The Seven Last Words of Our Saviour on the Cross, op. 51, Hob. III:50-56: Sonata 3. Grave

~ Recording by Amadeus Quartet

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.59The Seven Last Words of Our Saviour on the Cross, op. 51, Hob. III:50-56: Sonata 3. Grave7:03Joseph HaydnThe RIAS Amadeus Quartet Recordings, volume VI: HaydnHaydn;Amadeus QuartetAlbum
  • DE2017-03-17
audite Musikproduktion (German classical label)21.426
5.4The Seven Last Words of Our Saviour on the Cross, op. 51, Hob. III:50-56: Sonata 3. Grave7:03Joseph HaydnThe RIAS Amadeus Quartet Recordings, volume VI: Haydn (Berlin, 1950–1969)Haydn; Amadeus QuartetAlbum
  • DE2017-03-17
audite Musikproduktion (German classical label)21.426

Relationships

string quartet:Amadeus Quartet (on 1952-12-15)
recorded at:Siemens‐Villa in Berlin, Germany (on 1952-12-15)
recording of:The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata III, Hob. III:52. Grave (for string quartet) (on 1952-12-15)

The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata III, Hob. III:52. Grave (for string quartet)

composer:Joseph Haydn (composer)
version of:Septem Verba Christi in Cruce, Hob. XX:1: IV. Sonata III. Grave
part of:The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet) (order: 4)
arrangements:The Seven Last Words of Christ on the Cross: Sonata no. 3 in E. Grave “Mulier ecce filius tuus” (for flute and string quartet, Francisco Asenjo Barbieri)
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata III, Hob. III:52. Grave (catch-all for arrangements)