Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 8. Prelude in D minor (BWV 875)
~ Recording by Federico Lovato, Jelena Očić
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 218.3 | Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 8. Prelude in D minor (BWV 875) | 1:43 | Johann Sebastian Bach | Bach 333 - J.S. Bach The New Complete Edition | Johann Sebastian Bach | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon | 4798000 |
| Pseudo-Release | |||||||||
| 24.3 | Studies in Melodic Counterpoint, op. 137 (after The Well-Tempered Clavier, with cello obligato): 8. Prelude in D minor (BWV 875) | 1:43 | Johann Sebastian Bach | Bach 333: Instrumental & supplement (second half) | Johann Sebastian Bach | Album + Compilation | |||
Relationships
| producer and balance engineer: | Piotr Furmanczyk |
|---|---|
| cello: | Jelena Očić (cellist) (in 2011-01) |
| piano: | Federico Lovato (pianist) (in 2011-01) |
| recorded at: | FWL Studios Leipzig in Leipzig, Sachsen (Saxony), Germany (in 2011-01) |
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| recording of: | Melodisch-Kontrapunktische Studien, op. 137: Nr. 8. Präludium in D minor |
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Related works
Melodisch-Kontrapunktische Studien, op. 137: Nr. 8. Präludium in D minor
| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
|---|---|
| arranger: | Ignaz Moscheles (Bohemian composer and pianist) (in 1861) |
| part of: | Melodisch-Kontrapunktische Studien, op. 137 |
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| arrangement of: | The Well-Tempered Clavier, Book II: Prelude and Fugue no. 6 in D minor, BWV 875: Prelude |
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