Spaniards" | | Benjamin Britten | 1:04 |
| Negroes - Music from GPO Film: 3. Allegro ritmico - "At the Mouth of the Senegal" | | Benjamin Britten | 1:04 |
| Negroes - Music from GPO Film: 4. Andante con moto - "To Sail From Africa to Jamaica" | | Benjamin Britten | 1:09 |
| Negroes - Music from GPO Film: 5. Andante lento -"The More Advanced Thinkers in Europe" | | Benjamin Britten | 1:32 |
| Negroes - Music from GPO Film: 6. Andante con molto moto - "Still at Their Accustomed Hour" | | Benjamin Britten | 3:26 |
| Negroes - Music from GPO Film: 7. Allegro ritmico - "Coffee From the Blue Mountains" | | Benjamin Britten | 0:50 |
| Negroes - Music from GPO Film: Allegro appassionato - Title Music - 1. Allegro - "In the Middle Ages" | | Benjamin Britten | 3:01 |
| Night Mail: End Sequence | | Benjamin Britten | 4:08 |
| Night Mail: Percussion Sequence | | Benjamin Britten | 0:56 |
| Night Mail: Title Music | | Benjamin Britten | 0:47 |
| Peace of Britain | | Benjamin Britten | 1:31 |
| Telegrams | | Benjamin Britten | 2:30 |
| See all 127 relationships |
| premieres hosted |
|---|
| 2015-10-03 | Alhaan Al Siduri | | | |
