Pop Classics: The Long Versions, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sussudio
producer:
Phil Collins (of Genesis) and Hugh Padgham
remixer:
John Potoker (producer/engineer aka Tokes)
remix of:
Sussudio by Phil Collins (of Genesis)
recording of:
Sussudio
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
Phil Collins46:34
2I Would Die for You
drum machine [Linn LM-1]:
Dr. Fink and Bobby Z. (on 1983-08-03)
electric bass guitar:
Brown Mark (on 1983-08-03)
electric guitar:
Wendy Melvoin (on 1983-08-03)
electronic drum set [Pearl SY-1 Syncussion], electronic drum set [Simmons SDS-V] and percussion:
Bobby Z. (on 1983-08-03)
instruments:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03) and Dr. Fink (on 1983-08-03)
additional vocals:
Brown Mark (on 1983-08-03) and Dr. Fink (on 1983-08-03)
background vocals:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03)
live recording of:
I Would Die 4 U (on 1983-08-03)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince3.82:49
3Baby I'm a Star
cello:
David Coleman (American cellist & composer) (on 1983-08-03) and Suzie Katayama (on 1983-08-03)
drum machine [Linn LM-1], electronic drum set [Pearl SY-1 Syncussion], electronic drum set [Simmons SDS-V] and percussion:
Bobby Z. (on 1983-08-03)
electric bass guitar:
Brown Mark (on 1983-08-03)
electric guitar:
Wendy Melvoin (on 1983-08-03)
electric violin and violin:
Novi Novog (on 1983-08-03)
instruments:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03) and Dr. Fink (on 1983-08-03)
additional vocals:
Brown Mark (on 1983-08-03) and Dr. Fink (on 1983-08-03)
background vocals:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03), Jill Jones (uncredited) (American singer, songwriter, and actress) (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
conductor:
Lisa Coleman (US pianist/keyboardist & composer) (strings) and Wendy Melvoin (strings)
strings arranger:
Lisa Coleman (US pianist/keyboardist & composer)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03)
live recording of:
Baby I’m a Star (on 1983-08-03)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
Prince3.454:23
4Running in the Family
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King (bass guitarist and vocalist)
Level 426:04
5You Spin Me Around
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive58:01
6The Magnificent Seven
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recording of:
The Magnificent Seven
lyricist:
Joe Strummer
composer:
Mick Gallagher (UK hammond organ player), Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Norman Watt-Roy
publisher:
Nineden Ltd.
The Clash44:33
7Midnight Man
recording of:
Midnight Man
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan6:59
8Self Control
recording of:
Self Control
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan2.455:02
9No Promises
recording of:
No Promises
writer and composer:
Iva Davies and Robert Kretschmer
Icehouse8:50
10Shout to the Top
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4:18
11Maggie Mae
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:13
2▼CD
#TitleArtistRatingLength
1Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (from 1975-11 until 1975-12)
guitar, keyboard, synthesizer and lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
percussion:
Barry Black (from 1975-11 until 1975-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 10) and SWR1 Hitparade 2020 (Baden-Württemberg) (number: 10)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:52
2Through the Barricades
assistant engineer:
Stephen Wissnet
engineer:
Gary Langan
producer:
Gary Langan and Spandau Ballet
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
drums (drum set):
John Keeble
guitar:
Gary Kemp
keyboard:
Toby Chapman
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
background vocals:
Ruby James (L.A-based singer/songwriter), Shirley Lewis and Helena Springs
lead vocals:
Tony Hadley
performer:
Spandau Ballet
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1986) and Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at and mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
recording of:
Through the Barricades
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet35:56
3What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:38
4Things Can Only Get Better
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
brass:
The TKO Horns
instruments:
Howard Jones (English singer, songwriter)
background vocals:
Claudia Fontaine (vocals, background vocals), Naomi Thompson and Caron Wheeler (English singer, songwriter, and record producer)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Things Can Only Get Better
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones53:56
5Twilight Zone
producer:
Shell Schellekens
recording of:
Twilight Zone
lyricist and composer:
George Kooymans
publisher:
Nada Music (Dutch publisher) (in 1982) and Snamyook Music (publisher associated with George Kooymans) (in 1982)
Golden Earring7:51
6Halo of Flies
assistant recording engineer:
Joe Lopes (engineer)
recording engineer:
Brian Christian
executive producer:
Jack Richardson
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
keyboard:
Michael Bruce (of Alice Cooper)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
horn arranger and strings [string] arranger:
Bob Ezrin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1973) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1987)
produced for:
Alive Enterprises and Nimbus 9 Productions, Ltd.
recorded at:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, United States
recording of:
Halo of Flies
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
BMG Platinum Songs US, Boosey & Hawkes (publisher; do NOT use as release label), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper48:19
7Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.653:57
8Wot
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Wot!
lyricist and composer:
Raymond Ian Burns
publisher:
Rock Music Co., Ltd.
Captain Sensible35:39
9Obsession
cover recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
Animotion6:00
10The Promise You Made
recording of:
The Promise You Made
lyricist and composer:
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) and Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin6:38
11Situation
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…), Daniel Miller (British music producer and founder of Mute Records) and Eric Radcliffe (UK producer / engineer / musician)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
remixer:
François Kevorkian
phonographic copyright (℗) by:
Sire Records (in 1982)
recording of:
Situation
writer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Alison Moyet
Yazoo3.355:45
12Just Can't Get Enough
engineer:
Jon Botting
mixer:
Depeche Mode and John Fryer (British producer and engineer)
recorded at:
A Broken Frame Tour (1982-10-25) (London, UK, day 2)
recorded at:
Hammersmith Odeon (Eventim Apollo, pka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1982-10-25)
live recording of:
Just Can’t Get Enough (on 1982-10-25)
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode5:41