La Muse de l’Opera ou les caracteres lyriques: VIII. “Mais quels novueaux accords dont l’horreur est extréme?” (Prelude infernal)
~ Recording by Natalia Kawałek, Il Giardino d’Amore, Stefan Plewniak
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.30 | La Muse de l’Opera ou les caracteres lyriques: VIII. “Mais quels novueaux accords dont l’horreur est extréme?” (Prelude infernal) | 2:09 | Louis‐Nicolas Clérambault | Cantates et Petits Macarons | Stefan Plewniak, Natalia Kawałek, Il Giardino d’Amore | Album |
| Ëvoe | |
Relationships
| mezzo-soprano vocals: | Natalia Kawałek |
|---|---|
| orchestra: | Il Giardino d’Amore |
| conductor: | Stefan Plewniak (violinist and conductor) |
| recording of: | La Muse de l’opera: VII. Prélude infernal. Lentement, fort et marqué “Mais quels nouveaux accords dont l’horreur est extrême?” |
|---|
Related works
La Muse de l’opera: VII. Prélude infernal. Lentement, fort et marqué “Mais quels nouveaux accords dont l’horreur est extrême?”
| composer: | Louis‐Nicolas Clérambault |
|---|
| part of: | La Muse de l’opera (movement) (order: 7) |
|---|
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