Lady Sings the Blues: Original Motion Picture Soundtrack

~ Veröffentlichung von Diana Ross (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Arrest
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
0:16
2Lady Sings the Blues
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
Lady Sings the Blues
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
1:03
3Baltimore Brothel
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
0:26
4Billie Sneaks Into Dean & Dean’s / Swingin’ Uptown
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Billie Sneaks Into Dean & Dean’s / Swingin’ Uptown
Komponist(in):
Gil Askey
publisher:
Stone Diamond Music Corporation
0:53
5T’ain’t Nobody’s Bizness If I Do
vocals:
Blinky Williams (Blinky Williams - soul singer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
T’ain’t Nobody’s Bizness If I Do
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
1:06
6Big Ben / C. C. Rider
arranger:
Gil Askey
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
2:32
7All of Me
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:20
8The Man I Love
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
2:27
9Them There Eyes
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
1:05
10Gardenias From Louis
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
2:04
11Cafe Manhattan / Had You Been Around / Love Theme
vocals:
Michelle Aller
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
medley including a recording of:
Had You Been Around
Komponist(in):
Richard R. Jacques, Ron Miller (Motown songwriter Ronald Norman Miller), Avery Vandenburg und Bernard Yuffy
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
medley including a recording of:
Happy (Love Theme from Lady Sings the Blues)
Texter:
William Robinson, Jr.
Komponist(in):
Michel Legrand
publisher:
Jobete Music Co., Inc.
3:32
12Any Happy Home
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Any Happy Home
Komponist(in):
Gil Askey
publisher:
Stone Diamond Music Corporation
0:38
13I Cried for You (Now It’s Your Turn to Cry Over Me)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I Cried for You
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
0:38
14Billie & Harry / Don’t Explain
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Billie & Harry / Don't Explain
Komponist(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated)
2:12
15Mean to Me
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
1:19
16Fine and Mellow
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
0:46
17What a Little Moonlight Can Do
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
2:10
18Louis Visits Billie on Tour / Love Theme
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Louis Visits Billie on Tour / Love Theme
Komponist(in):
Michel Legrand
was commissioned by:
Jobete Music Co., Inc.
3:48
19Cafe Manhattan Party
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
1:38
20Persuasion / T’ain’t Nobodys Bizness If I Do
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
medley including a recording of:
Persuasion
Komponist(in):
Michel Legrand
was commissioned by:
Jobete Music Co., Inc.
medley including a recording of:
T’ain’t Nobody’s Bizness If I Do
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
3:06
21Agent’s Office
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
1:09
22Love Is Here to Stay
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:00
23Fine and Mellow
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:56
24Lover Man (Oh, Where Can You Be?)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:22
25You’ve Changed
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
You’ve Changed
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) und Southern Music Publishing Company
2:34
26Gimme a Pigfoot (and a Bottle of Beer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
Komponist(in):
Wesley A. Wilson
publisher:
Northern Music (song publisher)
2:07
27Good Morning Heartache
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
Good Morning Heartache
Texter:
Ervin Drake (songwriter)
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. und Universal/MCA Music (music publisher; do not use as release label!)
2:21
28All of Me
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:05
29Love Theme
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Love Theme
Komponist(in):
Michel Legrand
publisher:
Jobete Music Co., Inc.
2:53
30My Man (Mon homme)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
My Man (Mon homme) (Channing Pollock lyrics)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
3:26
31Don’t Explain
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
2:11
32I Cried for You (Now It’s Your Turn to Cry Over Me)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I Cried for You
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
2:13
33Strange Fruit
leitende(r) Produzent(in):
Diana Ross
Produzent(in):
Ben Sidran
arranger:
Gil Askey
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
3:35
34God Bless the Child
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:43
35Closing Theme
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Closing Theme
Komponist(in):
Michel Legrand
publisher:
Jobete Music Co., Inc.
1:09

Nennungen

Veröffentlichungsgruppe

künstlerische Leitung:Tony Jones (Motown producer and songwriter)
Hommage an:Billie Holiday
Teil von:Billboard Decade End Chart: Billboard 200 (1970s) (Nummer: 63) (Reihenfolge: 63)
Wikipedia:en: Lady Sings the Blues (soundtrack) [Info]
Discogs:https://www.discogs.com/master/99297 [Info]
Allmusic:https://www.allmusic.com/album/mw0000191652 [Info]
Wikidata:Q6470533 [Info]
Diskografieeintrag:https://www.last.fm/music/Diana+Ross/Lady+Sings+The+Blues [Info]