After Midnight: Another 20 Cool Cuts On the Lighter Side of Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:44
2Sweet Love
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:15
3Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:55
4Nature Boy
recorded in:
New York, New York, United States (on 1947-08-22)
additional guitar:
Oscar Moore (on 1947-08-22)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank De Vol Orchestra (on 1947-08-22)
recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole32:39
5Let’s Face the Music and Dance
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Ella Fitzgerald32:56
6Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Laura Fygi43:38
7A Rockin’ Good Way
vocals:
Brook Benton (in 1960) and Dinah Washington (in 1960)
cover recording of:
A Rockin’ Good Way
writer:
Brook Benton, Luchi de Jesus (American composer and producer) and Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dinah Washington & Brook Benton32:27
8Mack the Knife
producer:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:05
9Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:56
10Good Morning Heartache
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-07)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-07)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trumpet:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recording of:
Good Morning Heartache (on 1956-06-07)
lyricist:
Ervin Drake (songwriter)
composer:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
Billie Holiday43:30
11Tenderly
orchestra:
Hugo Peretti and His Orchestra
cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Sarah Vaughan43:11
12The Look of Love
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Grover Washington, Jr.34:28
13Like Dreamers Do
recording of:
Like Dreamers Do
writer:
Peter Benson Vale (writer/arranger), Sue Shifrin and Miles Waters (songwriter)
Mica Paris34:18
14Razzamatazz
programming:
Ian Underwood
producer:
Quincy Jones
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Greg Phillinganes
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals:
Kasey Cisyk and Yvonne Lewis
background vocals and lead vocals:
Patti Austin
brass arranger and strings arranger:
Jerry Hey
synthesizer arranger:
Jerry Hey, Quincy Jones and Rod Temperton
vocals arranger:
Rod Temperton
recording of:
Razzamatazz
writer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1981) and Rodsongs (publisher) (in 1981)
Quincy Jones3.54:12
15Running Away
co-producer:
William Allen (bassist) and Edwin Birdsong
producer:
Roy Ayers
arranger:
Roy Ayers
remix of:
Running Away (LP version) by Roy Ayers Ubiquity
recording of:
Running Away
writer:
Roy Ayers and Edwin Birdsong
publisher:
Arlovol Music, BMG Monarch and Michelle-Bird Music
Roy Ayers46:59
16Cantaloop
performer:
Rahsaan Patterson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
recording of:
Cantaloop 2004
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) and Geoff Wilkinson
Us333:43
17Love Supreme
recording of:
A Love Supreme
lyricist:
David Cole (US musician/producer, member of C+C Music Factory) and Will Downing (American soul, house singer, songwriter and producer)
composer:
John Coltrane
is based on:
A Love Supreme (entire suite)
Will Downing3.54:49
18Time After Time
engineer and mixer:
Ron Lorman and Tom Swift (engineer)
co-producer:
Vince Wilburn, Jr. (drummer)
producer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
bass:
Darryl Jones (bassist for The Rolling Stones) (on 1984-01-26)
drums (drum set):
Al Foster (on 1984-01-26)
guitar:
John Scofield (US guitarist/composer) (on 1984-01-26)
percussion:
Steve Thornton (percussionist) (on 1984-01-26)
synthesizer:
Robert Irving III (keyboardist) (on 1984-01-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1984-01-26)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1984-01-26)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
instrumental cover recording of:
Time After Time (on 1984-01-26)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.653:33
19Children of the Ghetto
assistant engineer:
Gary Thomas (engineer)
engineer:
Pete Brown (UK record producer, son of Joe Brown, brother of Sam Brown)
executive producer:
Billy Banks
producer:
Roy Carter (keyboard, producer)
mixer:
John Timperley
bass:
Gary Crosby (bassist) (on 1986-08-27)
guitar:
Martin Taylor (jazz guitarist) (on 1986-08-27)
keyboard:
Roy Carter (keyboard, producer) (on 1986-08-27)
membranophone:
Mark Mondesir (on 1986-08-27)
percussion:
Ian Mussington (on 1986-08-27)
piano:
Julian Joseph (on 1986-08-27)
tenor saxophone:
Courtney Pine (on 1986-08-27)
vocals:
Susaye Greene (on 1986-08-27)
remixer:
John Timperley
recorded at:
Power Plant in London (Greater London), England, United Kingdom (on 1986-08-27)
cover recording of:
Children of the Ghetto (on 1986-08-27)
writer:
Chris Amoo and Eddie Amoo
recording of:
Children of the Ghetto
writer:
Chris Amoo and Eddie Amoo
Courtney Pine47:05
20The Wrong Side of Town
Chet Baker3:55