Maigesang, op. 52, no. 4

~ Recording by Anne Sofie von Otter, Melvyn Tan

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.16Maigesang, op. 52, no. 42:12Ludwig van BeethovenLieder, MélodiesBeethoven, Meyerbeer, Spohr; Anne Sofie von Otter, Melvyn TanAlbum
  • DE2001-07-02
Archiv Produktion469 074-2
116.16Maigesang, op. 52 no. 4: “Wie herrlich leuchtet mir die Natur!”2:13Ludwig van BeethovenBTHVN 2020: The New Complete EditionLudwig van BeethovenOther
  • XW2019-11-01
  • XE2019-11-01
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon4836767
Pseudo-Release
18.16Maigesang, op. 52 no. 4: “Wie herrlich leuchtet mir die Natur!”2:13Ludwig van BeethovenBTHVN 2020: The New Complete Edition (rarities, classic performances, period instrument performances)Ludwig van BeethovenOther

Relationships

recording engineer:Hans‐Ulrich Bastin (in 1999-02)
producer and editor:Karl-August Naegler (balance engineer)
fortepiano:Melvyn Tan (pianist) (in 1999-02)
mezzo-soprano vocals:Anne Sofie von Otter (mezzo-soprano) (in 1999-02)
balance engineer:Hans‐Ulrich Bastin
recorded at:Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (in 1999-02)
recording of:Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur" (in 1999-02)

Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur"

lyricist:Johann Wolfgang von Goethe
composer:Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
part of:8 Lieder, op. 52 (order: 4)
is based on:Mailied