Erscheint in Veröffentlichungen
| Nr. | Titel | Länge | Titelinterpret | Veröffentlichungstitel | Veröffentlichungskünstler | Veröffentlichungsgruppen-Typ | Land/Datum | Label | Katalognr. |
|---|---|---|---|---|---|---|---|---|---|
| Offiziell | |||||||||
| 1.8 | Totentanz, S. 525 | 15:12 | Franz Liszt | Liszt: Piano Concertos Nos. 1 & 2 / Totentanz | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra & Seiji Ozawa | Album |
| Deutsche Grammophon | |
| 1.8 | Totentanz (Danse macabre): Andante – Allegro – Allegro moderato (Var. I & II) – Molto Vivace (Var. III) – Lento (Var. IV) – Vivace (Var. V) – Sempre allegro (Ma non troppo) – Un poco meno allegro – Presto – Allegro animato | 15:12 | Franz Liszt | Klavierkonzerte nos. 1 & 2 / Totentanz | Franz Liszt; Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | Album | Deutsche Grammophon | 423 571-2 | |
| 11.8 | Totentanz, S. 525 | 15:12 | Krystian Zimerman | Centenary Collection 1978-1987 | Various Artists | Album + Compilation |
| Deutsche Grammophon | 459 070-2 |
| 2.4 | Totentanz (Danse macabre) | 15:09 | Franz Liszt | Great Pianists of the 20th Century, Volume 100: Krystian Zimerman | Krystian Zimerman | Album + Compilation |
| Deutsche Grammophon, Philips | 456 997-2 |
| 55.8 | Totentanz (Danse macabre) | 15:12 | Franz Liszt | 111 Years of Deutsche Grammophon: The Collectors’ Edition | Various Artists | Album + Compilation |
| Deutsche Grammophon | 00289 477 8167 GB 55 |
| 1.8 | Totentanz, S. 126: Andante - Cadenza. Presto - Allegro - Var. I. Allegro moderato - Var. II - Var III. Molto vivace - Var. IV. Lento - Var. V. Vivace. Fugato - Var VI. Sempre Allegro (ma non troppo) - Allegro animato | 15:12 | Franz Liszt | Liszt: The Collection | Franz Liszt | Album + Compilation |
| Deutsche Grammophon | 00289 477 9525 |
| 35.8 | Totentanz, S. 525 | 15:12 | Franz Liszt | Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon | Boston Symphony Orchestra | Album + Compilation |
| Deutsche Grammophon | 479 7718 |
| 39.8 | Totentanz, S. 525 | 15:12 | Franz Liszt | The Anniversary Edition: 120 Years Deutsche Grammophon | Various Artists | Album + Compilation |
| Deutsche Grammophon | 483 5268 |
| 32.8 | Totentanz, S. 525 | 15:12 | Franz Liszt | The Complete Recordings on DG | Seiji Ozawa | Album |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 4836484 |
| 32.8 | Totentanz, S. 525 | 15:12 | Franz Liszt | Seiji Ozawa Edition | Seiji Ozawa | Album + Compilation |
| Universal Classics & Jazz (Japanese label division - read the annotation before using!) | UCCS-9068 |
| Pseudo-Veröffentlichung | |||||||||
| 1.8 | Totentanz (Danse macabre): Andante – Allegro – Allegro moderato (Var. I & II) – Molto Vivace (Var. III) – Lento (Var. IV) – Vivace (Var. V) – Sempre allegro (Ma non troppo) – Un poco meno allegro – Presto – Allegro animato | 15:12 | Franz Liszt | Piano Concertos nos. 1 & 2 / Totentanz | Franz Liszt; Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman | Album | |||
| (unbekannt) | |||||||||
| 1.8 | Totentanz (Danse macabre) | 15:12 | Franz Liszt | The Liszt Recordings | Liszt; Krystian Zimerman | Album |
| Deutsche Grammophon | 477 9697 |
Beziehungen
| Produzent(in): | Wolfgang Stengel |
|---|---|
| Klavier: | Krystian Zimerman (pianist) (in 1987-04) |
| Orchester: | Boston Symphony Orchestra (in 1987-04) |
| conductor: | Seiji Ozawa (conductor and composer) (in 1987-04) |
| Tonmeister(in): | Hans‐Peter Schweigmann (engineer) (in 1987-04) |
| aufgenommen bei: | Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1987-04) |
|---|
| recording of: | Totentanz, S. 126/2 (for piano and orchestra, published version) (in 1987-04) |
|---|
Verbundene Werke
Totentanz, S. 126/2 (for piano and orchestra, published version)
| Komponist(in): | Franz Liszt (Hungarian composer, pianist and conductor) |
|---|---|
| gewidmet: | Hans von Bülow (German conductor and composer) |
| uraufgeführt von: | Hans von Bülow (German conductor and composer) (am 1865-04-15) |
| Premiere bei: | [concert] (1865-04-15) |
|---|
| Teile: | 1. Totentanz, S. 126: I. Andante - Allegro - Allegro moderato (for piano and orchestra) 2. Totentanz, S. 126: II. Variation I (for piano and orchestra) 3. Totentanz, S. 126: III. Variation II (for piano and orchestra) 4. Totentanz, S. 126: IV. Variation III (for piano and orchestra) 5. Totentanz, S. 126: V. Variation IV (for piano and orchestra) 6. Totentanz, S. 126: VI. Variation V (for piano and orchestra) 7. Totentanz, S. 126: VII. Cadenza (for piano and orchestra) 8. Totentanz, S. 126: VIII. Variation VI (for piano and orchestra) 9. Totentanz, S. 126: IX. Cadenza (for piano and orchestra) 10. Totentanz, S. 126: X. Allegro animato (for piano and orchestra) |
|---|---|
| basiert auf: | Missa pro defunctis: Sequentia “Dies irae” (plainchant) |
| ist die Grundlage für: | Dies irae (Epic Fail) Piano variations, op.15 |
| Revision von: | Totentanz, S. 126/1 (early unpublished version) |
| arrangements: | Totentanz, S. 525, R. 188 (for solo piano) Totentanz, S. 652 (for two pianos) |
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