From Green‐Up Time to September Song With Lotte Lenya and Others

~ Release by Kurt Weill (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl: Kurt Weill’s The Threepenny Opera
#TitleRatingLength
A1Overture
recorded in:
New York, New York, United States (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Overture (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A2The Ballad of Mack the Knife
recorded in:
New York, New York, United States (in 1954)
vocals:
Gerald Price (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: The Ballad of Mack the Knife (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A3Morning Anthem
recorded in:
New York, New York, United States (in 1954)
vocals:
Martin Wolfson (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Morning Anthem (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A4Instead‐of Song
recorded in:
New York, New York, United States (in 1954)
vocals:
Charlotte Rae (in 1954) and Martin Wolfson (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Instead-of Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A5Wedding Song
recorded in:
New York, New York, United States (in 1954)
vocals:
John Astin (in 1954), Joseph Beruh (in 1954), Bernard Bogin (in 1954) and Paul Dooley (vocals) (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Wedding Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A6Pirate Jenny
recorded in:
New York, New York, United States (in 1954)
vocals:
Lotte Lenya (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation) (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A7Army Song
recorded in:
New York, New York, United States (in 1954)
additional vocals:
John Astin (in 1954), Joseph Beruh (in 1954), Bernard Bogin (in 1954) and Paul Dooley (vocals) (in 1954)
vocals:
Scott Merrill (in 1954) and George Tyne (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Army Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A6Love Song
recorded in:
New York, New York, United States (in 1954)
vocals:
Scott Merrill (in 1954) and Jo Sullivan (US soprano vocalist) (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Love Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A7Ballad of Dependency
recorded in:
New York, New York, United States (in 1954)
vocals:
Charlotte Rae (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Ballad of Sexual Dependency (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A8Melodrama and Polly’s Song
recorded in:
New York, New York, United States (in 1954)
vocals:
Scott Merrill (in 1954) and Jo Sullivan (US soprano vocalist) (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Melodrama and Polly's Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A9Ballad of the Easy Life
recorded in:
New York, New York, United States (in 1954)
vocals:
Scott Merrill (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Ballad of the Easy Life (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
A10The World Is Mean
recorded in:
New York, New York, United States (in 1954)
vocals:
Charlotte Rae (in 1954), Jo Sullivan (US soprano vocalist) (in 1954) and Martin Wolfson (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: The World is Mean (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
2▼12" Vinyl: Kurt Weill’s The Threepenny Opera
#TitleRatingLength
B1Barbara Song
recorded in:
New York, New York, United States (in 1954)
vocals:
Beatrice Arthur (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Barbara's Song (Marc Blitzstein translation) (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B2Tango Ballad
recorded in:
New York, New York, United States (in 1954)
vocals:
Lotte Lenya (in 1954) and Scott Merrill (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Tango-Ballad (Blitzstein translation) (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
publisher:
Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) and Weill-Brecht-Harms Co., Inc.
translated version of:
Die Dreigroschenoper: Akt II. Die Zuhälterballade
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B3Jealousy Duet
recorded in:
New York, New York, United States (in 1954)
vocals:
Beatrice Arthur (in 1954) and Jo Sullivan (US soprano vocalist) (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Jealousy Duet (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B4How to Survive
recorded in:
New York, New York, United States (in 1954)
vocals:
Scott Merrill (in 1954) and Charlotte Rae (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: How To Survive (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B5Useless Song
recorded in:
New York, New York, United States (in 1954)
vocals:
Martin Wolfson (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Useless Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B6Solomon Song
recorded in:
New York, New York, United States (in 1954)
vocals:
Lotte Lenya (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Solomon Song (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B7Call From the Grave
vocals:
Scott Merrill (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Call From The Grave (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B8Death Message
vocals:
Scott Merrill (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Death Message (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
B9Finale: The Mounted Messenger
vocals:
William Duel (in 1954)
conductor:
Samuel Matlovsky (in 1954)
recording of:
The Threepenny Opera: Finale: The Mounted Messenger (in 1954)
lyricist and librettist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer)
part of:
The Threepenny Opera (Marc Blitzstein translation)
?:??
3▼12" Vinyl: Highlights From Kurt Weill’s Street Scene
#TitleRatingLength
C1Somehow I Could Never Believe
producer:
Dwight Deere Wiman (in 1947) and Playwrights' Company (theatrical production company) (in 1947)
soprano vocals [Anne Maurrant]:
Polyna Stoska (soprano) (in 1947)
orchestra:
orchestra (in 1947)
conductor:
Maurice Abravanel (conductor) (in 1947)
compilation of:
Street Scene: Aria: Somehow I never could believe (Beginning) by Polyna Stoska (soprano) with Maurice Abravanel (conductor) and Street Scene: Aria: Somehow I never could believe (Concl.) by Polyna Stoska (soprano) with Maurice Abravanel (conductor)
recording of:
Street Scene: Act I. No. 5b Aria "Somehow I could never believe" (Mrs. Maurrant) (in 1947)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
?:??
C2Lonely House
producer:
Dwight Deere Wiman (in 1947) and Playwrights' Company (theatrical production company) (in 1947)
tenor vocals [Sam Kaplan]:
Brian Sullivan (American tenor) (in 1947)
orchestra:
orchestra (in 1947)
conductor:
Maurice Abravanel (conductor) (in 1947)
recording of:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan) (in 1947)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
?:??
C3Wouldn’t You Like to Be on Broadway? / What Good Would the Moon Be?
vocals:
Anne Jeffreys
conductor:
Maurice Abravanel (conductor)
compilation of:
Street Scene: Scene and Song: Wouldn't You Like to Be on Broadway? by Anne Jeffreys, Maurice Abravanel (conductor) and Street Scene: Cavatina: What Good Would the Moon Be? by Anne Jeffreys, Maurice Abravanel (conductor)
?:??
C4Remember That I Care
producer:
Dwight Deere Wiman (in 1947) and Playwrights' Company (theatrical production company) (in 1947)
soprano vocals [Rose Maurrant]:
Anne Jeffreys (in 1947)
tenor vocals [Sam Kaplan]:
Brian Sullivan (American tenor) (in 1947)
orchestra:
orchestra (in 1947)
conductor:
Maurice Abravanel (conductor) (in 1947)
recording of:
Street Scene: Act I. No. 14a "Remember that I care" (Rose Maurrant, Sam Kaplan) (in 1947)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act I.
?:??
C5The Woman Who Lived Up There
producer:
Dwight Deere Wiman (in 1947) and Playwrights' Company (theatrical production company) (in 1947)
choir vocals:
ensemble (in 1947)
soprano vocals [Anne Maurrant]:
Polyna Stoska (soprano) (in 1947)
soprano vocals [Rose Maurrant]:
Anne Jeffreys (in 1947)
tenor vocals [Sam Kaplan]:
Brian Sullivan (American tenor) (in 1947)
orchestra:
orchestra (in 1947)
conductor:
Maurice Abravanel (conductor) (in 1947)
recording of:
Street Scene: Act II, Scene 1. N°19a "The woman who lived up there" (Rose Maurrant, Sam Kaplan, Mrs. Maurrant, Ensemble) (in 1947)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act II.
?:??
C6Lullaby / I Loved Her Too
vocals:
Norman Cordon (operatic bass) and Anne Jeffreys
conductor:
Maurice Abravanel (conductor)
compilation of:
Street Scene: Lullaby by Maurice Abravanel (conductor) and Street Scene: Finale: I Loved Her Too by Norman Cordon (operatic bass), Anne Jeffreys, Maurice Abravanel (conductor)
?:??
C7Farewell Duet
producer:
Dwight Deere Wiman (in 1947) and Playwrights' Company (theatrical production company) (in 1947)
soprano vocals [Rose Maurrant]:
Anne Jeffreys (in 1947)
tenor vocals [Sam Kaplan]:
Brian Sullivan (American tenor) (in 1947)
orchestra:
orchestra (in 1947)
conductor:
Maurice Abravanel (conductor) (in 1947)
recording of:
Street Scene: Act II, Finale. N°22b: Don't Forget the Lilac Bush (Farewell Duet) (Sam Kaplan, Rose Maurrant) (in 1947)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
librettist:
Elmer Rice
part of:
Street Scene: Act II.
?:??
4▼12" Vinyl: Highlights From Kurt Weill’s Lady in the Dark
#TitleRatingLength
D1One Life to Live
vocals:
Risë Stevens (Opera director, actress, mezzo-soprano)
conductor:
Lehman Engel
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-01-19, on 1963-05-22)
recording of:
Lady in the Dark: One Life to Live (in 1963)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act I. Glamour Dream
?:??
D2The Princess of Pure Delight
vocals:
John Reardon (baritone) and Risë Stevens (Opera director, actress, mezzo-soprano)
conductor:
Lehman Engel
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-01-19, on 1963-05-22)
recording of:
Lady in the Dark: The Princess of Pure Delight (in 1963)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act I. Wedding Dream
?:??
D3Tschaikowsky
vocals:
Adolph Green
conductor:
Lehman Engel
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-01-19, on 1963-05-22)
recording of:
Lady in the Dark: Tschaikowsky (and Other Russians) (in 1963)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act II. Circus Dream
?:??
D4The Saga of Jenny
vocals:
Risë Stevens (Opera director, actress, mezzo-soprano)
conductor:
Lehman Engel
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-01-19, on 1963-05-22)
recording of:
Lady in the Dark: The Saga of Jenny (in 1963)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
part of:
Lady in the Dark: Act II. Circus Dream
?:??
D5My Ship
vocals:
Risë Stevens (Opera director, actress, mezzo-soprano)
conductor:
Lehman Engel
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-01-19, on 1963-05-22)
recording of:
Lady in the Dark: My Ship (in 1963)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA)
part of:
Lady in the Dark: Act II. Childhood Dream
?:??
5▼12" Vinyl: Lotte Lenya Sings American Theater Songs of Kurt Weill
#TitleRatingLength
E1September Song
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Knickerbocker Holiday: September Song (in 1957-08)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
?:??
E2It Never Was You
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Knickerbocker Holiday: It Never Was You (in 1957-08)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
part of:
Knickerbocker Holiday (Kurt Weill musical)
?:??
E3Foolish Heart
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Foolish Heart (One Touch of Venus) (in 1957-08)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
?:??
E4Speak Low
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Speak Low (One Touch of Venus) (in 1957-08)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
?:??
E5Sing Me Not a Ballad
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
The Firebrand of Florence: Sing Me Not a Ballad (in 1957-08)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
?:??
6▼12" Vinyl: Lotte Lenya Sings American Theater Songs of Kurt Weill
#TitleRatingLength
F1Green‐Up Time
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Green-Up Time (from "Love Life") (in 1957-08)
lyricist:
Alan Jay Lerner
composer:
Kurt Weill (composer)
part of:
Love Life (Musical by Lerner & Weill)
?:??
F2Trouble Man
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Trouble Man (Lost in the Stars) (in 1957-08)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
part of:
Lost in the Stars, Act I
?:??
F3Stay Well
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Lost in the Stars: Stay Well (in 1957-08)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
part of:
Lost in the Stars (complete musical)
part of:
Lost in the Stars, Act II
?:??
F4Lost in the Stars
vocals:
Lotte Lenya
conductor:
Maurice Levine
recording of:
Lost in the Stars (song, Ulysses Africanus) (in 1957-08)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) and Hampshire House Publishing Corp.
part of:
Lost in the Stars, Act I
?:??