Verdi Arias III

~ Release by Giuseppe Verdi; Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1I lombardi alla prima crociata: Atto II. "O Madre, dal cielo soccorri"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-04, in 1965-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-04, in 1965-01)
conductor:
Nicola Rescigno (conductor) (in 1964-04, in 1965-01)
balance engineer:
Paul Vavasseur (engineer)
recording of:
I Lombardi: Atto II. N°10 Rondò “Oh madre, dal cielo soccorri” / Arioso: “Se vano è il pregare” (Giselda, coro) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°10 Rondò “Oh madre, dal cielo soccorri” / Arioso: “Se vano è il pregare” (Giselda, coro) (in 1965-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi4:03
2Attila: Atto I. "Liberamente or piangi... Oh! nel fuggente nuvolo"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1964-04-07)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1964-04-07)
conductor:
Nicola Rescigno (conductor) (on 1964-04-07)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1964-04-07)
recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (on 1964-04-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
Giuseppe Verdi5:23
3Il corsaro: Atto I. "Egli non riede ancor... Non so le tetre immagini"
producer:
Peter Andry (producer) and Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1969-02 until 1969-03)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1969-02 until 1969-03)
conductor:
Nicola Rescigno (conductor) (from 1969-02 until 1969-03)
balance engineer:
Paul Vavasseur (engineer)
recording of:
Il corsaro: Atto I, Scena 4. “Egli non riede ancora!” (Medora) (from 1969-02 until 1969-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto I
Giuseppe Verdi5:18
4Il corsaro: Atto II. "Né sulla terra... Vola talor dal carcere... Verrò... Ah, conforto è sol la speme"
producer:
Peter Andry (producer) and Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1969-02 until 1969-03)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1969-02 until 1969-03)
conductor:
Nicola Rescigno (conductor) (from 1969-02 until 1969-03)
balance engineer:
Paul Vavasseur (engineer)
recording of:
Il corsaro: Atto II, Scena I, "Né sulla terra creatura alcuna" (Gulnara) (from 1969-02 until 1969-03)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto II
Giuseppe Verdi4:01
5Il trovatore: Atto I. "Tacea la notte placida... Di tale amor"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1964-04-22, in 1965-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1964-04-22, in 1965-01)
conductor:
Nicola Rescigno (conductor) (on 1964-04-22, in 1965-01)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1964-04-22, in 1965-01)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (in 1965-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:06
6I vespri siciliani: Atto IV. "Arrigo! ah, parli a un core"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-02, in 1965-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-02, in 1965-04)
conductor:
Nicola Rescigno (conductor) (in 1964-02, in 1965-04)
balance engineer:
Paul Vavasseur (engineer)
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (in 1964-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (in 1965-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:32
7Un ballo in maschera: Atto II. "Ecco l'orrido campo... Ma dell'arido stelo divulsa"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-01, in 1964-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-01, in 1964-04)
conductor:
Nicola Rescigno (conductor) (in 1964-01, in 1964-04)
balance engineer:
Paul Vavasseur (engineer)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1964-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:17
8Un ballo in maschera: Atto III. "Morrò, ma prima in grazia"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1964-04-22)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:26
9Aida: Atto I. "Ritorna vincitor!"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-04)
conductor:
Nicola Rescigno (conductor) (in 1964-04)
balance engineer:
Paul Vavasseur (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:10