Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.33Matthäus-Passion, BWV 244 (2. Teil): No. 33: Rezitativ: "Und wiewohl viel falsche Zeugen herzutraten"1:08Johann Sebastian BachMatthäus-PassionJohann Sebastian Bach; Rheinische Kantorei, Das Kleine Konzert, Hermann MaxAlbum
Capriccio (classical)60 046-2
1.33St. Matthew Passion, BWV 244: Pt. II: Recitative. Und wiewohl viel falsche Zeugen herzutraten (Evangelist, 2 Witnesses, High Priest)1:07Johann Sebastian BachSt. Matthew PassionJohann Sebastian Bach; Hermann Max, Das Kleine KonzertAlbum
Capriccio (classical)

Relationships

tenor vocals [Evangelist]:Christoph Prégardien (tenor) (from 1995-02-20 until 1995-02-26)
orchestra:Das Kleine Konzert (from 1995-02-20 until 1995-02-26)
conductor:Hermann Max (chorus master and conductor) (from 1995-02-20 until 1995-02-26)
recorded at:Sendesaal Deutschlandfunk in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1995-02-20 until 1995-02-26)
recording of:Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1995-02-20 until 1995-02-26)

Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, XXXIX. Recit (Evangelist, High Priest, Chorus II) "Yea, Tho' Many Flase Witnesses"
part of:Matthäus-Passion, BWV 244: Teil II (order: 4)
arrangements:St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (translated)