Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
3.10The Stoned Guest, Part 1: Recitative: “That’s the end”2:17P.D.Q. BachThe Dreaded P.D.Q. Bach CollectionP.D.Q. BachAlbum + Compilation
  • US1996-08-27
Vanguard (imprint of Vanguard Records)159/62-2

Relationships

recording engineer and mixer:Ed Friedner (engineer) (in 1970)
assistant producer:Stephen Schmidt (engineer) (in 1970)
producer:Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:Jack Lothrop (in 1970)
Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:Lorna Haywood (soprano) (in 1970)
orchestra:The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:John Nelson (American conductor) (in 1970)
compiled in:The Stoned Guest, Part One: Ⅰ. Overture / Ⅱ. Aria: “Let’s face it — I’m lost” / Ⅲ. Recitative: “Boy!” / Ⅳ. Aria: “Now is the season” / Ⅴ. Recitative: “Gesundheit!” / Ⅵ. Duet: “Woe” / Ⅶ. Recitative: “Hark!” / Ⅷ. Aria: “Look at me” / Ⅸ. Recitative: “That’s the end” / Ⅹ. Trio: “I’m sure I’d be” by Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor) (order: 9)
recording of:The Stoned Guest: Recitative: “That’s the end” (in 1970)

The Stoned Guest: Recitative: “That’s the end”

lyricist and composer:P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:The Stoned Guest (order: 9)