Gaîté parisienne : Barcarolle

~ Recording by Pittsburgh Symphony Orchestra, André Previn

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.22Gaîté parisienne : Barcarolle3:56Jacques Offenbach; Pittsburgh Symphony Orchestra, Philharmonia Orchestra, André Previn, Antonio de AlmeidaGaîté parisienne; Orpheus in the Underworld; Voyage to the MoonJacques Offenbach; Pittsburgh Symphony Orchestra, Philharmonia Orchestra, André Previn, Antonio de AlmeidaAlbum
  • US1994-10-11
Philips442 403-2
1.22Gaîté parisienne : Barcarolle3:56Jacques OffenbachGaîté parisienne; Orpheus in the Underworld; Voyage to the MoonJacques Offenbach; Pittsburgh Symphony Orchestra, Philharmonia Orchestra, André Previn, Antonio de AlmeidaAlbum
Philips442 403-2
1.22Gaîté parisienne: Barcarolle3:56Jacques OffenbachGaîté parisienne (It's part of the "Digital Classics" series from Philips)Jacques Offenbach; Pittsburgh Symphony Orchestra, André PrevinAlbum
Philips411 039-2

Relationships

orchestra:Pittsburgh Symphony Orchestra (in 1982-10)
conductor:André Previn (pianist, conductor, composer, arranger) (in 1982-10)
recorded at:Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (in 1982-10)
recording of:Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)

Related works

Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann »)

orchestrator:Manuel Rosenthal (French conductor & composer)
composer:Jacques Offenbach (German-French composer, cellist and impresario)
part of:Gaîté parisienne (order: 23)
is the basis for:Adieu, Lebewohl, Goodbye
arrangement of:Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)