Five Classic Albums Plus Bonus Singles

~ Release by Little Richard (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleRatingLength
1Tutti Frutti
recorded in:
New Orleans, Louisiana, United States (on 1955-09-14)
producer:
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
double bass:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
lead vocals:
Little Richard (on 1955-09-14)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1955-09-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 35) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 43)
recording of:
Tutti Frutti (on 1955-09-14)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
4.12:25
2True Fine Mama
baritone saxophone:
Clarence Ford (on 1955-11-29)
bass guitar:
Lloyd Lambert (on 1955-11-29)
drums (drum set):
Oscar Moore (on 1955-11-29)
guitar:
William 'Frosty' Pyles (on 1955-11-29)
piano and lead vocals:
Little Richard (on 1955-11-29)
tenor saxophone:
Joseph Tillman (on 1955-11-29)
trumpet:
Renald Richard (on 1955-11-29)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1955-11-29)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-11-29)
recording of:
True Fine Mama (True Fine Baby) (on 1955-11-29)
lyricist and composer:
Richard Wayne Penniman (in 1955-11)
42:41
3Can’t Believe You Wanna Leave
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-08-01)
bass guitar:
Frank Fields (on 1956-08-01)
drums (drum set):
Earl Palmer (on 1956-08-01)
guitar:
Roy Montrell (on 1956-08-01)
piano and lead vocals:
Little Richard (on 1956-08-01)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-08-01)
recording of:
Can’t Believe You Wanna Leave (on 1956-08-01)
lyricist and composer:
Leo Price
writer:
Little Richard
publisher:
ATV Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Venice Music
42:26
4Ready Teddy
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-05-09)
bass guitar:
Frank Fields (on 1956-05-09)
drums (drum set):
Earl Palmer (on 1956-05-09)
guitar:
Edgar Blanchard (on 1956-05-09)
piano and lead vocals:
Little Richard (on 1956-05-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-05-09)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-05-09)
recording of:
Ready Teddy (on 1956-05-09)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
52:08
5Baby
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
bass guitar:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
lead vocals:
Little Richard (on 1955-09-14)
recording of:
Baby (Don't You Want a Man Like Me) (on 1955-09-14)
lyricist and composer:
Richard Wayne Penniman (in 1955-02)
42:06
6Slippin’ and Slidin’
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
recording of:
Slippin’ and Slidin’ (on 1956-02-07)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
2:43
7Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 13) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 56)
recording of:
Long Tall Sally (on 1956-02-07)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
42:10
8Miss Ann
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
recording of:
Miss Ann (on 1956-02-07)
writer:
Enotris Johnson (in 1955-11) and Richard Wayne Penniman (in 1955-11)
42:17
9Oh Why?
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-09)
bass guitar:
Frank Fields (on 1956-02-09)
drums (drum set):
Earl Palmer (on 1956-02-09)
guitar:
Edgar Blanchard (on 1956-02-09)
piano and lead vocals:
Little Richard (on 1956-02-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-09)
recording of:
Oh Why? (on 1956-02-09)
lyricist and composer:
William L. Scott
42:09
10Rip It Up
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-05-09)
bass guitar:
Frank Fields (on 1956-05-09)
drums (drum set):
Earl Palmer (on 1956-05-09)
guitar:
Edgar Blanchard (on 1956-05-09)
piano and lead vocals:
Little Richard (on 1956-05-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-05-09)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-05-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 4)
recording of:
Rip It Up (on 1956-05-09)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
4.52:24
11Jenny Jenny
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-15)
bass guitar:
Frank Fields (on 1956-10-15)
drums (drum set):
Earl Palmer (on 1956-10-15)
guitar:
Roy Montrell (on 1956-10-15)
piano and lead vocals:
Little Richard (on 1956-10-15)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-15)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 20)
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song) (on 1956-10-15)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
4.52:05
12She’s Got It
baritone saxophone:
Jewell Grant (US saxophonist) (on 1956-09-06)
bass guitar:
Olsie Robinson (on 1956-09-06)
drums (drum set):
Charles Connor (on 1956-09-06)
guitar:
Nathaniel Douglas (on 1956-09-06)
piano and lead vocals:
Little Richard (on 1956-09-06)
tenor saxophone:
Clifford Burks (on 1956-09-06), Grady Gaines (R & B sax player / bandleader) (on 1956-09-06) and Wilbert Smith (on 1956-09-06)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1956-09-06)
recording of:
She’s Got It (on 1956-09-06)
writer:
John Marascalco (in 1956-09) and Richard Wayne Penniman (in 1956-09)
publisher:
Robin Hood Music Co. and Sony/ATV Songs LLC
2:26
13Keep a Knockin’
baritone saxophone:
Samuel Parker Jr. (US saxophonist) (on 1957-01-16)
bass guitar:
Olsie Robinson (on 1957-01-16)
drums (drum set):
Charles Connor (on 1957-01-16)
guitar:
Nathaniel Douglas (on 1957-01-16)
piano and lead vocals:
Little Richard (on 1957-01-16)
tenor saxophone:
Clifford Burks (on 1957-01-16), Grady Gaines (R & B sax player / bandleader) (on 1957-01-16) and Wilbert Smith (on 1957-01-16)
edit of:
Keep a Knockin' (slate & take 2) by Little Richard
recording of:
Keep a Knockin’ (Little Richard’s version) (on 1957-01-16)
lyricist and composer:
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
version of:
Keep a‐Knockin’ an You Can’t Get In
2:23
14By the Light of the Silvery Moon
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-16)
bass guitar:
Frank Fields (on 1956-10-16)
drums (drum set):
Earl Palmer (on 1956-10-16)
guitar:
Roy Montrell (on 1956-10-16)
piano and lead vocals:
Little Richard (on 1956-10-16)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-16)
cover recording of:
By the Light of the Silvery Moon (on 1956-10-16)
lyricist:
Edward Madden (in 1909)
composer:
Gus Edwards (in 1909)
publisher:
Remick Music
part of:
Two Weeks With Love (1950 film)
2:07
15Send Me Some Lovin’
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-16)
bass guitar:
Frank Fields (on 1956-10-16)
drums (drum set):
Earl Palmer (on 1956-10-16)
guitar:
Roy Montrell (on 1956-10-16)
piano and lead vocals:
Little Richard (on 1956-10-16)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-16)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-16)
recording of:
Send Me Some Lovin’ (on 1956-10-16)
lyricist:
Leo Price
composer:
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. and Sony/ATV Songs LLC
2:19
16Boo Hoo Hoo Hoo (I’ll Never Let You Go)
bass guitar:
Olsie Robinson (on 1957-10-18)
drums (drum set):
Charles Connor (on 1957-10-18)
guitar:
Nathaniel Douglas (on 1957-10-18)
piano and lead vocals:
Little Richard (on 1957-10-18)
tenor saxophone:
Clifford Burks (on 1957-10-18), Grady Gaines (R & B sax player / bandleader) (on 1957-10-18) and Wilbert Smith (on 1957-10-18)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go) (on 1957-10-18)
lyricist and composer:
Richard Wayne Penniman (in 1957-10)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go)
lyricist and composer:
Richard Wayne Penniman (in 1957-10)
2:20
17Heeby‐Jeebies
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-07-30)
bass guitar:
Frank Fields (on 1956-07-30)
drums (drum set):
Earl Palmer (on 1956-07-30)
guitar:
Roy Montrell (on 1956-07-30)
piano and lead vocals:
Little Richard (on 1956-07-30)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-07-30)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-07-30)
recording of:
Heeby-Jeebies (on 1956-07-30)
writer:
Maybelle Jackson (in 1956-05) and John Marascalco (in 1956-05)
publisher:
Robin Hood Music Co. and Sony/ATV Songs LLC
2:15
18All Around the World2:23
19Good Golly Miss Molly
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-15)
double bass [bass]:
Frank Fields (on 1956-10-15)
drums (drum set) [drums]:
Earl Palmer (on 1956-10-15)
guitar:
Edgar Blanchard (on 1956-10-15)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-15)
vocals:
Little Richard (on 1956-10-15)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-15)
edit of:
Good Golly, Miss Molly (false start, chatter, announcement & take 9) by Little Richard
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 92) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 94)
recording of:
Good Golly Miss Molly (on 1956-10-15)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
3.52:11
20Baby Face
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-16)
bass guitar:
Frank Fields (on 1956-10-16)
drums (drum set):
Earl Palmer (on 1956-10-16)
guitar:
Roy Montrell (on 1956-10-16)
piano and lead vocals:
Little Richard (on 1956-10-16)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-16)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-16)
cover recording of:
Baby Face (on 1956-10-16)
lyricist:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
composer:
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. and Benny Davis Music
recording of:
Baby Face
lyricist:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
composer:
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. and Benny Davis Music
2:12
21Hey Hey Hey Hey
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-05-09)
bass guitar:
Frank Fields (on 1956-05-09)
drums (drum set):
Earl Palmer (on 1956-05-09)
guitar:
Edgar Blanchard (on 1956-05-09)
piano and lead vocals:
Little Richard (on 1956-05-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-05-09)
recording of:
Hey‐Hey‐Hey‐Hey! (Going Back to Birmingham) (on 1956-05-09)
lyricist and composer:
Richard Wayne Penniman (in 1956-05)
publisher:
ATV Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30) and Sony/ATV Music Publishing (UK) Ltd.
2:08
22Ooh! My Soul
recording of:
Ooh! My Soul
lyricist and composer:
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Publishing (UK) Ltd.
2:09
23The Girl Can’t Help It
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-16)
bass guitar:
Frank Fields (on 1956-10-16)
drums (drum set):
Earl Palmer (on 1956-10-16)
guitar:
Roy Montrell (on 1956-10-16)
piano and lead vocals:
Little Richard (on 1956-10-16)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-16)
background vocals:
Junior Gordon (on 1956-10-16), Art Neville (on 1956-10-16), Adolph Smith (1950s vocalist, guitarist & songwriter) (on 1956-10-16) and William Tircuit (1950s vocalist) (on 1956-10-16)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 413)
recording of:
The Girl Can’t Help It (on 1956-10-16)
lyricist and composer:
Bobby Troup
publisher:
Robbins Music Corp. and Twentieth Century Music Corp. (in 1956)
42:31
24Lucille
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-07-30)
bass guitar:
Frank Fields (on 1956-07-30)
drums (drum set):
Earl Palmer (on 1956-07-30)
guitar:
Roy Montrell (on 1956-07-30)
piano and lead vocals:
Little Richard (on 1956-07-30)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-07-30)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-07-30)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 14)
recording of:
Lucille (on 1956-07-30)
writer:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
sub-publisher:
Sony/ATV Music Publishing France (ended), Sony Music Publishing France and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.52:22
2CD
#TitleRatingLength
1Shake a Hand
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (until 1959-03)
bass guitar:
Frank Fields (until 1959-03)
drums (drum set):
Earl Palmer (until 1959-03)
piano and lead vocals:
Little Richard (until 1959-03)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (until 1959-03)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (until 1959-03)
remix of:
Shake a Hand (chat & take 4) by Little Richard
edit of:
Shake a Hand (chat & take 4) by Little Richard
cover recording of:
Shake a Hand (until 1959-03)
lyricist and composer:
Joe Morris (US jazz trumpeter)
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:52
2Chicken Little Baby
piano and lead vocals:
Little Richard (until 1959-03)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (until 1959-03)
remix of:
Chicken Little Baby (undubbed master) by Little Richard (until 1959-03)
edit of:
Chicken Little Baby (undubbed master) by Little Richard
recording of:
Chicken Little Baby (until 1959-03)
lyricist and composer:
Richard Wayne Penniman (in 1955-11)
recording of:
Chicken Little Baby
lyricist and composer:
Richard Wayne Penniman (in 1955-11)
2:00
3All Night Long
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-13)
bass guitar:
Frank Fields (on 1955-09-13)
drums (drum set):
Earl Palmer (on 1955-09-13)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-13)
piano:
Melvin Dowden (on 1955-09-13)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-13)
lead vocals:
Little Richard (on 1955-09-13)
recording of:
All Night Long (song of Richard Penniman) (on 1955-09-13)
lyricist and composer:
Richard Wayne Penniman (in 1955-02)
2:15
4The Most I Can Offer
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (until 1959-03)
bass guitar:
Frank Fields (until 1959-03)
drums (drum set):
Earl Palmer (until 1959-03)
guitar:
Edgar Blanchard (until 1959-03)
piano and lead vocals:
Little Richard (until 1959-03)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (until 1959-03)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (until 1959-03)
remix of:
The Most I Can Offer (Just My Heart) (undubbed master) by Little Richard
edit of:
The Most I Can Offer (Just My Heart) (undubbed master) by Little Richard
recording of:
The Most I Can Offer (Just My Heart) (until 1959-03)
lyricist and composer:
William L. Scott
2:22
5Lonesome and Blue
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-13)
bass guitar:
Frank Fields (on 1955-09-13)
drums (drum set):
Earl Palmer (on 1955-09-13)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-13)
piano:
Melvin Dowden (on 1955-09-13)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-13)
lead vocals:
Little Richard (on 1955-09-13)
recording of:
Lonesome and Blue (on 1955-09-13)
lyricist and composer:
Richard Wayne Penniman (in 1955-09)
2:18
6Wonderin’
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (until 1959-03)
bass guitar:
Frank Fields (until 1959-03)
drums (drum set):
Earl Palmer (until 1959-03)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (until 1959-03)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (until 1959-03)
lead vocals:
Little Richard (until 1959-03)
recording of:
Wonderin' (Song of Richard Penniman) (until 1959-03)
lyricist and composer:
Richard Wayne Penniman (in 1955-09)
2:49
7She Knows How to Rock
bass guitar:
Olsie Robinson (on 1957-10-18)
drums (drum set):
Charles Connor (on 1957-10-18)
guitar:
Nathaniel Douglas (on 1957-10-18)
piano and lead vocals:
Little Richard (on 1957-10-18)
tenor saxophone:
Clifford Burks (on 1957-10-18), Grady Gaines (R & B sax player / bandleader) (on 1957-10-18) and Wilbert Smith (on 1957-10-18)
cover recording of:
Rockin' With Red (She Knows How to Rock) (on 1957-10-18)
lyricist and composer:
William Lee Perryman (in 1950-07)
publisher:
Unichappell Music, Inc.
2:01
8Kansas City
baritone saxophone:
Clarence Ford (on 1955-11-29)
bass guitar:
Lloyd Lambert (on 1955-11-29)
drums (drum set):
Oscar Moore (on 1955-11-29)
guitar:
William 'Frosty' Pyles (on 1955-11-29)
piano and lead vocals:
Little Richard (on 1955-11-29)
tenor saxophone:
Joseph Tillman (on 1955-11-29)
trumpet:
Renald Richard (on 1955-11-29)
recording of:
Kansas City Hey Hey Hey (on 1955-11-29)
additional lyricist and additional composer:
Richard Wayne Penniman (in 1955-11)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
Halnat Publishing Co. and Sony/ATV Songs LLC
medley of:
Hey‐Hey‐Hey‐Hey! (Going Back to Birmingham)
medley of:
Kansas City (aka “K.C. Loving”)
version of:
Kansas City (aka “K.C. Loving”)
2:41
9Directly From My Heart
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (until 1959-03)
bass guitar:
Frank Fields (until 1959-03)
drums (drum set):
Earl Palmer (until 1959-03)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (until 1959-03)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (until 1959-03)
lead vocals:
Little Richard (until 1959-03)
remix of:
Directly From My Heart (undubbed Specialty master) by Little Richard
recording of:
Directly From My Heart (to You) (from 1955-09-14 until 1959-03)
lyricist and composer:
Richard Wayne Penniman (in 1955-09)
2:20
10Maybe I’m Right
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (until 1959-03)
bass guitar:
Frank Fields (until 1959-03)
drums (drum set):
Earl Palmer (until 1959-03)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (until 1959-03)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (until 1959-03)
lead vocals:
Little Richard (until 1959-03)
remix of:
Maybe I'm Right (undubbed master) by Little Richard
recording of:
Maybe I'm Right (until 1959-03)
lyricist and composer:
Richard Wayne Penniman (in 1955-09)
2:10
11Early One Morning
bass guitar:
Olsie Robinson (on 1957-10-18)
drums (drum set):
Charles Connor (on 1957-10-18)
guitar:
Nathaniel Douglas (on 1957-10-18)
piano and lead vocals:
Little Richard (on 1957-10-18)
tenor saxophone:
Clifford Burks (on 1957-10-18), Grady Gaines (R & B sax player / bandleader) (on 1957-10-18) and Wilbert Smith (on 1957-10-18)
recording of:
Early One Morning (Blues) (on 1957-10-18)
lyricist and composer:
Richard Wayne Penniman (in 1957-10)
is based on:
Wee Baby Blues
2:15
12I’m Just a Lonely Guy
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
bass guitar:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
background vocals and choir vocals:
The Stewart Sisters (girl trio from Long Beach, CA) (on 1959-02-26)
lead vocals:
Little Richard (on 1955-09-14)
remix of:
I’m Just a Lonely Guy (single master) by Little Richard (on 1959-02-26)
recording of:
I'm Just a Lonely Guy (All Alone) (from 1955-09-14 until 1959-02-26)
lyricist and composer:
Robert “Bumps” Blackwell and Dorothy LaBostrie (American songwriter)
2:38
13Whole Lotta Shakin’ Goin’ On
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Sunny David (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
1:53
14All About It
3:30
15Long Tall Sally (movie version)2:04
16Lucille (live)
compilation of:
Introduction for Little Richard by Jack Davey (compere on Australian radio) and Lucille (live, 1957-10-11: Ampol Radio Show, Australia) by Little Richard & His Band (Little Richard's backing band)
recording of:
Lucille (on 1957-10-11)
writer:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
sub-publisher:
Sony/ATV Music Publishing France (ended), Sony Music Publishing France and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:05
17Long Tall Sally (live)
live recording of:
Long Tall Sally (on 1957-10-11)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
2:06
3CD
#TitleRatingLength
1Milky White Way
cover recording of:
Milky White Way
writer:
Landers Coleman
3:17
2I’ve Just Come From the Fountain
recording of:
I’ve Just Come From the Fountain
writer:
[traditional] (special purpose artist)
1:46
3Need Him
recording of:
Need Him
writer:
[traditional] (special purpose artist)
2:30
4I’m Trampin’
recording of:
I’m Trampin’
writer:
[traditional] (special purpose artist)
2:45
5Coming Home
recording of:
Coming Home
lyricist and composer:
Milton Biggham (gospel producer, liner notes writer and album compiler)
2:47
6God Is Real
recording of:
God Is Real
writer:
[traditional] (special purpose artist)
3:01
7Just a Closer Walk With Thee
cover recording of:
Just a Closer Walk With Thee
lyricist and composer:
[traditional] (special purpose artist)
part of:
All of Me (1984 film)
2:48
8Does Jesus Care
recording of:
Does Jesus Care
writer:
[traditional] (special purpose artist)
3:17
9Jesus Walked This Lonesome Valley
cover recording of:
Jesus Walked That Lonesome Valley (spiritual)
lyricist and composer:
[traditional] (special purpose artist)
3:09
10Precious Lord
3:08
11Troubles of the World
2:37
12Search Me Lord
2:13
13Everytime I Feel the Spirit
2:03
14I Know the Lord
3:04
15Certainly Lord
1:58
16Tell God My Troubles
3:34
17I Want Jesus to Walk With Me
cover recording of:
I Want Jesus to Walk With Me
writer:
[traditional] (special purpose artist)
3:03
18In My Heart
4:11
19I’m Quitting Show Business Part 1
2:39
20I’m Quitting Show Business Part 2
3:00
4CD
#TitleRatingLength
1Taxi Blues
recorded in:
Atlanta, Georgia, United States (on 1951-10-16)
artist & repertoire support and producer:
Steve Sholes
alto saxophone:
Albert Dobbins (on 1951-10-16)
baritone saxophone:
J. Hudson (American clarinetist and saxophonist) (on 1951-10-16)
double bass [bass]:
George Holloway Jr. (on 1951-10-16)
drums (drum set) [drums]:
Donald J. Clark (blues/rock drummer) (on 1951-10-16)
piano:
J. Wimby (on 1951-10-16)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1951-10-16)
trumpet:
Willie Mays (on 1951-10-16)
vocals:
Little Richard (on 1951-10-16)
2:19
2Every Hour
recorded in:
Atlanta, Georgia, United States (on 1951-10-16)
artist & repertoire support and producer:
Steve Sholes
alto saxophone:
Albert Dobbins (on 1951-10-16)
baritone saxophone:
J. Hudson (American clarinetist and saxophonist) (on 1951-10-16)
double bass [bass]:
George Holloway Jr. (on 1951-10-16)
drums (drum set) [drums]:
Donald J. Clark (blues/rock drummer) (on 1951-10-16)
piano:
J. Wimby (on 1951-10-16)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1951-10-16)
trumpet:
Willie Mays (on 1951-10-16)
vocals:
Little Richard (on 1951-10-16)
2:53
3Get Rich Quick
recorded in:
Atlanta, Georgia, United States (on 1951-10-16)
artist & repertoire support and producer:
Steve Sholes
alto saxophone:
Albert Dobbins (on 1951-10-16)
baritone saxophone:
J. Hudson (American clarinetist and saxophonist) (on 1951-10-16)
double bass [bass]:
George Holloway Jr. (on 1951-10-16)
drums (drum set) [drums]:
Donald J. Clark (blues/rock drummer) (on 1951-10-16)
piano:
J. Wimby (on 1951-10-16)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1951-10-16)
trumpet:
Willie Mays (on 1951-10-16)
vocals:
Little Richard (on 1951-10-16)
2:17
4Thinkin’ ’Bout My Mother
artist & repertoire support:
Steve Sholes (on 1952-01-12)
producer:
Steve Sholes
alto saxophone:
Carlos Bermudaz (sax player) (on 1952-01-12)
double bass [bass]:
George Holloway Jr. (on 1952-01-12)
drums (drum set) [drums]:
J. Williams (obscure r&b drummer) (on 1952-01-12)
guitar:
Wesley Jackson (US R&B guitarist) (on 1952-01-12)
piano:
J. Wimby (on 1952-01-12)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1952-01-12)
trombone:
Willie Wilson (trombonist) (on 1952-01-12)
trumpet:
Willie Mays (on 1952-01-12)
vocals:
Little Richard (on 1952-01-12)
recorded at:
WQXI Studio (radio station) in Atlanta, Georgia, United States (on 1952-01-12)
2:53
5Why Did You Leave Me
recorded in:
Atlanta, Georgia, United States (on 1951-10-16)
artist & repertoire support and producer:
Steve Sholes
alto saxophone:
Albert Dobbins (on 1951-10-16)
baritone saxophone:
J. Hudson (American clarinetist and saxophonist) (on 1951-10-16)
double bass [bass]:
George Holloway Jr. (on 1951-10-16)
drums (drum set) [drums]:
Donald J. Clark (blues/rock drummer) (on 1951-10-16)
piano:
J. Wimby (on 1951-10-16)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1951-10-16)
trumpet:
Willie Mays (on 1951-10-16)
vocals:
Little Richard (on 1951-10-16)
2:33
6Ain’t Nothing Happening
artist & repertoire support:
Steve Sholes (on 1952-01-12)
producer:
Steve Sholes
alto saxophone:
Carlos Bermudaz (sax player) (on 1952-01-12)
double bass [bass]:
George Holloway Jr. (on 1952-01-12)
drums (drum set) [drums]:
J. Williams (obscure r&b drummer) (on 1952-01-12)
guitar:
Wesley Jackson (US R&B guitarist) (on 1952-01-12)
piano:
J. Wimby (on 1952-01-12)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1952-01-12)
trombone:
Willie Wilson (trombonist) (on 1952-01-12)
trumpet:
Willie Mays (on 1952-01-12)
vocals:
Little Richard (on 1952-01-12)
recorded at:
WQXI Studio (radio station) in Atlanta, Georgia, United States (on 1952-01-12)
recording of:
Ain’t Nothin’ Happenin’
lyricist and composer:
Howard Biggs
2:12
7I Brought It All on Myself
artist & repertoire support:
Steve Sholes (on 1952-01-12)
producer:
Steve Sholes
alto saxophone:
Carlos Bermudaz (sax player) (on 1952-01-12)
double bass [bass]:
George Holloway Jr. (on 1952-01-12)
drums (drum set) [drums]:
J. Williams (obscure r&b drummer) (on 1952-01-12)
guitar:
Wesley Jackson (US R&B guitarist) (on 1952-01-12)
piano:
J. Wimby (on 1952-01-12)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1952-01-12)
trombone:
Willie Wilson (trombonist) (on 1952-01-12)
trumpet:
Willie Mays (on 1952-01-12)
vocals:
Little Richard (on 1952-01-12)
recorded at:
WQXI Studio (radio station) in Atlanta, Georgia, United States (on 1952-01-12)
recording of:
I Brought It All on Myself
writer:
Howard Biggs and Joe Thomas (US songwriter and Jazz saxophonist)
2:54
8Please Have Mercy on Me
artist & repertoire support:
Steve Sholes (on 1952-01-12)
producer:
Steve Sholes
alto saxophone:
Carlos Bermudaz (sax player) (on 1952-01-12)
double bass [bass]:
George Holloway Jr. (on 1952-01-12)
drums (drum set) [drums]:
J. Williams (obscure r&b drummer) (on 1952-01-12)
guitar:
Wesley Jackson (US R&B guitarist) (on 1952-01-12)
piano:
J. Wimby (on 1952-01-12)
tenor saxophone:
Fred Jackson (US R&B and jazz tenor saxophonist active 1940s-1960s) (on 1952-01-12)
trombone:
Willie Wilson (trombonist) (on 1952-01-12)
trumpet:
Willie Mays (on 1952-01-12)
vocals:
Little Richard (on 1952-01-12)
recorded at:
WQXI Studio (radio station) in Atlanta, Georgia, United States (on 1952-01-12)
2:32
9Ain’t That Good News
recording of:
Ain’t That Good News
lyricist and composer:
Raymond Taylor (pianist, songwriter)
2:50
10Fool at the Wheel
producer:
Don Robey
drums (drum set) [drums]:
Mildred Taylor (drummer) (on 1953-02-25)
guitar:
Eddie Lee Williams (guitarist on the Deuces of Rhythm) (on 1953-02-25)
organ, piano, trombone and trumpet:
Raymond Taylor (member of the Deuces of Rhythm) (on 1953-02-25)
vocals:
Billy Brooks (vocalist) (on 1953-02-25), Barry Lee Gilmore (on 1953-02-25), Jimmy Swann (R&B vocalist, 1950s) (on 1953-02-25), Little Richard (on 1953-02-25) and The Tempo Toppers (United States, 1950s) (on 1953-02-25)
recorded at:
ACA Studio in Houston, Texas, United States (on 1953-02-25)
2:38
11Always
producer:
Don Robey
drums (drum set) [drums]:
Mildred Taylor (drummer) (on 1953-02-25)
guitar:
Eddie Lee Williams (guitarist on the Deuces of Rhythm) (on 1953-02-25)
organ, piano, trombone and trumpet:
Raymond Taylor (member of the Deuces of Rhythm) (on 1953-02-25)
vocals:
Billy Brooks (vocalist) (on 1953-02-25), Barry Lee Gilmore (on 1953-02-25), Jimmy Swann (R&B vocalist, 1950s) (on 1953-02-25), Little Richard (on 1953-02-25) and The Tempo Toppers (United States, 1950s) (on 1953-02-25)
recorded at:
ACA Studio in Houston, Texas, United States (on 1953-02-25)
2:40
12Rice, Red Beans and Turnip Greens
2:33
13Little Richard’s Boogie
recorded in:
Houston, Texas, United States (on 1953-10-05)
producer:
Don Robey
baritone saxophone:
Fred Ford (baritone saxophonist) (on 1953-10-05) and Walter Henry (baritone saxophonist) (on 1953-10-05)
double bass:
Albert Winston (R&B bassist) (on 1953-10-05)
drums (drum set):
Leard 'Kansas City' Bell (R&B drummer) (on 1953-10-05)
guitar:
Pete Lewis (on 1953-10-05)
piano:
Little Richard (in 1953) and Devonia Williams (US R&B pianist/singer) (on 1953-10-05)
trombone:
George Washington (jazz trombonist) (on 1953-10-05)
trumpet:
Lorenzo Holden (on 1953-10-05), Don Johnson (1950s' R&B trumpeter) (on 1953-10-05) and James Van Streeter (R&B trumpeter) (on 1953-10-05)
vibraphone:
Johnny Otis (on 1953-10-05)
vocals:
Little Richard (on 1953-10-05)
orchestra:
Johnny Otis Orchestra (on 1953-10-05)
recording of:
Little Richard’s Bible
lyricist:
Bernie Taupin
writer:
Brandi Carlile (American country singer-songwriter), Elton John (English singer, songwriter, pianist, and composer) and Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
dedicated to:
Little Richard
2:49
14Maybe I’m Right
recorded in:
Houston, Texas, United States (on 1953-10-05)
producer:
Don Robey
baritone saxophone:
Fred Ford (baritone saxophonist) (on 1953-10-05) and Walter Henry (baritone saxophonist) (on 1953-10-05)
double bass [bass]:
Albert Winston (R&B bassist) (on 1953-10-05)
drums (drum set) [drums]:
Leard 'Kansas City' Bell (R&B drummer) (on 1953-10-05)
guitar:
Pete Lewis (on 1953-10-05)
piano:
Devonia Williams (US R&B pianist/singer) (on 1953-10-05)
trombone:
George Washington (jazz trombonist) (on 1953-10-05)
trumpet:
Lorenzo Holden (on 1953-10-05), Don Johnson (1950s' R&B trumpeter) (on 1953-10-05) and James Van Streeter (R&B trumpeter) (on 1953-10-05)
vibraphone [vibes]:
Johnny Otis (on 1953-10-05)
vocals:
Little Richard (on 1953-10-05)
orchestra:
Johnny Otis Orchestra (on 1953-10-05)
recording of:
Maybe I'm Right
lyricist and composer:
Richard Wayne Penniman (in 1955-09)
2:50
15I Love My Baby
recorded in:
Houston, Texas, United States (on 1953-10-05)
producer:
Don Robey
baritone saxophone:
Fred Ford (baritone saxophonist) (on 1953-10-05) and Walter Henry (baritone saxophonist) (on 1953-10-05)
double bass [bass]:
Albert Winston (R&B bassist) (on 1953-10-05)
drums (drum set) [drums]:
Leard 'Kansas City' Bell (R&B drummer) (on 1953-10-05)
guitar:
Pete Lewis (on 1953-10-05)
piano:
Devonia Williams (US R&B pianist/singer) (on 1953-10-05)
trombone:
George Washington (jazz trombonist) (on 1953-10-05)
trumpet:
Lorenzo Holden (on 1953-10-05), Don Johnson (1950s' R&B trumpeter) (on 1953-10-05) and James Van Streeter (R&B trumpeter) (on 1953-10-05)
vibraphone [vibes]:
Johnny Otis (on 1953-10-05)
vocals:
Little Richard (on 1953-10-05)
orchestra:
Johnny Otis Orchestra (on 1953-10-05)
2:30
16Directly From My Heart
recorded in:
Houston, Texas, United States (on 1953-10-05)
producer:
Don Robey
baritone saxophone:
Fred Ford (baritone saxophonist) (on 1953-10-05) and Walter Henry (baritone saxophonist) (on 1953-10-05)
double bass [bass]:
Albert Winston (R&B bassist) (on 1953-10-05)
drums (drum set) [drums]:
Leard 'Kansas City' Bell (R&B drummer) (on 1953-10-05)
guitar:
Pete Lewis (on 1953-10-05)
piano:
Devonia Williams (US R&B pianist/singer) (on 1953-10-05)
trombone:
George Washington (jazz trombonist) (on 1953-10-05)
trumpet:
Lorenzo Holden (on 1953-10-05), Don Johnson (1950s' R&B trumpeter) (on 1953-10-05) and James Van Streeter (R&B trumpeter) (on 1953-10-05)
vibraphone [vibes]:
Johnny Otis (on 1953-10-05)
vocals:
Little Richard (on 1953-10-05)
orchestra:
Johnny Otis Orchestra (on 1953-10-05)
recording of:
Directly From My Heart (to You)
lyricist and composer:
Richard Wayne Penniman (in 1955-09)
2:57
17I Got It
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-05-09)
bass guitar:
Frank Fields (on 1956-05-09)
drums (drum set):
Earl Palmer (on 1956-05-09)
guitar:
Edgar Blanchard (on 1956-05-09)
piano and lead vocals:
Little Richard (on 1956-05-09)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-05-09)
recording of:
I Got It (on 1956-05-09)
lyricist and composer:
Richard Wayne Penniman (in 1956-05)
2:18