Carmina Burana: III. Cour d’amours: Tempus est iocundum
~ Recording by Chœur de l’Orchestre symphonique de Montréal, F.A.C.E. Treble Choir, Beverly Hoch, Mark Oswald, Orchestre symphonique de Montréal, Charles Dutoit
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | 2:25 | Carl Orff | Carmina Burana | Orff; Beverly Hoch, Stanford Olsen, Mark Oswald, Dutoit, Montréal | Album |
| London Records (UK, 1947–1999, re-launched 2011–present) | POCL-1740 |
| 1.22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | 2:25 | Carl Orff | Carmina Burana | Orff; Beverly Hoch, Stanford Olsen, Mark Oswald, Dutoit, Montréal | Album |
| London Records (UK, 1947–1999, re-launched 2011–present) | 455 290-2 |
| 1.22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | 2:25 | Carl Orff | Carmina Burana | Orff; Orchestre symphonique de Montréal, Charles Dutoit | Album |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 455 290-2 |
| 32.22 | Tempus est iocundum | 2:25 | Carl Orff | The Decca Sound: Dutoit / Montréal | Dutoit, Montréal | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 478 9466 |
Relationships
| producer: | Chris Hazell |
|---|---|
| editor: | Simon Bertram |
| baritone vocals: | Mark Oswald (baritone) (in 1996-05) |
| choir vocals: | Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1996-05) F.A.C.E. Treble Choir (in 1996-05) |
| soprano vocals: | Beverly Hoch (in 1996-05) |
| orchestra: | Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1996-05) |
| conductor: | Charles Dutoit (conductor) (in 1996-05) |
| balance engineer: | John Dunkerley (engineer) Jonathan Stokes (engineer) |
| recorded at: | Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1996-05) |
|---|
| recording of: | Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1996-05) |
|---|
Related works
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
| composer: | Carl Orff (composer) (in 1936) |
|---|
| publisher: | B. Schott’s Söhne (publisher; do not use as label) |
|---|
| part of: | Carmina Burana: III. Cour d’amours (order: 8) |
|---|
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