His Best, Volume 2

~ Release by Chuck Berry (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Sweet Little Rock 'n' Roller
recorded in:
Chicago, Illinois, United States (on 1958-09-26)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-09-26)
recording of:
Sweet Little Rock and Roller (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:25
2Little Queenie
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Little Queenie (on 1958-11-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
4.352:44
3Almost Grown
producer:
Leonard & Phil Chess (legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.652:23
4Back in the U.S.A.
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:31
5Let It Rock
recorded in:
Chicago, Illinois, United States (in 1959-07)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1959-07)
drums (drum set):
Fred Below (in 1959-07, from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (in 1959-07, from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1959-07, from 1959-07-27 until 1959-07-29)
lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (in 1959-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Let It Rock (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
recording of:
Let It Rock (in 1959-07)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
3.651:50
6Too Pooped to Pop
recording of:
Too Pooped to Pop
lyricist and composer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:38
7Bye Bye Johnny
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Bye Bye Johnny (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
42:08
8Jaguar and Thunderbird
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-03-29)
recording of:
Jaguar and Thunderbird (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Inc.
1:54
9Confessin' the Blues
recording of:
Confessin’ the Blues
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:12
10Down the Road Apiece
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-04-12)
cover recording of:
Down the Road Apiece (on 1960-04-12)
lyricist and composer:
Don Raye
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal Music Corp. (USA, affiliated with ASCAP)
2:18
11I'm Talking About You
recording of:
I’m Talking About You
lyricist, writer and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
1:53
12Come On
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Ebby Hardy (on 1961-08-03) and Phil Thomas (US blues drummer) (on 1961-08-03)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1961-08-03)
guitar and lead vocals:
Chuck Berry (on 1961-08-03)
instruments:
Matt Murphy (US blues guitarist) (on 1961-08-03)
piano:
Lafayette Leake (on 1961-08-03)
tenor saxophone:
John Jackson (American jazz saxophonist) (on 1961-08-03) and Abb Locke (on 1961-08-03)
background vocals and other vocals:
Martha Berry (on 1961-08-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1961-08-03)
recording of:
Come On (on 1961-08-03)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
41:52
13Nadine (Is It You?)
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar and lead vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
Nadine (Is It You?) (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
recording of:
Nadine
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
42:38
14You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
4.152:45
15Promised Land
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1964-02-20)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-02-20)
guitar and lead vocals:
Chuck Berry (on 1964-02-20)
piano:
Lafayette Leake (on 1964-02-20)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-02-20)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 342)
recording of:
Promised Land (on 1964-02-20)
lyricist:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
is based on:
Wabash Cannonball
recording of:
The Promised Land
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:27
16No Particular Place to Go
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
electric bass guitar:
Louis Satterfield (on 1964-03-26)
guitar:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (US blues/jazz saxophonist) (on 1964-03-26)
vocals:
Chuck Berry (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-03-26)
recording of:
No Particular Place to Go (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
4.52:46
17I Want to Be Your Driver
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-12-16)
recording of:
I Want to Be Your Driver (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:18
18Tulane
engineer:
Malcolm Chisholm
bass:
Phil Upchurch (on 1969-11-21)
guitar and lead vocals:
Chuck Berry (on 1969-11-21)
harmonica:
Bob Baldori (on 1969-11-21)
piano:
Lafayette Leake (on 1969-11-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1969-11-21)
recording of:
Tulane (on 1969-11-21)
composer:
Chuck Berry
publisher:
Carlin Music Corp., Esalle Music Publ. and Isalee Music
32:40
19My Ding-a-Ling (live, single edit)
live recording of:
My Ding‐A‐Ling
lyricist and composer:
Chuck Berry
publisher:
Isalee Music Publishing Company
is based on:
My Ding-a-Ling
version of:
My Tambourine
4:20
20Reelin' and Rockin' (live)
live recording of:
Reelin’ and Rockin’
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
7:07

Credits

Release

manufactured in:United States
copyrighted (©) by and phonographic copyright (℗) by:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
manufactured for:BMG Direct (BMG’s direct marketing company/club editions)
Discogs:https://www.discogs.com/release/1304462 [info]
ASIN:US: B000005KQR [info]