Five Preludes: I. E minor
~ Recording by Kaori Muraji
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.8 | 5つの前奏曲: No. 1 ホ短調 | 4:54 | Heitor Villa‐Lobos | ライア&ソネット | 村治佳織 & ザ・シックスティーン | Album |
| Universal Classics (Japan) | UCCD-1176 |
| 1.5 | Five Preludes: I. E minor | 4:54 | Heitor Villa‐Lobos | Into the Light | The Sixteen, Harry Christophers, Kaori Muraji | Album |
| Decca Records | 475 8199 |
| 1.5 | Five Preludes: No. 1 in E minor | 4:54 | Heitor Villa‐Lobos | Into the Light (BMG club edition) | The Sixteen, Harry Christophers, Kaori Muraji | Album |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), BMG Direct (BMG’s direct marketing company/club editions) | B0009034-02, D171679 |
| Pseudo-Release | |||||||||
| 1.8 | 5 preludes: No. 1 in E minor | ?:?? | Heitor Villa‐Lobos | Lyre & Sonnet | 村治佳織 & The Sixteen | Album | |||
Relationships
| executive producer: | Christopher Pope (producer) |
|---|---|
| producer and editor: | Mark Brown (operatic bass, early music singer, conductor, and producer) |
| guitar: | Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20) |
| balance engineer: | Mike Hatch (engineer/editor) |
| recorded at: | St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20) |
|---|
| recording of: | Cinco prelúdios, W419, nº 1: Andante espressivo (from 2006-07-17 until 2006-07-20) |
|---|
Related works
Cinco prelúdios, W419, nº 1: Andante espressivo
| composer: | Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940) |
|---|
| part of: | Cinco prelúdios, W419 (Five Preludes, W419, for guitar) (order: 1) |
|---|---|
| arrangements: | Cinco prelúdios, nº 1: Andante espressivo (for piano, Brandão) Prelude Nº1 (Ivo Perelman arr.) |
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