Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.20Johannes-Passion, BWV 245: Teil I: XX. Aria (Tenor): Erwäge, wie sein blutgefärbter Rücken7:56Johann Sebastian BachJohannes-PassionJohann Sebastian Bach; Enoch zu Guttenberg, Chorgemeinschaft Neubeuern, Bach‐Collegium München, Inga Nielsen, Nathalie Stutzmann, Claes‐Håkan Ahnsjö, Robert Swensen, Anton Scharinger, Thomas QuasthoffAlbum
RCA Victor Red SealRD 60903

Relationships

executive producer:Stefan Mikorey
producer:Helmut Pauli
tenor vocals:Robert Swensen (tenor) (from 1991-04-02 until 1991-04-07)
orchestra:Bach Collegium München (from 1991-04-02 until 1991-04-07)
conductor:Enoch zu Guttenberg (from 1991-04-02 until 1991-04-07)
balance engineer:Manfred Handschuher
Rainer Seidel
recorded at:Wallfahrtskirche Mariä Himmelfahrt (Tading) in Forstern, Bayern (Bavaria), Germany (from 1991-04-02 until 1991-04-07)
recording of:Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (from 1991-04-02 until 1991-04-07)

Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken"

composer:Johann Sebastian Bach (German Baroque period composer & musician)
later versions:Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (1728-1732 revision)
part of:Johannes-Passion, BWV 245 (St. John Passion, BWV 245) (order: 20)
arrangements:Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (English translation "Behold ye, how his limbs with blood are stained") (translated)