Cinq mélodies populaires grecques: III. Quel galant
~ Recording by Barbara Hendricks, Orchestre de l’Opéra de Lyon, John Eliot Gardiner
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.8 | Cinq mélodies populaires grecques: III. Quel galant | 0:42 | Maurice Ravel | Ravel: Shéhérazade / 2 Mélodies hébraïques / 5 Mélodies populaires grecques / Vocalise en forme de habanera / Duparc: 6 Mélodies | Ravel, Duparc; Barbara Hendricks, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | Album |
| Angel Records (please read annotations before use! primarily classical genre imprint, EMI subsidiary) | CDC 7 49689 2 |
| 56.8 | Cinq mélodies populaires grecques, M. A4 : III. Quel galant m'est comparable | 0:42 | Maurice Ravel | The Complete Recordings on Erato | John Eliot Gardiner | Album + Compilation |
| Erato | |
Relationships
| producer and balance engineer: | Yolanta Skura |
|---|---|
| soprano vocals: | Barbara Hendricks (soprano) (from 1988-10-13 until 1988-10-18) |
| orchestra: | Orchestre de l’Opéra de Lyon (from 1988-10-13 until 1988-10-18) |
| conductor: | John Eliot Gardiner (from 1988-10-13 until 1988-10-18) |
| phonographic copyright (℗) by: | EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1988) Warner Music France (in 1988) |
|---|
| recorded at: | Église-forteresse Sainte-Marie-Madeleine de Pérouges in Pérouges, Ain, Auvergne-Rhône-Alpes, France (from 1988-10-13 until 1988-10-18) |
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| recording of: | Cinq Mélodies populaires grecques: III. Quel galant m'est comparable (from 1988-10-13 until 1988-10-18) |
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Related works
Cinq Mélodies populaires grecques: III. Quel galant m'est comparable
| composer: | Maurice Ravel (French composer) (in 1904) |
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| part of: | Cinq Mélodies populaires grecques (order: 3) |
|---|---|
| arrangements: | Cinq Mélodies populaires grecques: III. Quel galant m'est comparable (catch-all for arrangements) |
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