The Harmonia Mundi Years: Cantatas

~ Release by Philippe Herreweghe (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Trauerode, BWV 198: Coro: "Laß, Fürstin, laß noch einen Strahl"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:58
2Trauerode, BWV 198: Recitativo (soprano): "Dein Sachsen"
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:11
3Trauerode, BWV 198: Aria (soprano): "Verstummt!"
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:52
4Trauerode, BWV 198: Recitativo (alto): "Der Glocken bebendes Getön"
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:58
5Trauerode, BWV 198: Aria (alto): "Wie starb die Heldin so vergnügt"
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:23
6Trauerode, BWV 198: Recitativo (tenor): "Ihr Leben ließ die Kunst zu sterben"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:08
7Trauerode, BWV 198: Coro: "An dir, du Fürbild Großer Frauen"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:09
8Trauerode, BWV 198: Aria (tenor): "Der Ewigkeit saphirnes Haus"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:07
9Trauerode, BWV 198: Recitativo (basso): "Was Wunder ist?"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:28
10Trauerode, BWV 198: Chorus Ultimus: "Doch, Königin!"
choir vocals:
Collegium Vocale Gent and Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1987-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:10
11Jesu, der du meine Seele, BWV 78: Coro: "Jesu, der du meine Seele"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:31
12Jesu, der du meine Seele, BWV 78: Aria, duetto (soprano, alto): "Wir eilen"
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:17
13Jesu, der du meine Seele, BWV 78: Recitativo (tenor): "Ach! ich bin ein Kind der Sünden"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:09
14Jesu, der du meine Seele, BWV 78: Aria (tenor): "Dein Blut"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:23
15Jesu, der du meine Seele, BWV 78: Recitativo (basso): "Die Wunden, Nägel, Kron und Grab"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach2:36
16Jesu, der du meine Seele, BWV 78: Aria (basso): "Nun du wirst mein Gewissen stillen"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach3:10
17Jesu, der du meine Seele, BWV 78: Choral: "Herr, ich glaube"
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach1:06
2▼CD
#TitleArtistRatingLength
1Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia
solo oboe:
Marcel Ponseele (oboist)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:54
2Cantata, BWV 21 "Ich hatte viel Bekümmernis": II. Chorus "Ich hatte viel Bekümmernis"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:55
3Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (Sopran) "Seufzer, Tränen"
soprano vocals:
Barbara Schlick (soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:17
4Cantata, BWV 21 "Ich hatte viel Bekümmernis": IV. Recitativo (Tenor) "Wie hast du dich, mein Gott"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:36
5Cantata, BWV 21 "Ich hatte viel Bekümmernis": V. Aria (Tenor) "Bäche von gesalznen Zähren"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach6:25
6Cantata, BWV 21 "Ich hatte viel Bekümmernis": VI. Chorus "Was betrübst du dich, meine Seele"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:29
7Cantata, BWV 21 "Ich hatte viel Bekümmernis": VII. Recitativo (Sopran, Bass) "Ach Jesu, meine Ruh"
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Barbara Schlick (soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:28
8Cantata, BWV 21 "Ich hatte viel Bekümmernis": VIII. Aria (Sopran, Bass) "Komm, mein Jesu"
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Barbara Schlick (soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:55
9Cantata, BWV 21 "Ich hatte viel Bekümmernis": IX. Chorus "Sei nun wieder zufrieden, meine Seele"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:22
10Cantata, BWV 21 "Ich hatte viel Bekümmernis": X. Aria (Tenor) "Erfreue dich, Seele"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:57
11Cantata, BWV 21 "Ich hatte viel Bekümmernis": XI. Chorus "Das Lamm, das erwürget ist"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:02
12Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach6:44
13Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": II. Recitativo (Tenor) "Am Abend aber desselbigen Sabbats"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": II. Recitativo (Tenore) "Am Abend aber desselbigen Sabbats" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach0:33
14Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alt) "Wo zwei und drei versammlet sind"
alto vocals:
Gérard Lesne (countertenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alto) "Wo zwei und drei versammelt sind" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach10:13
15Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral, Duetto (Sopran, Tenor) "Verzage nicht, o Häuflein klein"
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral (Duetto: Soprano, Tenore) "Verzage nicht, o Häuflein klein" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach2:20
16Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": V. Recitativo (Bass) "Mann kann hiervon ein schön Exempel sehen"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": V. Recitativo (Basso) "Mann kann hiervon ein schön Exempel sehen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach0:47
17Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Bass) "Jesus ist ein Schild der Seinen"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Basso) "Jesus ist ein Schild der Seinen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach3:23
18Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": VII. Choral "Verleih uns Frieden gnädiglich"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VII. Choral "Verleih uns Frieden gnädiglich" (in 1990-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 322)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach2:10
3▼CD
#TitleArtistRatingLength
1Kantate "Ein feste Burg ist unser Gott", BWV 80: I. Chor "Ein feste Burg ist unser Gott"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:57
2Kantate "Ein feste Burg ist unser Gott", BWV 80: II. Aria "Alles, was von Gott gehören"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1990-01)
solo soprano vocals:
Barbara Schlick (soprano) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:56
3Kantate "Ein feste Burg ist unser Gott", BWV 80: III. Recitativo "Erwage doch"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:01
4Kantate "Ein feste Burg ist unser Gott", BWV 80: IV. Aria "Komm in mein Herzenshaus"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
solo soprano vocals:
Barbara Schlick (soprano) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:07
5Kantate "Ein feste Burg ist unser Gott", BWV 80: V. Chor "Und wenn die Welt voll Teufel war"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:36
6Kantate "Ein feste Burg ist unser Gott", BWV 80: VI. Recitativo "So stehe dann"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo tenor vocals:
Howard Crook (tenor) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:33
7Kantate "Ein feste Burg ist unser Gott", BWV 80: VII. Duo "Wie Selig sind doch die"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
solo alto vocals:
Gérard Lesne (countertenor) (in 1990-01)
solo tenor vocals:
Howard Crook (tenor) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:09
8Kantate "Ein feste Burg ist unser Gott", BWV 80: VIII. Chor "Das Wort sie sollen lassen stahn"
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1990-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:31
9Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag"
choir vocals:
Collegium Vocale Gent (in 2002-12)
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:24
10Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute"
solo alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach2:32
11Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
solo bass vocals:
Sebastian Noack (bass-baritone) (in 2002-12)
soprano vocals:
Carolyn Sampson (soprano) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:57
12Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid"
solo tenor vocals:
Mark Padmore (British tenor) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
13Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-12)
solo tenor vocals:
Mark Padmore (British tenor) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:46
14Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
solo bass vocals:
Sebastian Noack (bass-baritone) (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:06
15Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!"
choir vocals:
Collegium Vocale Gent (in 2002-12)
orchestra:
Collegium Vocale Gent (in 2002-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-12)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 2002-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 2002-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:51
4▼CD
#TitleArtistRatingLength
1Ich habe genug, BWV 82: I. Aria “Ich habe genug”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:26
2Ich habe genug, BWV 82: II. Recitativo “Ich habe genug!”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:02
3Ich habe genug, BWV 82: III. Aria “Schlummert ein, ihr matten Augen”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:39
4Ich habe genug, BWV 82: IV. Recitativo “Mein Gott! wenn kömmt das schöne: Nun!”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:43
5Ich habe genug, BWV 82: V. Aria “Ich freue mich auf meinen Tod”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:43
6Ich will den Kreuzstab gerne tragen, BWV 56: I. Aria “Ich will den Kreuzstab gerne tragen”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:55
7Ich will den Kreuzstab gerne tragen, BWV 56: II. Recitativo “Mein Wandel auf der Welt”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:52
8Ich will den Kreuzstab gerne tragen, BWV 56: III. Aria “Endlich, endlich will mein Joch”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach26:45
9Ich will den Kreuzstab gerne tragen, BWV 56: IV. Recitativo & Aria “Ich stehe fertig”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:26
10Ich will den Kreuzstab gerne tragen, BWV 56: V. Choral “Komm, o Tod, du Schlafes Bruder”
vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:29
11Der Friede sei mit dir, BWV 158: Recitativo “Der Friede sei mit dir”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:44
12Der Friede sei mit dir, BWV 158: Aria con Corale “Welt, ade, ich bin dein müde”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach6:52
13Der Friede sei mit dir, BWV 158: Recitativo “Nun Herr”
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:25
14Der Friede sei mit dir, BWV 158: Choral “Hier ist das rechte Osterlamm”
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1991-01)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:19
5▼CD
#TitleArtistRatingLength
1Kantate "Gott fähret auf mit Jauchzen", BWV 43: I. [Chorus] Gott fähret auf mit Jauchzen
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, I. Coro "Gott fähret auf mit Jauchzen" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:28
2Kantate "Gott fähret auf mit Jauchzen", BWV 43: II. Recitativo (T) Es will der Höchste
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, II. Recitativo (Tenore) "Es will der Höchste sich ein Siegsgepräng bereiten" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:44
3Kantate "Gott fähret auf mit Jauchzen", BWV 43: III. Aria (T) Ja tausendmal tausend begleiten den Wagen
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, III. Aria (Tenore) "Ja tausend mal tausend begleiten den Wagen" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:16
4Kantate "Gott fähret auf mit Jauchzen", BWV 43: IV. Recitativo (S) Und der Herr
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, IV. Recitativo (Soprano) "Und der Herr, nachdem er mit ihnen geredet hatte" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:24
5Kantate "Gott fähret auf mit Jauchzen", BWV 43: V. Aria (S) Mein Jesus hat nunmehr
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, V. Aria (Soprano) "Mein Jesus hat nunmehr" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:36
6Kantate "Gott fähret auf mit Jauchzen", BWV 43: VI. Recitativo (B) Es kommt der Helden Held
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VI. Recitativo (Basso) "Es kommt der Helden Held" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:42
7Kantate "Gott fähret auf mit Jauchzen", BWV 43: VII. Aria (B) Er ists, der ganz allein
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VII. Aria (Basso) "Er ists, der ganz allein die Kelter hat getreten" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:57
8Kantate "Gott fähret auf mit Jauchzen", BWV 43: VIII. Recitativo (A) Der Vater hat ihm ja ein ewig Reich bestimmet
alto vocals:
Catherine Patriasz (mezzo-soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VIII. Recitativo (Alto) "Der Vater hat ihm ja ein ewig Reich bestimmet" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:38
9Kantate "Gott fähret auf mit Jauchzen", BWV 43: IX. Aria (A) Ich sehe schon im Geist
alto vocals:
Catherine Patriasz (mezzo-soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, IX. Aria (Alto) "Ich sehe schon im Geist" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:36
10Kantate "Gott fähret auf mit Jauchzen", BWV 43: X. Recitativo (S) Er will mir neben sich die Wohnung zubereiten
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, X. Recitativo (Soprano) "Er will mir neben sich die Wohnung zubereiten" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:41
11Kantate "Gott fähret auf mit Jauchzen", BWV 43: XI. Choral (S,A,T,B) Du Lebensfürst, Herr Jesu Christ
alto vocals:
Catherine Patriasz (mezzo-soprano)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, XI. Choral "Du Lebensfürst, Herr Jesu Christ" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 81)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:37
12Kantate "Sie werden euch in den Bann tun", BWV 44: I/II. [Duetto] (T,B,Chorus) Sie werden euch in den Bann tun
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": I. Aria (Duetto: Tenore, Basso) "Sie werden euch in den Bann tun" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach4:18
13Kantate "Sie werden euch in den Bann tun", BWV 44: III. Aria (A) Christen müssen auf der Erden
alto vocals:
Catherine Patriasz (mezzo-soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": III. Aria (Alto) "Christen müssen auf der Erden" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach4:18
14Kantate "Sie werden euch in den Bann tun", BWV 44: IV. Choral (T) Ach Gott, wie manches Herzeleid
choir vocals:
Collegium Vocale Gent
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": IV. Choral (Tenore) "Ach Gott, wie manches Herzelid" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:35
15Kantate "Sie werden euch in den Bann tun", BWV 44: V. Recitativo (B) Es sucht der Antichrist
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": V. Recitativo (Basso) "Es sucht der Antichrist" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach0:54
16Kantate "Sie werden euch in den Bann tun", BWV 44: VI. Aria (S) Es ist und bleibt der Christen Trost
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VI. Aria (Soprano) "Es ist und bleibt der Christen Trost" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach5:42
17Kantate "Sie werden euch in den Bann tun", BWV 44: VII. Choral (S,A,T,B) So sei nun, Seele, deine
alto vocals:
Catherine Patriasz (mezzo-soprano)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VII. Choral "So sei nun, Seele, deine'" (in 1993-05)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 296)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach1:05
18Himmelfahrts-Oratorium, BWV 11: I. Chorus Lobet Gott in seinen Reichen
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:45
19Himmelfahrts-Oratorium, BWV 11: II. Evangelista (T) Der Herr Jesu hub seine Hände auf
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:31
20Himmelfahrts-Oratorium, BWV 11: III. Recitativo (B) Ach Jesu, ist dein Abschied schon so nah?
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:05
21Himmelfahrts-Oratorium, BWV 11: IV. Aria (A) Ach bleibe doch
alto vocals:
Catherine Patriasz (mezzo-soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:27
22Himmelfahrts-Oratorium, BWV 11: V. Evangelista (T) Und ward aufgehoben zusehends
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:27
23Himmelfahrts-Oratorium, BWV 11: VI. Choral (S,A,T,B) Nun lieget alles unter dir
alto vocals:
Catherine Patriasz (mezzo-soprano)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1993-05)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:21
24Himmelfahrts-Oratorium, BWV 11: VIIa. Evangelista (T,B) Und da sie ihm nachsahen gen Himmel fahren
bass vocals:
Peter Kooij (Peter Kooy, baritone)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
25Himmelfahrts-Oratorium, BWV 11: VIIb. Recitativo (A) Ach ja! so komme bald zurück
alto vocals:
Catherine Patriasz (mezzo-soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:39
26Himmelfahrts-Oratorium, BWV 11: VIIc. Evangelista (T) Sie aber beteten ihn an
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:42
27Himmelfahrts-Oratorium, BWV 11: VIII. Aria (S) Jesu, deine Gnadenblicke
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:31
28Himmelfahrts-Oratorium, BWV 11: IX. Choral Wenn soll es doch geschehen
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:05
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