Ave Maria: Sacred Arias and Choruses

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Jesu bleibet meine Freude
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (in 1992-01)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (in 1992-01)
conductor:
Mátyás Antal (conductor) (in 1992-01)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:25
2Bist du bei mir (attr. Bach)
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Gottfried Heinrich Stölzel52:29
3Ombra mai fù (Largo)
tenor vocals:
József Mukk (tenor)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:25
4Hallelujah Chorus, from 'The Messiah'
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:40
5Lascia ch'io pianga, from 'Rinaldo'
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:34
6Laudate Dominum, from Vespera Solennes de Confessore
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
soprano vocals:
Priti Coles (coloratura soprano) (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
recording of:
Vesperae solennes de confessore, K. 339: III. Beatus vir
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:56
7Ave verum corpus
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:51
8Exsultate, jubilate
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
baritone vocals:
Andrea Martin (baritone) (from 1991-06-10 until 1991-06-15)
mezzo-soprano vocals:
Anna di Mauro (from 1991-06-10 until 1991-06-15)
soprano vocals:
Priti Coles (coloratura soprano) (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Exsultate, jubilate, K. 158a/165 (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 165) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 158a)
Wolfgang Amadeus Mozart15:16
9Caro mio ben
tenor vocals:
József Mukk (tenor)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:00
10Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budapest Camerata
conductor:
Kovács László (conductor)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert54:53
11Agnus Dei
tenor vocals:
József Mukk (tenor)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Agnus Dei
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet4:05
12Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
Gaetano Donizetti5:14
13Panis angelicus
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
soprano vocals:
Ingrid Kertesi (soprano)
tenor vocals:
Josef Mukk (tenor)
orchestra:
Budapest Camerata
conductor:
Laszlo Hovaks (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:59
14Pie Jesu
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
solo soprano vocals:
Lisa Beckley (from 1993-05-17 until 1993-05-18)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:29
15Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budabest Camerata
conductor:
Kovács László (conductor)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach52:42
16Die Ehre Gottes aus der Natur, from Six songs, Op. 48Ludwig van Beethoven1:54