Centenary Collection 1988-1997

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Brahms: Symphony no. 2 / Academic Festival Overture / Alto Rhapsody
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1Academic Festival Overture, op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso
producer:
Christopher Alder (editor/engineer/producer), Günther Breest (producer for classical music) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1987-09)
conductor:
Claudio Abbado (conductor) (in 1987-09)
balance engineer:
Wolfgang Mitlehner
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1987-09)
recording of:
Akademische Fest‐Ouvertüre, op. 80 (Academic Festival Overture, op. 80) (in 1987-09)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 80)
Johannes Brahms10:10
2Alto Rhapsody, op. 53
engineer:
Christopher Alder (editor/engineer/producer)
producer:
Günther Breest (producer for classical music)
editor:
Jürgen Bulgrin (sound engineer)
choir vocals:
Ernst‐Senff‐Chor (in 1988-09, in 1989-09)
contralto vocals:
Marjana Lipovšek (mezzo soprano) (in 1988-09, in 1989-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1988-09, in 1989-09)
conductor:
Claudio Abbado (conductor) (in 1988-09, in 1989-09)
chorus master:
Ernst Senff
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-09, in 1989-09)
recording of:
Alto Rhapsody, op. 53 (in 1988-09)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer) (in 1869)
dedicated to:
Julie Schumann
premiered at:
[concert] (1870-03-03)
publisher:
N. Simrock (in 1870-01)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 53)
Johannes Brahms13:06
3Symphony no. 2 in D major, op. 73: I. Allegro non troppo
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1988-09)
conductor:
Claudio Abbado (conductor) (in 1988-09)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-09)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo (in 1988-09)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms20:59
4Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1988-09)
conductor:
Claudio Abbado (conductor) (in 1988-09)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-09)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo (in 1988-09)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms10:03
5Symphony no. 2 in D major, op. 73: III. Allegretto grazioso
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1988-09)
conductor:
Claudio Abbado (conductor) (in 1988-09)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-09)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (in 1988-09)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms5:27
6Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
executive producer:
Günther Breest (producer for classical music)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1988-09)
conductor:
Claudio Abbado (conductor) (in 1988-09)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-09)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito (in 1988-09)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:43
2▼CD: Mozart: Piano Sonatas K. 310, K. 333, K. 545 / Schubert: 4 Impromptus, op. 90, D. 899: No. 1
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1Piano Sonata no. 8 in A minor, K. 310: I. Allegro maestoso
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso (in 1989-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
Wolfgang Amadeus Mozart8:04
2Piano Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione (in 1989-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
Wolfgang Amadeus Mozart9:11
3Piano Sonata no. 8 in A minor, K. 310: III. Presto
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto (in 1989-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
Wolfgang Amadeus Mozart2:54
4Piano Sonata no. 13 in B-flat major, K. 333: I. Allegro
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart10:00
5Piano Sonata no. 13 in B-flat major, K. 333: II. Andante cantabile
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart12:15
6Piano Sonata no. 13 in B-flat major, K. 333: III. Allegretto grazioso
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart6:39
7Piano Sonata no. 16 in C major, K. 545 "Sonata facile": I. Allegretto
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart4:13
8Piano Sonata no. 16 in C major, K. 545 "Sonata facile": II. Andante
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": II. Andante (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 2. Andante) (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart6:03
9Piano Sonata no. 16 in C major, K. 545 "Sonata facile": III. Rondo. Allegretto
producer:
Christopher Alder (editor/engineer/producer)
editor:
Thilo Grahmann
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk (in 1989-02)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 3. Rondo) (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart1:37
104 Impromptus, op. 90, D. 899: No. 1 in C minor. Allegro molto moderato
piano:
Maria João Pires (pianist) (in 1996-07)
recording of:
Impromptu in C minor, op. 90, D. 899: No. 1. Allegro molto moderato (in 1996-07)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert11:05
3▼CD: Wieniawski: Violin Concerto no. 2 / Legends / Sarasate: Zigeunerweisen / Saint‐Saëns: Violin Concerto No. 3
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1Violin Concerto no. 2 in D minor op. 22: I. Allegro moderato
violin:
Gil Shaham (violinist) (in 1990-10)
orchestra:
London Symphony Orchestra (in 1990-10)
conductor:
Lawrence Foster (conductor) (in 1990-10)
recording of:
Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato (in 1990-10)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1870)
part of:
Violin Concerto no. 2 in D minor, op. 22
Gil Shaham12:19
2Violin Concerto no. 2 in D minor op. 22: II. Romance. Andante non troppo
violin:
Gil Shaham (violinist) (in 1990-10)
orchestra:
London Symphony Orchestra (in 1990-10)
conductor:
Lawrence Foster (conductor) (in 1990-10)
recording of:
Violin Concerto no. 2 in D minor, op. 22: II. Romance: Andante non troppo (in 1990-10)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1870)
part of:
Violin Concerto no. 2 in D minor, op. 22
Gil Shaham5:05
3Violin Concerto no. 2 in D minor op. 22: III. Allegro con fuoco-Allegro moderato (à la Zingara)
violin:
Gil Shaham (violinist) (in 1990-10)
orchestra:
London Symphony Orchestra (in 1990-10)
conductor:
Lawrence Foster (conductor) (in 1990-10)
recording of:
Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (a la Zingara) (in 1990-10)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1870)
part of:
Violin Concerto no. 2 in D minor, op. 22
Gil Shaham6:32
4Legende, op. 17: Andante: Allegro moderato: Tempo I
violin:
Gil Shaham (violinist) (in 1990-10)
orchestra:
London Symphony Orchestra (in 1990-10)
conductor:
Lawrence Foster (conductor) (in 1990-10)
recording of:
Légende, op. 17 (for violin and orchestra or piano) (in 1990-10)
composed in:
London (Greater London), England, United Kingdom (in 1859)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1859)
dedicated to:
Isabella Hampton
publisher:
Kistner (in 1861)
part of:
Works of Henryk Wieniawski by opus number (number: op. 17)
Gil Shaham7:41
5Zigeunerweisen, op. 20: Moderato: Lento: Un peu plus lent: Allegro molto vivace
violin:
Gil Shaham (violinist) (in 1990-10)
orchestra:
London Symphony Orchestra (in 1990-10)
conductor:
Lawrence Foster (conductor) (in 1990-10)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) (in 1990-10)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Gil Shaham9:02
6Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo
violin:
Gil Shaham (violinist)
orchestra:
New York Philharmonic
conductor:
Giuseppe Sinopoli (conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo (in 1989-12)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Gil Shaham9:30
7Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto
violin:
Gil Shaham (violinist)
orchestra:
New York Philharmonic
conductor:
Giuseppe Sinopoli (conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto (in 1989-12)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Gil Shaham9:54
8Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo
violin:
Gil Shaham (violinist)
orchestra:
New York Philharmonic
conductor:
Giuseppe Sinopoli (conductor)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo (in 1989-12)
composer:
Camille Saint‐Saëns (composer) (in 1880)
part of:
Violin Concerto no. 3 in B minor, op. 61
Gil Shaham11:24
4▼CD: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Stravinsky: The Rite of Spring
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1Prélude à l'après-midi d'un faune, L. 86
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1991-03)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy8:54
2Nocturnes, CD 98: I. Nuages
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:15
3Nocturnes, CD 98: II. Fêtes
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:31
4Nocturnes, CD 98: III. Sirènes
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Ladies of the Cleveland Orchestra Chorus (in 1993-03)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
chorus master:
Gareth Morrell (baritone) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : III. Sirènes (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1901-10-27)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy9:40
5The Rite of Spring, K15, Pt. 1: I. Introduction
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:37
6The Rite of Spring, K15, Pt. 1: II. The Augurs of Spring. Dances of the Young Girls
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:13
7The Rite of Spring, K15, Pt. 1: III. Ritual of Abduction
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:22
8The Rite of Spring, K15, Pt. 1: IV. Spring Rounds
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:45
9The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:49
10The Rite of Spring, K15, Pt. 1: VI. Procession of the Sage – VII. Adoration of the Earth
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
compilation of:
Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage by Igor Stravinsky (Russian composer) and Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage by The Cleveland Orchestra, Pierre Boulez (composer and conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:00
11The Rite of Spring, K15, Pt. 1: VIII. Dance of the Earth
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:20
12The Rite of Spring, K15, Pt. 2: IX. Introduction
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:06
13The Rite of Spring, K15, Pt. 2: X. Mystic Circles of the Adolescents
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:07
14The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:26
15The Rite of Spring, K15, Pt. 2: XII. Evocation of the Ancestors
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:38
16The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors
orchestra:
The Cleveland Orchestra (from 1991-03-03 until 1991-03-11)
conductor:
Pierre Boulez (composer and conductor) (from 1991-03-03 until 1991-03-11)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (from 1991-03-03 until 1991-03-11)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (from 1991-03-03 until 1991-03-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:25
17The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance
engineer:
Arthur Kendy and Fred Plaut
producer:
Thomas Z. Shepard
orchestra:
The Cleveland Orchestra (on 1969-07-28)
conductor:
Pierre Boulez (composer and conductor) (on 1969-07-28)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (on 1969-07-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:46
5▼CD: Songs by Grieg, Berg, Korngold & Weill
#TitleArtistRatingLength
1Haugtussa: Song Cycle, op. 67: Det syng
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 1. Det syng (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg3:54
2Haugtussa: Song Cycle, op. 67: Veslemöy
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 2. Veslemøy (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg2:30
3Haugtussa: Song Cycle, op. 67: Blåbaer-li
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 3. Blåbærli (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg2:44
4Haugtussa: Song Cycle, op. 67: Möte
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 4. Møte (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg3:53
5Haugtussa: Song Cycle, op. 67: No. 5, Elsk
executive producer:
Pål Christian Moe (until 1993)
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 5. Elsk (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg2:16
6Haugtussa: Song Cycle, op. 67: Killingdans
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 6. Killingdans (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg1:41
7Haugtussa: Song Cycle, op. 67: Vond dag
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 7. Vond dag (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg2:30
8Haugtussa: Song Cycle, op. 67: No. 8, Ved Gjætle-Bekken
executive producer:
Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
piano:
Bengt Forsberg (pianist) (in 1992-03)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-03)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Kungliga Musikaliska Akademien in Stockholm, Stockholms län (Stockholm county), Sweden (in 1992-03)
recording of:
Haugtussa, op. 67: No. 8. Ved Gjætle-bekken (in 1992-03)
lyricist:
Arne Garborg
composer:
Edvard Grieg (composer) (in 1895)
part of:
Haugtussa, op. 67
Edvard Grieg6:17
9Sieben frühe Lieder: I. Nacht
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: I. Nacht (in 1991-12)
lyricist:
Carl Hauptmann
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
partial recording of:
Sieben frühe Lieder
composer:
Alban Berg (Austrian composer) (from 1905 until 1908)
Alban Berg4:34
10Sieben frühe Lieder: II. Schilflied
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: II. Schilflied (in 1991-12)
lyricist:
Nikolaus Lenau
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg2:19
11Sieben frühe Lieder: III. Die Nachtigall
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: III. Die Nachtigall (in 1991-12)
lyricist:
Theodor Storm
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg2:19
12Sieben frühe Lieder: IV. Traumgekrönt
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: IV. Traumgekrönt (in 1991-12)
lyricist:
Rainer Maria Rilke (poet)
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg2:34
13Sieben frühe Lieder: V. Im Zimmer
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: V. Im Zimmer (in 1991-12)
lyricist:
Johanes Schlaf
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg1:03
14Sieben frühe Lieder: VI. Liebesode
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: VI. Liebesode (in 1991-12)
lyricist:
Otto Erich Hartleben
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg1:53
15Sieben frühe Lieder: VII. Sommertage
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
recording of:
Sieben frühe Lieder: VII. Sommertage (in 1991-12)
lyricist:
Paul Hohenberg
composer:
Alban Berg (Austrian composer)
part of:
Sieben frühe Lieder
Alban Berg1:40
16Drei Gesänge op. 18: I. "In meine innige Nacht" langsam - attaca
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
Erich Wolfgang Korngold4:56
17Drei Gesänge op. 18: II. "Tu ab den Schmerz" nicht geschleppt - attaca
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
Erich Wolfgang Korngold2:12
18Drei Gesänge op. 18: III. Versuchung: mit Feuer und Begeisterung
piano:
Bengt Forsberg (pianist) (in 1991-12)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1991-12)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1991-12)
Erich Wolfgang Korngold2:24
19Je ne t'aime pas
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
engineer and audio engineer:
Ulrich Vette (engineer) (in 1993-09)
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
grand piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Je ne t’aime pas (in 1993-09)
lyricist:
Maurice Magre (writer, poet, playwright)
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
Kurt Weill4:31
20Schickelgruber
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
21Der Abschiedsbrief
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Der Abschiedsbrief (in 1993-09)
lyricist:
Erich Kästner
composer:
Kurt Weill (composer)
Kurt Weill3:25
6▼CD: Tchaikovsky: The Tempest / Overture in F / Lyadov: Baba-Yaga / The Enchanted Lake / Kikimora / Rachmaninoff: The Rock
#TitleArtistRatingLength
1The Tempest, op. 18
assistant engineer:
Reinhard Lagemann (in 1993-11)
producer:
Christian Gansch (conductor)
editor:
Stephan Flock
orchestra:
Russian National Orchestra (in 1993-11)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1993-11)
balance engineer:
Rainer Maillard (in 1993-11)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1993-11)
recording of:
The Tempest, op. 18 (in 1993-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
dedicated to:
Владимир Васильевич Стасов (Vladimir Vasilievich Stasov)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 18)
is based on:
The Tempest
Pyotr Ilyich Tchaikovsky21:39
2Baba-Yaga, op. 56
recording engineer:
Reinhard Lagemann (in 1994-04)
producer:
Christian Gansch (conductor) (in 1994-04)
editor:
Mark Bücker (recording engineer)
orchestra:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
balance engineer:
Rainer Maillard
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1994-04)
recording of:
Baba-Yaga, op. 56 (in 1994-04)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer) (in 1905)
part of:
Works of Anatoly Lyadov by opus number (number: op. 56)
Anatoly Lyadov3:35
3The Enchanted Lake, op. 62
recording engineer:
Reinhard Lagemann (in 1994-04)
producer:
Christian Gansch (conductor) (in 1994-04)
editor:
Mark Bücker (recording engineer)
orchestra:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
balance engineer:
Rainer Maillard
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1994-04)
recording of:
The Enchanted Lake, op. 62 (in 1994-04)
composer:
Anatoly Lyadov (Russian composer) (in 1909)
part of:
Works of Anatoly Lyadov by opus number (number: op. 62)
Anatoly Lyadov7:04
4Kikimora, op. 63
recording engineer:
Reinhard Lagemann (in 1994-04)
producer:
Christian Gansch (conductor) (in 1994-04)
editor:
Mark Bücker (recording engineer)
orchestra:
Russian National Orchestra (in 1994-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1994-04)
balance engineer:
Rainer Maillard
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1994-04)
recording of:
Kikimora, op. 63 (in 1994-04)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Works of Anatoly Lyadov by opus number (number: op. 63)
Anatoly Lyadov7:11
5The Rock, op. 7
orchestra:
Russian National Orchestra (in 1993-11)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1993-11)
recording of:
The Rock, Fantasy for Orchestra, op. 7
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1893)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 7)
Sergei Rachmaninoff12:57
6Overture In F major
recording engineer:
Reinhard Lagemann (from 1993-11-16 until 1993-11-23)
producer:
Christian Gansch (conductor) (in 1993-11)
editor:
Mark Bücker (recording engineer)
orchestra:
Russian National Orchestra (from 1993-11-16 until 1993-11-23)
conductor:
Mikhail Pletnev (pianist & conductor) (from 1993-11-16 until 1993-11-23)
balance engineer:
Rainer Maillard
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (from 1993-11-16 until 1993-11-23)
recording of:
Overture in F major, TH 39 (1866 version) (from 1993-11-16 until 1993-11-23)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
Pyotr Ilyich Tchaikovsky11:02
7▼CD: Beethoven Symphonies nos. 5 & 7
#TitleArtistRatingLength
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
recording engineer:
Mark Bücker (recording engineer), Stephan Flock and Hans‐Rudolf Müller (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Rainer Hebborn
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
contrabassoon:
David Chatterton
double bass:
Elizabeth Bradley (double bass), Andrew Durban, Mark Horn, Chi-Chi Nwanoku (double bass) and Paul Sherman (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Raúl Díaz (horn player), Gavin Edwards (horn player) and Jonathan Peskett
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trombone:
Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut)
trumpet:
Anthony Cross (trumpet player), Michael Harrison (British brass player) and Robert Vanryne
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Abigail Brown, Alison Bury (violinist), Adrian Butterfield (violinist), Elizabeth Edwards (violinist), Catherine Ford, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Susie Mészáros, Roy Mowatt (violinist, musicologist, producer), Pamela Munks, Pauline Nobes (violinist), Stephen Rouse, Lucy Russell (violinist), Anne Schumann (violinist), Susan Kinnersley and Hildburg Williams
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1994-03)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1994-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven6:30
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
recording engineer:
Ulrich Vette (engineer) (in 1993-03)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven8:15
3Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
recording engineer:
Mark Bücker (recording engineer), Stephan Flock and Hans‐Rudolf Müller (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Rainer Hebborn
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham (cellist), Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
contrabassoon:
David Chatterton
double bass:
Elizabeth Bradley (double bass), Andrew Durban, Mark Horn, Chi-Chi Nwanoku (double bass) and Paul Sherman (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Raúl Díaz (horn player), Gavin Edwards (horn player) and Jonathan Peskett
oboe:
Richard Earle (oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trombone:
Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut)
trumpet:
Anthony Cross (trumpet player), Michael Harrison (British brass player) and Robert Vanryne
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Abigail Brown, Alison Bury (violinist), Adrian Butterfield (violinist), Elizabeth Edwards (violinist), Catherine Ford, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Susie Mészáros, Roy Mowatt (violinist, musicologist, producer), Pamela Munks, Pauline Nobes (violinist), Stephen Rouse, Lucy Russell (violinist), Anne Schumann (violinist), Susan Kinnersley and Hildburg Williams
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona (Province of Barcelona), Catalunya (Catalonia), Spain (in 1994-03)
live recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 1994-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:12
4Symphony no. 5 in C minor, op. 67: IV. Allegro – Presto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:58
5Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven13:10
6Symphony no. 7 in A major, op. 92: II. Allegretto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:45
7Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:31
8Symphony no. 7 in A major, op. 92: IV. Allegro con brio
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:13
8▼CD: Strauss: Don Quixote / Wagner: Tannhäuser, WWV 70 - Overture - Act I
#TitleArtistRatingLength
1Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: I. Introduction
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:09
2Don Quixote, op. 35: Thema. Mäßig
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance")
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:05
3Don Quixote, op. 35: Variation I. Gemächlich
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:41
4Don Quixote, op. 35: Variation II. Kriegerisch
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
5Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss7:50
6Don Quixote, op. 35: Variation IV. Etwas breiter
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:00
7Don Quixote, op. 35: Variation V. Sehr langsam
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:12
8Don Quixote, op. 35: Variation VI. Schnell
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:11
9Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
10Don Quixote, op. 35: Variation VIII. Gemächlich
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
11Don Quixote, op. 35: Variation IX. Schnell und stürmisch
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:09
12Don Quixote, op. 35: Variation X. Viel breiter
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:34
13Don Quixote, op. 35: Finale. Sehr ruhig
solo cello:
Jerry Grossman (cellist)
solo viola:
Michael Ouzounian (US violist)
solo violin:
Raymond Gniewek
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss5:31
14Tannhäuser, WWV 70 - Overture - Act I: Naht euch dem Strande
orchestra:
Metropolitan Opera Orchestra (in 1995)
conductor:
James Levine (US conductor and pianist) (in 1995)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States
recording of:
Tod und Verklärung, op. 24 (TrV 158) (in 1995)
composer:
Richard Strauss (German composer) (from 1888 until 1889-11-18)
dedicated to:
Friedrich Rösch
premiered at:
[Convention of the General German Music Association] (1890-06-21)
publisher:
Joseph Aibl (in 1891)
premiered at:
Thüringer Landestheater Eisenach in Eisenach, Thüringen (Thuringia), Germany (on 1890-06-21)
part of:
Works of Richard Strauss by opus number (number: op. 24) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 158)
Richard Wagner22:35
9▶CD: Beethoven: Cantata on the Death of Emperor Joseph II / Schumann: Konzertstück op. 8 / Pfitzner: Palestrina, Preludes
10▶CD: Beethoven: String Quartets nos. 9 "Razumovsky no. 3" & 15