Serse: “Frondi teneri … Ombra mai fu”
~ Aufnahme von Placido Domingo
Erscheint in Veröffentlichungen
| Nr. | Titel | Länge | Titelinterpret | Veröffentlichungstitel | Veröffentlichungskünstler | Veröffentlichungsgruppen-Typ | Land/Datum | Label | Katalognr. |
|---|---|---|---|---|---|---|---|---|---|
| Offiziell | |||||||||
| 1.9 | Frondi tenere e belle - Ombra mai fu | 3:47 | Georg Friedrich Händel | Sacred Songs | Plácido Domingo | Album |
| Deutsche Grammophon | 289 471 575-2 |
| 1.6 | Frondi teneri … Ombra mai fu | ?:?? | George Frideric Handel | The Three Tenors at Christmas | The Three Tenors | Album + Compilation | Decca Records, Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 478 0336 | |
| 1.6 | Serse: “Frondi teneri … Ombra mai fu” | 3:47 | George Frideric Handel | The Three Tenors at Christmas | The Three Tenors | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | B0011700-02 DH |
| 1.3 | Serse: Frondi tenere ... Ombra mai fu | 3:50 | Georg Friedrich Händel | Handel Gold | Georg Friedrich Händel | Album + Compilation |
| Decca Records | B0012801-02 |
| 1.9 | Frondi tenere e belle - Ombra mai fu | 3:47 | Georg Friedrich Händel | Sacred Songs | Plácido Domingo | Album |
| Deutsche Grammophon | 471 575-2 |
Beziehungen
| recording engineer und Tonmeister(in): | Stephan Flock (in 2002-02) |
|---|---|
| Techniker(in): | Jürgen Bulgrin (sound engineer) (in 2002-02) Wolf‐Dieter Karwatky (in 2002-02) Chris Nelson (recording engineer) (in 2002-02) |
| Produzent(in): | Christopher Alder (editor/engineer/producer) |
| Editing: | Stephan Flock (in 2002-02) Ingmar Haas (engineer) (in 2002-02) |
| Tenor-Gesang: | Plácido Domingo (tenor) (in 2002-02) |
| Orchester: | Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (in 2002-02) |
| conductor: | Marcello Viotti (conductor) (in 2002-02) |
| aufgenommen bei: | Auditorium di Milano, Fondazione Cariplo in Milano (Milan), Milano, Lombardia, Italien (in 2002-02) |
|---|
Verbundene Werke
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse)
| Komponist(in): | George Frideric Handel (German‐British baroque composer) (in 1738) |
|---|
| Teil von: | Serse, HWV 40: Atto I (Reihenfolge: 1) |
|---|
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
| Komponist(in): | George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09) |
|---|---|
| Librettist: | [anonymous] (special purpose artist) |
| verwendet in Medleys: | Hooked on Romance |
|---|---|
| spätere übersetzte Version: | Xerxès HWV 40 : Largo “Bois de lent oubli” (french version) |
| Teil von: | Serse, HWV 40: Atto I (Reihenfolge: 2) |
| arrangements: | Crux fidelis (übersetzt) Holy Art Thou (Largo from “Xerxes”) Largo (transcription F. Pourcel) Largo from “Xerxes” (for violin, harp, organ and strings, arr. Hellmesberger) Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (for violin and piano, Sarasate) Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (for organ, Martin) Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (Serse) (for cello and orchestra) |
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