Can’t Stay Away

~ Release by Too $hort (see all versions of this release, 6 available)

Annotation

Copyright: ℗ 1999 Zomba Recording LLC

Excluded Regions (as of 2026-04-20)

🇨🇨 Cocos (Keeling) Islands, 🇨🇰 Cook Islands, 🇨🇽 Christmas Island, 🇫🇰 Falkland Islands, 🇮🇴 British Indian Ocean Territory, 🇳🇫 Norfolk Island, 🇳🇺 Niue, 🇸🇯 Svalbard & Jan Mayen, 🇹🇰 Tokelau

Annotation last modified on 2026-04-20 01:27 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Can’t Stay Away
producer:
Jay Mac
mixer:
Ant Banks
keyboard:
Jay Mac
vocals:
Jazze Phá
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recording of:
Can’t Stay Away
writer:
Jay Mac and Too $hort
publisher:
Jontova’s Pop, T. Shaw LLC and Zomba Songs Inc.
Too $hort4:29
2Ain’t No Bitches
recording engineer:
Taj “Mahal” Tilghman
producer:
Jazze Phá
mixer:
Don “DJ Snake” Brown (US hip‐hop DJ/producer Don Brown)
background vocals:
Jazze Phá
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
produced for:
Futuristic Entertainment and Noontime Music, Inc.
recorded at:
Oakland City Studios in Atlanta, Georgia, United States
mixed at:
Soundtrack Studios in New York, New York, United States
instrumental versions:
Ain’t No Bitches (instrumental) by Too $hort
recording of:
Ain’t No Bitches
writer:
Jazze Phá, Dennis Lambert, Brian Potter (US songwriter & producer) and Too $hort
publisher:
Bubba Gee Music, Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Srand Music, T. Shaw LLC and Zomba Songs Inc.
quotes lyrics from:
Ain't No Woman (Like the One I've Got)
Too $hort4:54
3Don’t Stop Rappin’
recording engineer:
T‐Mix (Triston Jones / Producer from Houston.)
producer:
Mo‐Suave‐A Productions, Inc. (Triston Jones; producer; aka. Mo-Suave-A)
mixer:
Ant Banks
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recorded at:
Urban House Studios, Inc.
recording of:
Don’t Stop Rappin’ (1999, “Can’t Stay Away” version)
writer:
Eightball (8Ball, US rapper, 8Ball and MJG), MJG (US rapper of group "8Ball and MJG"), T‐Mix (Triston Jones / Producer from Houston.) and Too $hort
publisher:
Money‐N‐The Pocket Music, Inc. (ASCAP‐affiliated publisher), N‐The‐Pocket Music (BMI‐affiliated), T. Shaw LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Zomba Songs Inc.
named after work:
Don’t Stop Rappin’ (1985, “Don’t Stop Rappin’” version)
Too $hort feat. Eightball & MJG5:51
4Here We Go
producer:
Diamond D (US hip-hop producer and MC)
remixer:
Jermaine Dupri (American rapper, record producer, actor & DJ)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
remixed for:
So So Def Enterprises, Inc.
samples:
The Emperor by Donald Byrd (American jazz trumpeter)
recording of:
Here We Go
writer:
Harry Wayne Casey, Diamond D (US hip-hop producer and MC), Richard Finch, Jay‐Z (US rapper) and Too $hort
publisher:
Black Hills Music, EMI Blackwood Music Inc., Harrick Music Inc. (BMI), Lil Lulu Music, Longitude, MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications), T. Shaw LLC and Zomba Songs Inc.
Too $hort feat. Jay‐Z & Jermaine Dupri4:40
5More Freaky Tales
recording engineer and producer:
Mike D (US bay area rapper/producer Mike Dinkins) and Sonny B (Sonny Sowles)
mixer:
Ant Banks
keyboard:
Mike D (US bay area rapper/producer Mike Dinkins) and Sonny B (Sonny Sowles)
phonographic copyright (℗) by:
Todd Shaw Inc. (in 1998) and Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998, in 1999)
produced for:
Whooride Productions
recorded at:
68 Mad House in Oakland, California, United States
mixed at:
The Plant (Sausalito, 1972-1981) in Sausalito, California, United States
recording of:
More Freaky Tales
writer:
Mike Dinkins, Sonny Sowles (Sonny Sowles) and Todd Shaw (Too $hort)
publisher:
Gruuvelyne Whooride Music (BMI), Srand Music, T. Shaw LLC and Zomba Songs Inc.
Too $hort5:09
6You Might Get G’eed
producer:
Quinton “Quint Black” Banks
mixer:
Ant Banks
bass guitar:
Torrance Scott
keyboard:
Black
vocals:
Jazze Phá
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recording of:
You Might Get G’eed
writer:
Quint Black, Daz (Daz Dillinger, US rapper Delmar Arnaud), E‐40, Torrance Scott, Soopa Fly (US rapper, producer & engineer) and Too $hort
publisher:
1028 1/2 Benton St. Music, D. Dillinger Music, E-Forty Music Publishing, Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Full Keel Music Co. (Publishing company - affiliated to ASCAP), High Priest Publishing, Quiet Time Music, Quinton Black Banks Music, T. Shaw LLC and Zomba Songs Inc.
Too $hort feat. Daz, E‐40 & Soopa Fly5:23
7Good Life
producer:
Jazze Phá
mixer:
Ant Banks
guitar:
Craig Love
keyboard and background vocals:
Jazze Phá
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
produced for:
Futuristic Entertainment and Noontime Music, Inc.
recording of:
Good Life
writer:
Jazze Phá and Too $hort
publisher:
Bubba Gee Music, T. Shaw LLC and Zomba Songs Inc.
Too $hort3:55
8Longevity
producer:
Quinton “Quint Black” Banks
mixer:
Ant Banks
bass guitar:
Torrance Scott
keyboard:
Black
vocals:
Suge and Otis
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recording of:
Longevity
writer:
Quint Black and Too $hort
publisher:
1028 1/2 Benton St. Music, Full Keel Music Co. (Publishing company - affiliated to ASCAP), Quinton Black Banks Music, Still N The Water Pub. (Still N‐The‐Water Publishing, BMI), T. Shaw LLC and Zomba Songs Inc.
Too $hort feat. Scarface4:00
9How Does It Feel
producer:
Quinton “Quint Black” Banks
mixer:
Ant Banks
guitar [lead guitar]:
Dwayne Wiggins
keyboard:
Black
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recording of:
How Does It Feel
writer:
Quint Black, Mike D (US bay area rapper/producer Mike Dinkins) and Too $hort
publisher:
1028 1/2 Benton St. Music, Full Keel Music Co. (Publishing company - affiliated to ASCAP), Gruuvelyne Whooride Music (BMI), Quinton Black Banks Music, T. Shaw LLC and Zomba Songs Inc.
Too $hort feat. Dwayne Wiggins4:31
10What Happened to the Groupies
producer and mixer:
Ant Banks
keyboard:
Ant Banks and Sonny B (Sonny Sowles)
background vocals:
Captain Save a Hoe
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recording of:
What Happened to the Groupies
writer:
B‐Legit, Ant Banks, Sonny B (Sonny Sowles) and Too $hort
publisher:
Badass Productions, Gruuvelyne Whooride Music (BMI), T. Shaw LLC, Zomba Enterprises Inc. and Zomba Songs Inc.
Too $hort feat. B‐Legit5:36
11Invasion of the Flat Booty Bitches
programming and producer:
Erick Sermon
mixer:
Ant Banks
keyboard:
Erick Sermon
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
produced for:
Funklord Productions
samples:
Do the Do by Kurtis Blow
recording of:
Invasion of the Flat Booty Bitches (1999, “Can’t Stay Away” version)
writer:
Jimmy Bralower, Seth Glassman (production music composer), Kurtis Walker, J.B. Moore (producer, composer), Erick Sermon, Russell Simmons and Too $hort
publisher:
Erick Sermon Enterprises Inc. (Erick Sermon Self Publish), Neutral Gray Music, T. Shaw LLC, Zomba Enterprises, Inc. and Zomba Songs Inc.
is based on:
Invasion of the Flat Booty Bitches (1987, “Raw, Uncut and X‐Rated” version)
Too $hort4:27
12Can’t Stay Away (outro)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
samples:
Can’t Stay Away by Bootsy’s Rubber Band
partial recording of:
Can’t Stay Away
writer:
George Clinton (US funk musician) and Bootsy Collins (US funk musician & songwriter)
publisher:
Bridgeport Music, Inc. and Songs of PolyGram International, Inc.
Too $hort1:33
13It’s About That Money
recording engineer:
Delite, Don “DJ Snake” Brown (US hip‐hop DJ/producer Don Brown), Kenny Flav and Taj “Mahal” Tilghman
assistant engineer:
Ariel Borujow and Dominick Mancuso
producer:
Darrell “Delite” Allamby, David Anthony (US techno producer) (lead vocals [Pro‐Tools]), Delite (lead vocals, background vocals) and Kenny “Flav” Dickerson
mixer:
Ben Arrindell (American engineer and mixer), Delite and Kenny Flav
instruments:
Kenny Flav
background vocals:
Antoinette Roberson
produced for:
2000 Watts Music, Inc.
recorded at:
2000 Watts Music Studios in New York, New York, United States and Blue Basement in Atlanta, Georgia, United States
mixed at:
Daddy’s House in New York, New York, United States
recording of:
It’s About That Money
writer:
Darrell “Delite” Allamby, Kenny “Flav” Dickerson and Too $hort
publisher:
T. Shaw LLC, WB Music Corp. (1929–2019) and Zomba Songs Inc.
Too $hort feat. Puff Daddy4:47
14Nation Riders
engineer:
Mike D (US bay area rapper/producer Mike Dinkins) and Taj “Mahal” Tilghman
producer:
Mike D (US bay area rapper/producer Mike Dinkins) and Sonny B (Sonny Sowles)
mixer:
Don “DJ Snake” Brown (US hip‐hop DJ/producer Don Brown)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
produced for:
Whooride Productions
recorded at and mixed at:
Oakland City Studios in Atlanta, Georgia, United States
recording of:
Nation Riders
writer:
Mike Dinkins, David Jackson (hip-hop songwriter?), Gerald Johnson (US, hip hop), Julius Carter, Jr., Sonny Sowles (Sonny Sowles) and Antoine Wright
publisher:
Dopefiend Beats, Inc. (BMI), Dopefiend Music, Inc. (ASCAP), Gruuvelyne Whooride Music (BMI), Sir Captain Publishing (BMI), Zomba Enterprises Inc. and Zomba Songs Inc.
Slink Capone feat. Murda One, G-Side & Playa Playa4:45
15G‐2000
producer:
Taj “Mahal” Tilghman
mixer:
Don “DJ Snake” Brown (US hip‐hop DJ/producer Don Brown) and Taj “Mahal” Tilghman
bass:
Torrance Scott
drums (drum set) and keyboard:
Taj “Mahal” Tilghman
guitar [lead guitar]:
Charles Pettaway
harmonica:
Jay da Sinnusta (US producer, James White Jr.)
background vocals:
Juree Manning
phonographic copyright (℗) by:
Todd Shaw Inc. (in 1999) and Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
mixed at:
Oakland City Studios in Atlanta, Georgia, United States
produced at:
Oakland City Studios in Atlanta, Georgia, United States
recording of:
G‐2000
writer:
Armin Spivey, Damon Dawson, Joey Coleman, Benito Montalvo, Charles Pettaway, Sonny Sowles (Sonny Sowles) and Taj Tilghman
publisher:
Charlie Bone Music, Dopefiend Beats, Inc. (BMI), Dopefiend Music, Inc. (ASCAP), Untouchable Empire Music, Zomba Enterprises Inc. and Zomba Songs Inc.
Badwayz feat. Zu, Al Block & Hellkilla4:35
16Don’t Trust Her
producer:
O.X.Y.GEN Productions
mixer:
Don “DJ Snake” Brown (US hip‐hop DJ/producer Don Brown)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recorded at and mixed at:
Oakland City Studios in Atlanta, Georgia, United States
recording of:
Don’t Trust Her
writer:
Eugene James, Xavier Hargrove, Joey Coleman, O’Ginga Allen and Yaku Allen
publisher:
Deep Sawf Noize Music (BMI), Dopefiend Music, Inc. (ASCAP), Soul Unlimited, Inc. and Zomba Enterprises Inc.
Too $hort feat. Badwayz4:38
17At the Studio
recording engineer and mixer:
Don “DJ Snake” Brown (US hip‐hop DJ/producer Don Brown)
producer:
Quinton “Black” Banks
bass and guitar:
Torrance Scott
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
recorded at and mixed at:
Blue Basement Recordings in Atlanta, Georgia, United States
recording of:
At the Studio
lyricist and composer:
Quint Black
publisher:
1028 1/2 Benton St. Music, Full Keel Music Co. (Publishing company - affiliated to ASCAP) and Quinton Black Banks Music
Quint Black2:56