Songs / Your Secret Love

~ Release by Luther Vandross (see all versions of this release, 1 available)

Tracklist

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1▼CD: Songs
#TitleRatingLength
1Love the One You're With
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
programming and producer:
Walter Afanasieff
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
mixer:
Dana Jon Chappelle
bass guitar, drums (drum set), Hammond organ [Hammond B-3], keyboard and synthesizer:
Walter Afanasieff
guitar:
Dann Huff
background vocals:
Tawatha Agee, Alexandra Brown (US soul vocalist, member of Raelets), Johnny Britt, Lynn Davis (vocalist), Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Paulette McWilliams, Phil Perry (US R&B/jazz singer, songwriter & musician) and Brenda White‐King
lead vocals:
Luther Vandross
background vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
cover recording of:
Love the One You’re With
lyricist and composer:
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
4?:??
2Killing Me Softly
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Dan Shea
programming:
Dan Shea
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Mick Guzauski
acoustic guitar, piano and synclavier:
Walter Afanasieff
additional guitar:
Michael Landau
guitar:
Dann Huff
keyboard and Moog [Moog bass]:
Dan Shea
synthesizer:
Walter Afanasieff and Dan Shea
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist) and Paulette McWilliams
lead vocals:
Luther Vandross
arranger:
Dan Shea
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
4.5?:??
3Endless Love
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals), Dana Jon Chappelle, Dana Jon Chappelle (lead vocals) and Jay Healy (lead vocals)
drum machine programming:
Walter Afanasieff
programming and producer:
Walter Afanasieff
synthesizer programming:
Gary Cirimelli and Ren Klyce
mixer:
Dana Jon Chappelle and Mick Guzauski
acoustic guitar, keyboard, Moog [Moog bass], synclavier and synthesizer:
Walter Afanasieff
guitar and solo acoustic guitar [nylon guitar]:
Dann Huff
lead vocals:
Mariah Carey and Luther Vandross
conductor:
Jeremy Lubbock
arranger:
Walter Afanasieff
orchestrator:
Jeremy Lubbock
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
3.2?:??
4Evergreen
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals) and Dana Jon Chappelle
drum machine programming:
Walter Afanasieff
programming and producer:
Walter Afanasieff
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
mixer:
Mick Guzauski
acoustic guitar, keyboard, Moog [Moog bass], synclavier and synthesizer:
Walter Afanasieff
guitar:
Dann Huff
lead vocals:
Luther Vandross
orchestra:
London Symphony Orchestra
conductor:
Jeremy Lubbock
orchestrator:
Jeremy Lubbock
cover recording of:
Evergreen (love theme from “A Star Is Born”)
lyricist:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
composer:
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28), Emmanuel Music Corp (in 1976) and First Artists Music Co. (in 1976)
part of:
Academy Award for Best Original Song (number: 1976 winner)
3?:??
5Reflections
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
additional programming:
Walter Afanasieff
programming:
Dan Shea
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Dana Jon Chappelle
additional guitar:
Michael Landau
drums (drum set), keyboard, Moog [Moog bass] and synthesizer:
Dan Shea
guitar:
Dann Huff
Hammond organ [Hammond B-3]:
Walter Afanasieff
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Paulette McWilliams and Brenda White‐King
lead vocals:
Luther Vandross
cover recording of:
Reflections
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Stone Agate Music (in 1967)
3?:??
6Hello
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals) and Dana Jon Chappelle
drum machine programming:
Walter Afanasieff
programming:
Walter Afanasieff and Dan Shea
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Mick Guzauski
acoustic guitar, Moog [Moog bass], synclavier and synthesizer:
Walter Afanasieff
guitar:
Dann Huff
keyboard:
Walter Afanasieff and Dan Shea
lead vocals:
Luther Vandross
orchestra:
London Symphony Orchestra
conductor:
Jeremy Lubbock
arranger:
Dan Shea
orchestrator:
Jeremy Lubbock
cover recording of:
Hello
lyricist and composer:
Lionel Richie
additional writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4?:??
7Ain't No Stopping Us Now
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Walter Afanasieff
programming:
Walter Afanasieff and Dan Shea
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Dana Jon Chappelle
additional guitar:
Michael Landau
guitar:
Dann Huff
keyboard:
Walter Afanasieff and Dan Shea
Moog [Moog bass] and synthesizer:
Walter Afanasieff
background vocals:
Tawatha Agee, Alexandra Brown (US soul vocalist, member of Raelets), Johnny Britt, Robin Clark (soul vocalist), Lynn Davis (vocalist), Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Paulette McWilliams, Cindy Mizelle, Phil Perry (US R&B/jazz singer, songwriter & musician) and Fonzi Thornton
lead vocals:
Luther Vandross
arranger:
Dan Shea
vocals arranger:
Luther Vandross
cover recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4?:??
8Always and Forever
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Walter Afanasieff
programming:
Walter Afanasieff and Dan Shea
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Dana Jon Chappelle
additional guitar:
Michael Thompson (session guitarist)
guitar:
Dann Huff
Hammond organ [Hammond B-3] and Moog [Moog bass]:
Walter Afanasieff
keyboard and synthesizer:
Walter Afanasieff and Dan Shea
background vocals:
Johnny Britt, Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Phil Perry (US R&B/jazz singer, songwriter & musician) and Claytoven Richardson
lead vocals:
Luther Vandross
arranger:
Dan Shea
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
cover recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
9Going in Circles
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Walter Afanasieff and Dan Shea
programming:
Walter Afanasieff and Dan Shea
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Mick Guzauski
baritone saxophone:
Stephen "Doc" Kupka
guitar:
Dann Huff
Hammond organ [Hammond B-3]:
Walter Afanasieff
keyboard:
Walter Afanasieff and Dan Shea
Moog [Moog bass] and synthesizer:
Dan Shea
background vocals:
Tawatha Agee, Alexandra Brown (US soul vocalist, member of Raelets), Johnny Britt, Robin Clark (soul vocalist), Lynn Davis (vocalist), Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist), Paulette McWilliams, Cindy Mizelle, Phil Perry (US R&B/jazz singer, songwriter & musician) and Fonzi Thornton
lead vocals:
Luther Vandross
conductor:
Jeremy Lubbock
horn arranger:
Greg Adams (Tower of Power trumpeter)
arranger:
Dan Shea
orchestrator:
Jeremy Lubbock
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
cover recording of:
Going in Circles (The Friends of Distinction)
lyricist and composer:
Jerry Peters and Anita Porée
publisher:
Porpete Music (BMI)
3?:??
10Since You've Been Gone
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Walter Afanasieff
programming:
Walter Afanasieff and Dan Shea
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
producer:
Walter Afanasieff
mixer:
Dana Jon Chappelle
guitar:
Dann Huff
Hammond organ [Hammond B-3], Moog [Moog bass], synthesizer and synthesizer [horns]:
Walter Afanasieff
keyboard:
Walter Afanasieff and Dan Shea
background vocals:
Tawatha Agee, Cissy Houston, Darlene Love, Paulette McWilliams and Cindy Mizelle
lead vocals:
Luther Vandross
background vocals arranger:
Cissy Houston and Luther Vandross
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??
11All the Woman I Need
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Walter Afanasieff
programming and producer:
Walter Afanasieff
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
mixer:
Mick Guzauski
acoustic guitar, keyboard, Moog [Moog bass], synclavier and synthesizer:
Walter Afanasieff
additional guitar:
Michael Landau
guitar:
Dann Huff
background vocals:
Alexandra Brown (US soul vocalist, member of Raelets), Johnny Britt, Lynn Davis (vocalist), Jim Gilstrap, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) and Phil Perry (US R&B/jazz singer, songwriter & musician)
lead vocals:
Luther Vandross
orchestra:
London Symphony Orchestra
conductor:
Jeremy Lubbock
arranger:
Narada Michael Walden
orchestrator:
Jeremy Lubbock
cover recording of:
All the Man That I Need
writer:
Michael Gore (composer) and Dean Pitchford
?:??
12What the World Needs Now
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals) and Dana Jon Chappelle
drum machine programming:
Walter Afanasieff
programming and producer:
Walter Afanasieff
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
mixer:
Dana Jon Chappelle
acoustic guitar, keyboard, Moog [Moog bass], synclavier and synthesizer:
Walter Afanasieff
guitar:
Dann Huff
lead vocals:
Luther Vandross
orchestra:
London Symphony Orchestra
conductor:
Jeremy Lubbock
orchestrator:
Jeremy Lubbock
cover recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
2?:??
13The Impossible Dream
recording engineer:
Paul Brown (smooth jazz performer/producer) (lead vocals, background vocals), Dana Jon Chappelle and Dana Jon Chappelle (background vocals)
drum machine programming:
Walter Afanasieff
programming and producer:
Walter Afanasieff
synthesizer programming:
Gary Cirimelli and Ren Klyce
co-producer:
Luther Vandross
mixer:
Mick Guzauski
acoustic guitar, keyboard, Moog [Moog bass], synclavier and synthesizer:
Walter Afanasieff
guitar:
Dann Huff
background vocals:
Tawatha Agee, Phillip Ballou, Robin Clark (soul vocalist), Cissy Houston, Paulette McWilliams and Kevin Owens
lead vocals:
Luther Vandross
orchestra:
London Symphony Orchestra
conductor:
Jeremy Lubbock
orchestrator:
Jeremy Lubbock
cover recording of:
The Impossible Dream (Man of La Mancha)
lyricist:
Joe Darion
composer:
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
part of:
Man of La Mancha (Mitch Leigh musical)
?:??
2▼CD: Your Secret Love
#TitleRatingLength
1Your Secret Love
recording engineer and mixer:
Ray Bardani
additional programming:
Ivan Hampden
drum machine programming and synthesizer [string] programming:
Reed Vertelney
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover
additional keyboard and strings:
John “Skip” Anderson (funk/soul producer and songwriter)
bass:
John “Skip” Anderson (funk/soul producer and songwriter) and Reed Vertelney
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Reed Vertelney
background vocals:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross and Reed Vertelney
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Your Secret Love
writer:
Luther Vandross and Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) and Vertelney Music (in 1996)
?:??
2Love Don't Live Here Anymore
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover
bass, drums (drum set), keyboard and synthesizer [synth strings]:
John “Skip” Anderson (funk/soul producer and songwriter)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), David Lasley, Cheryl Lynn (1970s disco singer), Paulette McWilliams, Cindy Mizelle and Brenda White‐King
strings arranger:
Leon Pendarvis
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Love Don’t Hurt You Anymore
writer:
Luther Vandross
publisher:
EMI April Music Inc. (in 1980) and Uncle Ronnie’s Music Company Inc. (in 1980)
?:??
3It's Hard for Me to Say Anymore
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover
bass, drums (drum set), piano and strings:
John “Skip” Anderson (funk/soul producer and songwriter)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
It’s Hard for Me to Say
writer:
John “Skip” Anderson (funk/soul producer and songwriter) and Luther Vandross
publisher:
EMI April Music Inc. (in 1996), J V A Publishing Co. (in 1996) and Uncle Ronnie’s Music Company Inc. (in 1996)
?:??
4Crazy Love
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover
additional flute:
Mark Hollingworth and Derryl Richards
percussion:
Paulinho DaCosta (Brazilian percussionist)
piano:
John “Skip” Anderson (funk/soul producer and songwriter)
conductor:
Jeremy Lubbock
orchestrator:
Jeremy Lubbock
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Crazy Love
writer:
David Lasley, Robin Lerner, Marsha Malamet and Allan Rich
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Irving Music (BMI), Nelana Music, Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co., Inc. (USA) (in 1989), David Lasley Music (in 1989), Malamution Music (in 1989), Nomad-Noman Music (in 1989), Puckalesia Songs (in 1989) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1989)
?:??
5I Can Make It Better
recording engineer:
Ray Bardani and David I. Ward II (American R&B/soul engineer and producer)
additional programming:
David I. Ward II (American R&B/soul engineer and producer)
programming:
Marcus Miller (jazz musician)
executive producer:
Luther Vandross
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
editor:
Max Risenhoover
additional guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
instruments:
Marcus Miller (jazz musician)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
strings arranger:
Leon Pendarvis
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
recorded at:
Camel Island Studios in Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
I Can Make It Better
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1996), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1996), Thriller Miller Music (in 1996) and Uncle Ronnie’s Music Company Inc. (in 1996)
?:??
6Too Proud to Beg
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover (background vocals)
bass, drums (drum set), keyboard and strings:
Reed Vertelney
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross and Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Too Proud to Beg
writer:
Luther Vandross and Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) and Vertelney Music (in 1996)
?:??
7I Can't Wait No Longer (Let's Do This)
recording engineer:
Ray Bardani and David I. Ward II (American R&B/soul engineer and producer)
programming:
Marcus Miller (jazz musician)
executive producer:
Luther Vandross
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
editor:
Max Risenhoover
instruments:
Marcus Miller (jazz musician)
background vocals:
Marcus Miller (jazz musician) and Luther Vandross
vocals:
Deidre "Spin" Roper
recorded at:
Camel Island Studios in Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
I Can't Wait No Longer (Let's Do This)
writer:
Marcus Miller (jazz musician) and Deidre Roper
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1996), Spinda Publishing (in 1996) and Thriller Miller Music (in 1996)
?:??
8Nobody to Love
recording engineer:
Ray Bardani and David I. Ward II (American R&B/soul engineer and producer)
programming:
David I. Ward II (American R&B/soul engineer and producer) and Marcus Miller (jazz musician)
executive producer:
Luther Vandross
producer:
Marcus Miller (jazz musician) and Luther Vandross
mixer:
Ray Bardani
editor:
Max Risenhoover
acoustic guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
guitar and keyboard:
Marcus Miller (jazz musician)
solo vibraphone:
Nat Adderley, Jr.
background vocals:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recorded at:
Camel Island Studios in Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Nobody to Love
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. (in 1995), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1995), Thriller Miller Music (in 1995) and Uncle Ronnie’s Music Company Inc. (in 1995)
?:??
9Whether or Not the World Gets Better
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
editor:
Max Risenhoover
bass:
Marcus Miller (jazz musician)
drums (drum set), synthesizer and synthesizer [synth orchestra]:
John “Skip” Anderson (funk/soul producer and songwriter)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
piano:
Nat Adderley, Jr.
vocals:
Lisa Fischer (American vocalist) and Luther Vandross
synthesizer [synth orchestra] arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
arranger:
Nat Adderley, Jr., John “Skip” Anderson (funk/soul producer and songwriter) and Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Whether or Not the World Gets Better
writer:
Luther Vandross
publisher:
EMI April Music Inc. (in 1988) and Uncle Ronnie’s Music Company Inc. (in 1988)
?:??
10This Time I'm Right
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Luther Vandross
editor:
Max Risenhoover
bass:
Byron Miller (bass guitarist)
drums (drum set), keyboard and strings:
John “Skip” Anderson (funk/soul producer and songwriter)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho DaCosta (Brazilian percussionist)
solo alto saxophone:
Everett Harp
background vocals:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle and Brenda White‐King
strings arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
This Time I'm Right
writer:
Luther Vandross
publisher:
EMI April Music Inc. (in 1995) and Uncle Ronnie’s Music Company Inc. (in 1995)
?:??
11Knocks Me Off My Feet
recording engineer and mixer:
Ray Bardani
executive producer:
Luther Vandross
producer:
Nat Adderley, Jr. and Luther Vandross
editor:
Max Risenhoover
bass synthesizer and keyboard:
Nat Adderley, Jr.
drums (drum set) and percussion:
Ivan Hampden
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
arranger:
Nat Adderley, Jr.
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Knocks Me Off My Feet
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music (in 1976, in 1980), Jobete Music Co., Inc. (in 1976) and Jobete Music (appears also as: Jobete Msc.) (in 1980)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
?:??
12Goin' Out of My Head
recording engineer and mixer:
Ray Bardani
keyboard programming:
John “Skip” Anderson (funk/soul producer and songwriter)
executive producer:
Luther Vandross
producer:
Nat Adderley, Jr. and Luther Vandross
editor:
Max Risenhoover
bass:
Marcus Miller (jazz musician)
drums (drum set):
Ivan Hampden
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano:
Nat Adderley, Jr.
solo saxophone:
Kirk Whalum
background vocals:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle, Fonzi Thornton and Brenda White‐King
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Goin’ Out of My Head
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
?:??

Credits

Release group

includes:Songs
Your Secret Love