Un ballo in maschera

~ Release by Verdi; Plácido Domingo, Katia Ricciarelli, Renato Bruson, Elena Obraztsova, Edita Gruberová, Coro e Orchestra del Teatro alla Scala, Claudio Abbado (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Un ballo in maschera: Preludio
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Nº 1. Preludio (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera
Giuseppe Verdi4:30
2Un ballo in maschera: Atto I. “Posa in pace”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:54
3Un ballo in maschera: Atto I. “S’avanza il Conte”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3a Scena “S'avanza il conte” (Oscar, Riccardo) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi5:57
4Un ballo in maschera: Atto I. “Alla vita che t’arride”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
tenor vocals [Un giudice]:
Antonio Savastano (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:54
5Un ballo in maschera: Atto I. “Volta la terrea fronte alle stelle”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
tenor vocals [Un giudice]:
Antonio Savastano (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:52
6Un ballo in maschera: Atto I. “Signori, oggi d’Ulrica”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 6a “Sia condannata” … “Signori, oggi d'Ulrica” (Giudice, Riccardo, Oscar, Samuel, Tom, Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:57
7Un ballo in maschera: Atto I. “Zitti! L’incanto non dessi turbare”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Silvano, marinaio]:
Luigi De Corato (baritone) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
mezzo-soprano vocals [Ulrica, indovina]:
Elena Obraztsova (mezzo-soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
tenor vocals [Un servo di Amelia]:
Gianfranco Manganotti (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7a Scena “Zitti … l'incanto non dèssi turbare” (Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi9:38
8Un ballo in maschera: Atto I. “Che v’agita così?”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
mezzo-soprano vocals [Ulrica, indovina]:
Elena Obraztsova (mezzo-soprano) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:39
9Un ballo in maschera: Atto I. “Su profetessa” – “Di’ tu se fedele il flutto m’aspetta”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
mezzo-soprano vocals [Ulrica, indovina]:
Elena Obraztsova (mezzo-soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:46
10Un ballo in maschera: Atto I. “È la destra d’un grande” – “E scherzo od è follia”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
mezzo-soprano vocals [Ulrica, indovina]:
Elena Obraztsova (mezzo-soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi5:05
11Un ballo in maschera: Atto I. “Finisci il vaticinio”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
baritone vocals [Silvano, marinaio]:
Luigi De Corato (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
mezzo-soprano vocals [Ulrica, indovina]:
Elena Obraztsova (mezzo-soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:13
2▼CD
#TitleArtistRatingLength
1Un ballo in maschera: Atto II. Preludio
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto II. Nº 12a. Preludio (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:26
2Un ballo in maschera: Atto II. “Ecco l’orrido campo”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi6:42
3Un ballo in maschera: Atto II. “Teco io sto”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:21
4Un ballo in maschera: Atto II. “Ahimè! S’appressa alcun!”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:46
5Un ballo in maschera: Atto II. “Seguitemi!”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi7:15
6Un ballo in maschera: Atto III. “A tal colpa è nulla”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:08
7Un ballo in maschera: Atto III. “Morrò, ma prima in grazia”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi6:25
8Un ballo in maschera: Atto III. “Eri tu che macchiavi quell’anima”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:56
9Un ballo in maschera: Atto III. “Siam soli. Udite!”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi8:21
10Un ballo in maschera: Atto III. “Il messaggio entri”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:01
11Un ballo in maschera: Atto III. “Forse la soglia attinse”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:15
12Un ballo in maschera: Atto III. “Ah! dessa è là”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:14
13Un ballo in maschera: Atto III. “Saper vorreste di che si veste”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:43
14Un ballo in maschera: Atto III. “Ah! Perché qui!”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (from 1979-12 until 1980-01) and Vittorio Sicuri (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:05
15Un ballo in maschera: Atto III. “Ella è pura”
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Prof. Michael Horwath (viola)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Renato, creolo, suo segretario]:
Renato Bruson (baritone) (from 1979-12 until 1980-01)
bass vocals [Samuel]:
Ruggero Raimondi (bass-baritone) (from 1979-12 until 1980-01)
bass vocals [Tom]:
Giovanni Foiani (operatic bass) (from 1979-12 until 1980-01)
soprano vocals [Amelia, sposa di Renato]:
Katia Ricciarelli (soprano) (from 1979-12 until 1980-01)
soprano vocals [Oscar, paggio]:
Edita Gruberová (soprano) (from 1979-12 until 1980-01)
tenor vocals [Riccardo, conte di Warwick, governatore di Boston]:
Plácido Domingo (tenor) (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Gabriele Bellini (from 1979-12 until 1980-01)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:17