Desafinado (3 CD)

~ Release by Stan Getz (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Stella by Starlight
2:45
2Time on My Hands
recorded in:
New York, New York, United States (on 1952-12-12)
double bass:
Bill Crow (on 1952-12-12)
drums (drum set):
Frank Isola (on 1952-12-12)
guitar:
Jimmy Raney (on 1952-12-12)
piano:
Duke Jordan (on 1952-12-12)
tenor saxophone:
Stan Getz (on 1952-12-12)
instrumental recording of:
Time on My Hands (on 1952-12-12)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
2:59
3'Tis Autumn
guitar:
Jimmy Raney
tenor saxophone:
Stan Getz
3:15
4Lover Come Back to Me
recorded in:
New York, New York, United States (on 1952-12-12)
double bass:
Bill Crow (on 1952-12-12)
drums (drum set):
Frank Isola (on 1952-12-12)
guitar:
Jimmy Raney (on 1952-12-12)
piano:
Duke Jordan (on 1952-12-12)
tenor saxophone:
Stan Getz (on 1952-12-12)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1952-12-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:58
5Body and Soul
recorded in:
New York, New York, United States (on 1952-12-12)
double bass:
Bill Crow (on 1952-12-12)
drums (drum set):
Frank Isola (on 1952-12-12)
guitar:
Jimmy Raney (on 1952-12-12)
piano:
Duke Jordan (on 1952-12-12)
tenor saxophone:
Stan Getz (on 1952-12-12)
instrumental recording of:
Body and Soul (on 1952-12-12)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
6Stars Fell on Alabama
recorded in:
New York, New York, United States (on 1952-12-12)
producer:
Norman Granz and Creed Taylor
double bass:
Bill Crow (on 1952-12-12)
drums (drum set):
Frank Isola (on 1952-12-12)
guitar:
Jimmy Raney (on 1952-12-12)
piano:
Duke Jordan (on 1952-12-12)
tenor saxophone:
Stan Getz (on 1952-12-12)
instrumental recording of:
Stars Fell on Alabama (on 1952-12-12)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
3:25
7You Turned the Tables on Me
recorded in:
New York, New York, United States (on 1952-12-12)
double bass:
Bill Crow (on 1952-12-12)
drums (drum set):
Frank Isola (on 1952-12-12)
guitar:
Jimmy Raney (on 1952-12-12)
piano:
Duke Jordan (on 1952-12-12)
tenor saxophone:
Stan Getz (on 1952-12-12)
instrumental recording of:
You Turned the Tables on Me (on 1952-12-12)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
2:59
8Lullaby of Birdland
2:26
9Autumn Leaves
3:01
10How Deep Is the Ocean
recorded in:
New York, New York, United States (on 1952-12-29)
double bass:
Bill Crow (on 1952-12-29)
drums (drum set):
Frank Isola (on 1952-12-29)
guitar:
Jimmy Raney (on 1952-12-29)
piano:
Duke Jordan (on 1952-12-29)
tenor saxophone:
Stan Getz (on 1952-12-29)
instrumental recording of:
How Deep Is the Ocean? (on 1952-12-29)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:49
11Hymn of the Orient
recorded in:
New York, New York, United States (on 1952-12-29)
double bass:
Bill Crow (on 1952-12-29)
drums (drum set):
Frank Isola (on 1952-12-29)
guitar:
Jimmy Raney (on 1952-12-29)
piano:
Duke Jordan (on 1952-12-29)
tenor saxophone:
Stan Getz (on 1952-12-29)
recording of:
Hymn of the Orient (on 1952-12-29)
composer:
Gigi Gryce
2:57
12Lee
4:21
13Willow Weep for Me
5:21
14Nobody Else but Me
recording of:
Nobody Else but Me
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
3:37
15With the Wind and the Rain in Your Hair
recorded in:
Los Angeles, California, United States (on 1954-01-23)
double bass:
Bob Whitlock (Jazz bassist) (on 1954-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-01-23)
piano:
Jimmy Rowles (on 1954-01-23)
tenor saxophone:
Stan Getz (on 1954-01-23)
instrumental recording of:
With the Wind and the Rain in Your Hair (on 1954-01-23)
writer:
Clara Edwards (American singer and songwriter) and Jack Lawrence (US songwriter)
3:46
16I Hadn't Anyone 'Till You
recorded in:
Los Angeles, California, United States (on 1954-01-23)
double bass:
Bob Whitlock (Jazz bassist) (on 1954-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-01-23)
piano:
Jimmy Rowles (on 1954-01-23)
tenor saxophone:
Stan Getz (on 1954-01-23)
instrumental recording of:
I Hadn’t Anyone Till You (on 1954-01-23)
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:55
17Down by the Sycamore Tree
tenor saxophone:
Stan Getz (on 1954-01-23)
3:04
18A Handful of Stars
double bass:
Leroy Vinnegar (on 1955-08-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-08-19)
piano:
Lou Levy (on 1955-08-19)
tenor saxophone:
Stan Getz (on 1955-08-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-08-19)
instrumental recording of:
A Handful of Stars (on 1955-08-19)
writer:
Jack Lawrence (US songwriter) and Ted Shapiro
3:23
19Our Love Is Here to Stay
instrumental recording of:
Love Is Here to Stay (on 1955-08-19)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:24
20Serenade in Blue
double bass:
Leroy Vinnegar (on 1955-08-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-08-19)
piano:
Lou Levy (on 1955-08-19)
tenor saxophone:
Stan Getz (on 1955-08-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-08-19)
instrumental recording of:
Serenade in Blue (on 1955-08-19)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
3:59
21Get Happy
instrumental recording of:
Get Happy (on 1955-12-16)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
5:17
22Jeepers Creepers
instrumental recording of:
Jeepers Creepers (on 1955-12-16)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
5:04
2▼CD
#TitleRatingLength
1You're Blasé
instrumental recording of:
You’re Blasé (on 1956-11-24)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
4:14
2Like Someone in Love
6:31
3How About You
7:09
4When Your Lover Has Gone
baritone saxophone:
Gerry Mulligan (on 1957-08-01)
bass:
Ray Brown (jazz bassist) (on 1957-08-01)
drums (drum set):
Louie Bellson (on 1957-08-01)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-01)
tenor saxophone:
Stan Getz (on 1957-08-01)
trumpet:
Harry “Sweets” Edison (on 1957-08-01)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-08-01)
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
7:17
5Smiles
4:49
6But Beautiful
double bass:
Leroy Vinnegar (on 1957-08-02)
drums (drum set):
Stan Levey (on 1957-08-02)
piano:
Lou Levy (on 1957-08-02)
tenor saxophone:
Stan Getz (on 1957-08-02)
instrumental recording of:
But Beautiful (on 1957-08-02)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
5:21
7Time after Time
6:45
8There's No You (I'm Glad There's You)
4:41
9I Was Doing All Right
engineer:
Val Valentin
producer:
Norman Granz
bass:
Ray Brown (jazz bassist) (on 1957-10-10)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-10)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-10)
tenor saxophone:
Stan Getz (on 1957-10-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-10-10)
instrumental recording of:
I Was Doing All Right (on 1957-10-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
recording of:
I Was Doing All Right
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
4:09
10Tour's End
4:57
11Detour Ahead
3:37
12Tin Roof Blues
3:03
13That Old Feeling
6:00
14A Ballad
recorded in:
Los Angeles, California, United States (on 1957-10-12)
baritone saxophone:
Gerry Mulligan
bass:
Ray Brown (jazz bassist) (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
tenor saxophone:
Stan Getz
recording of:
A Ballad
composer:
Gerry Mulligan
publisher:
Criterion Music Corp.
5:46
15Anything Goes
3:39
3▼CD
#TitleRatingLength
1A New Town Is a Blue Town
2:42
2It Never Entered My Mind
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (drums) (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
cover recording of:
It Never Entered My Mind (in 1960-03)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:07
3Whisper Not
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (drums) (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
instrumental cover recording of:
Whisper Not (original instrumental composition) (in 1960-03)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
5:04
4Nature Boy
recorded in:
Baden-Baden, Baden-Württemberg, Germany (in 1960-03)
bass:
Freddy Dutton (in 1960-03)
drums (drum set):
Sperie Karas (drums) (in 1960-03)
harp:
Blanchie Birdsong (in 1960-03)
piano:
Jan Johansson (Swedish jazz pianist, composer of Pippi Longstocking song) (in 1960-03)
tenor saxophone:
Stan Getz (in 1960-03)
vibraphone:
Dave Hildinger (in 1960-03)
conductor:
Russell Garcia (in 1960-03)
arranger:
Russell Garcia
instrumental cover recording of:
Nature Boy (in 1960-03)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:59
5Night Rider
recorded in:
New York, New York, United States (on 1961-07-28)
producer:
Creed Taylor
cello:
Bruce Rogers (on 1961-07-28)
double bass [bass]:
John Neves (on 1961-07-28)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-07-28)
tenor saxophone:
Stan Getz (on 1961-07-28)
viola:
Jacob Glick (American violist) (on 1961-07-28)
violin:
Norman Carr (on 1961-07-28), Alan Martin (on 1961-07-28) and Gerald Tarack (on 1961-07-28)
conductor:
Hershy Kay (on 1961-07-28)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
Night Rider
composer:
Eddie Sauter
publisher:
Cressada Music Inc. (publisher for Eddie Sauter)
part of:
Focus
3:58
6Samba triste
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass and guitar and bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set) and percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Billy Bianco and Baden Powell
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
cover recording of:
Samba triste (on 1962-02-13)
composer:
Billy Blanco and Baden Powell
4:48
7Desafinado
2:01
8O Pato
2:34
9Samba dees days
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
recording of:
Samba Dees Days (on 1962-02-13)
composer:
Charlie Byrd
3:35
10Samba de Uma Nota So
6:13
11Bim Bom
4:31
12Manha de Carnaval
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (saxophone player, not the rapper) (on 1962-08-28)
bass:
Tommy Williams (jazz bassist) (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28), Arthur Clarke (baritone saxophonist) (on 1962-08-28) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1962-08-28)
drums (drum set):
Johnny Rae (US jazz drummer/vibraphonist) (on 1962-08-28)
flute:
Ray Beckenstein (saxophonist and flute player) (on 1962-08-28)
French horn:
Ray Alonge (french horn) (on 1962-08-28)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1962-08-28)
percussion and piano:
Hank Jones (piano) (on 1962-08-28)
tambourine:
José Paulo (percussionist) (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Bob Brookmeyer (on 1962-08-28), Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28), Tony Studd (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28), Clark Terry (American swing trumpeter) (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Luiz Bonfá and Gary McFarland
instrumental recording of:
Manhã de Carnaval (on 1962-08-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
5:50
13So Danco Samba
3:39
14Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
3:23
15The Girl From Ipanema
5:16
16Corcovado
5:16
17Menina moça
recording of:
Menina Moça (on 1963-03-22)
composer:
Luiz Antônio (Brazilian composer and lyricist)
publisher:
Fermata Int’l Melodies and Wixen Music Publishing (American music publishing company, affiliated to BMI)
5:34
18Winter Moon
recording of:
Winter Moon (in 1963-03)
writer:
Laurindo Almeida and Portia Nelson
5:19