Missa in angustiis in D minor, Hob. XXII:11: Qui tollis peccata mundi. Adagio

~ Recording by New York Philharmonic, Leonard Bernstein

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
2.3Missa in angustiis in D minor, Hob. XXII:11: Qui tollis peccata mundi. Adagio6:22Joseph HaydnThe Royal Edition, no. 37 of 100: Missa in tempore belli “Mass in Time of War” · “Paukenmesse” / Missa in angustiis “Nelson” Mass · “Nelsonmesse”Haydn; Leonard Bernstein, Norman Scribner Choir, Westminster Choir, New York PhilharmonicAlbum + Compilation
  • -1992-11-26
Sony ClassicalSM2K 57563
9.3Missa in anguistiis, Hob.XXII:11, "Nelson Mass": II. GLORIA: 'Qui tollis peccata mundi'6:22Haydn / New York Philharmonic, Bernstein12 London Symphonies / 6 Paris Symphonies / Die Schöpfung / 4 MassesHaydn; New York Philharmonic, BernsteinAlbum + Compilation
Sony Classical, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)88697480452
20.3Missa in Angustiis in D Minor, Hob.XXII:11 "Nelsonmesse": II. Gloria: Qui tollis peccata mundi. Adagio6:24Joseph HaydnLeonard Bernstein Edition: The Vocal WorksLeonard BernsteinAlbum
  • XW2018-08-17
Sony Classical19075860482

Relationships

orchestra:New York Philharmonic (on 1976-12-20)
conductor:Leonard Bernstein (American conductor, composer, pianist) (on 1976-12-20)
performer:Judith Blegen (soprano) (on 1976-12-20)
Simon Estes (bass-baritone) (on 1976-12-20)
Gwendolyn Killebrew (contralto) (on 1976-12-20)
Kenneth Riegel (tenor) (on 1976-12-20)
Westminster Choir (Princeton, USA) (on 1976-12-20)
recorded at:Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1976-12-20)
recording of:Missa angustiis, Hob. XXII:11 "Nelsonmesse": Gloria: Qui tollis peccata mundi (soli soprano, baritone) (on 1976-12-20)

Missa angustiis, Hob. XXII:11 "Nelsonmesse": Gloria: Qui tollis peccata mundi (soli soprano, baritone)

composer:Joseph Haydn (composer)
part of:Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria