Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance
~ Aufnahme von Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner
Erscheint in Veröffentlichungen
| Nr. | Titel | Länge | Titelinterpret | Veröffentlichungstitel | Veröffentlichungskünstler | Veröffentlichungsgruppen-Typ | Land/Datum | Label | Katalognr. |
|---|---|---|---|---|---|---|---|---|---|
| Offiziell | |||||||||
| 2.19 | Bacchus and Ariadne: Recitative: With soft reluctance | 1:30 | Thomas Arne | Acis & Galatea | Handel; Jill Gomez, Robert Tear, Philip Langridge, Benjamin Luxon, Academy of St Martin in the Fields, Neville Marriner | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 452 973-2 |
| 2.19 | Bacchus and Ariadne from Six English Cantatas, 1755.: Recitative: With soft reluctance | 1:30 | Thomas Arne | Acis & Galatea | George Frideric Handel; Jill Gomez, Philip Langridge, Robert Tear, Benjamin Luxon, Academy of St. Martin in the Fields, Sir Neville Marriner | Album + Compilation | Decca Music Group (Not for release label use! See annotation.) | ||
Beziehungen
| Produzent(in): | Michael Bremner (producer/engineer) |
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| Tenor-Gesang: | Robert Tear (tenor) (in 1969-11) |
| Orchester: | Academy of St Martin in the Fields (in 1969-11) |
| conductor: | Sir Neville Marriner (conductor) (in 1969-11) |
| Tonmeister(in): | Stanley Goodall (engineer) (in 1969-11) |
| phonographisches Urheberrecht (℗) von: | The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970) |
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| aufgenommen bei: | St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1969-11) |
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| recording of: | Bacchus and Ariadne (from Six English Cantatas, 1755) (in 1969-11: teilweise) |
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Verbundene Werke
Bacchus and Ariadne (from Six English Cantatas, 1755)
| Komponist(in): | Thomas Arne (composer) |
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