Classical Sampler

~ Uitgave van Bizet, Dvořák, Bach, Mozart, Vivaldi (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

1cd
#TitelArtiestWaarderingDuur
1Carmen Suite no. 1: Prélude (Les Toréadors)
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
componist:
Georges Bizet (French composer)
deel van:
Carmen Suite no. 1
Georges Bizet1:23
2Carmen Suite no. 1: Aragonaise
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
deel van:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen Suite no. 1: Intermezzo
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
deel van:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen Suite no. 1: Seguidilla
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
componist:
Georges Bizet (French composer)
verzorgde het arrangement:
Ernest Guiraud (French composer)
is gebaseerd op:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
deel van:
Carmen Suite no. 1
Georges Bizet1:53
5Carmen Suite no. 1: Les Dragons d'Alcala
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
deel van:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen Suite no. 1: Les Toréadors
orkest:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), Orchester der Zagreber Oper (Alfred Scholz related), Orchestre radio symphonique de Paris, Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) en Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
was dirigent:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, Jovan Šajnović (conductor, Alfred Scholz related), János Sándor en Alfred Scholz
is een opname van:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
componist:
Georges Bizet (French composer)
is gebaseerd op:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is gebaseerd op:
Carmen : Prélude
deel van:
Carmen Suite no. 1
Georges Bizet2:19
7Slavonic Dance no. 1 in C major, op. 46.1: Furiant
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) en Royal Philharmonic Orchestra
was dirigent:
Alfred Scholz, Frank Shipway (British conductor) en Thomas Waldham
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
is een opname van:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
componist:
Antonín Dvořák (composer) (van 1878-04 tot 1878-08-22)
deel van:
Slavonic Dances, op. 46, B. 83 (for orchestra)
is een opname van:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
componist:
Antonín Dvořák (composer) (van 1886-11 tot 1887-01-05)
had de première bij:
[concert] (1887-01-06)
deel van:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:26
8Slavonic Dance no. 2 in E minor, op. 46.2: Dumka
orkest:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) en London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
was dirigent:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham en George Ralph Warren
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
is een opname van:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
componist:
Antonín Dvořák (composer) (van 1878-04 tot 1878-08-22)
deel van:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:36
9Slavonic Dance no. 3 in A flat major, op. 46.3: Polka
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
was dirigent:
Alfred Scholz
is een opname van:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka)
componist:
Antonín Dvořák (composer) (van 1878-04 tot 1878-08-22)
deel van:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:31
10Concerto no. 1 in E major, op. 8.1, Spring: I. Allegro
viool:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orkest:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) en Bohdan Warchal (violinist, conductor)
is een gedeeltelijke opname van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
componist:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
deel van:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (nummer: F. I/22) en Ryom-Verzeichnis (nummer: RV 269)
deel van:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
deel van:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
is een opname van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
componist:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
deel van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:34
11Concerto no. 1 in E major, op. 8.1, Spring: II. Largo e pianissimo sempre
instrumenten:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orkest:
Musici di San Marco (an Alfred Scholz pseudonym) en Slovak Chamber Orchestra
was dirigent:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Bohdan Warchal (violinist, conductor)
is een opname van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
componist:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
deel van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:56
12Concerto no. 1 in E major, op. 8.1, Spring: III. Danza pastorale: Allegro
instrumenten:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orkest:
Musici di San Marco (an Alfred Scholz pseudonym) en Slovak Chamber Orchestra
was dirigent:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Bohdan Warchal (violinist, conductor)
is een opname van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
componist:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
deel van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:32
13Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
is een opname van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:02
14Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
viool:
Otto Büchner (violinist) en J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
is een opname van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:06
15Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
is een opname van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:25
16Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Minuetto
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
is een opname van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach7:29
17Divertimento in D major, K.136, Salzburg Symphony no. 1: I. Allegro
technicus:
Gustáv Šoral
producent:
Alfred Scholz
orkest:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) en Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1983-12)
was dirigent:
Hermann Abel, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Libor Pešek (conductor) (in 1983-12)
opgenomen bij:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava), Slowakije (in 1983-12)
is een opname van:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro (in 1983-12)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
deel van:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:53
18Divertimento in D major, K.136, Salzburg Symphony no. 1: II. Andante
technicus:
Gustáv Šoral
producent:
Alfred Scholz
orkest:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) en Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1983-12)
was dirigent:
Hermann Abel, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Libor Pešek (conductor) (in 1983-12)
opgenomen bij:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava), Slowakije (in 1983-12)
is een opname van:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante (in 1983-12)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
deel van:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:24
19Divertimento in D major, K.136, Salzburg Symphony no. 1: III. Presto
technicus:
Gustáv Šoral
producent:
Alfred Scholz
orkest:
Camerata Academica of Salzburg (Austrian chamber orchestra), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) en Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1983-12)
was dirigent:
Hermann Abel, Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) en Libor Pešek (conductor) (in 1983-12)
opgenomen bij:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava), Slowakije (in 1983-12)
is een opname van:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto (in 1983-12)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
deel van:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart53:46

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