Der Zarewitsch: Kosende Wellen
~ Recording by Hilde Gueden, Vienna State Opera Orchestra, Robert Stolz
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.4 | Der Zarewitsch: Kosende Wellen | 3:57 | Franz Lehár | Wiener Blut | Various Artists | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 436 534-2 |
| 1.4 | Der Zarewitsch: Kosende Wellen | 3:56 | Franz Lehár | Operetta Evergreens and Traditional Songs | Hilde Gueden & Luigi Alva | Album |
| Belart | 461 5942 |
Relationships
| soprano vocals: | Hilde Güden (soprano) |
|---|---|
| orchestra: | Vienna State Opera Orchestra |
| conductor: | Robert Stolz (Viennese operetta composer, songwriter and conductor) |
| phonographic copyright (℗) by: | The Decca Record Company Limited (not a release label; for copyrights use only) (in 1961) |
|---|
| recording of: | Der Zarewitsch: Akt III. Nr. 14 Duett & Melodram „Kosende Wellen“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Zarewitsch, Sonja) |
|---|
Related works
Der Zarewitsch: Akt III. Nr. 14 Duett & Melodram „Kosende Wellen“ – „Warum hat jeder Frühling, ach, nur einen Mai“ (Zarewitsch, Sonja)
| composer: | Franz Lehár (composer) |
|---|
| referred to in medleys: | In Lehármonie (Michael Heltau) (order: 4) |
|---|---|
| part of: | Der Zarewitsch: Akt III (number) (order: 2) |
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