Das große Abenteuer Musik, Folge 7: Vom Singen in höchsten und tiefsten Tönen

~ Release by Rolf Zuckowski (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kanon „Himmel und Erde“
recording of:
Himmel und Erde (Kanon)
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]3:30
2Carmen: 1. Aufzug: Marsch und Chor der Gassenjungen „Avec la garde montante“
choir vocals:
Chœur de Radio France
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:39
3Jodellied aus „Der Kuckucksjodler“
recording of:
Der Kuckucksjodler
lyricist:
Egon L. Frauenberger
composer:
Toni Sulzböck
Toni Sulzböck & Egon L. Frauenberger1:46
4„Die Forelle“ D. 550
instruments:
Leonard Hokanson (pianist)
baritone vocals:
Hermann Prey (baritone)
recording of:
Die Forelle, D. 550 (The Trout, D. 550)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert3:16
5Hoffmanns Erzählungen: 1. Aufzug. Arie der Olympia „Phöbus stolz im Sonnenwagen“
soprano vocals [Olympia]:
Mattiwilda Dobbs (American coloratura soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
Hoffmanns Erzählungen: Akt I. Lied “Phöbus stolz im Sonnenwagen” (Olympia) (Arie der Olympia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
translated version of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia)
part of:
Hoffmanns Erzählungen: Akt I (Olympia)
Jacques Offenbach5:54
6Carmen: 1. Aufzug. Habanera der Carmen „Ja die Liebe hat bunte Flügel“
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
mezzo-soprano vocals [Carmen]:
Oralia Dominguez (mezzo soprano)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Ferenc Fricsay (conductor)
recording of:
Carmen: Erster Akt. Nr. 5 Habanera „Ja, die Liebe hat bunte Flügel” (Carmen, Chor)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:57
7Die Entführung as dem Serail KV 384: 3. Aufzug. Romanze des Pedrillo „In Mohrenland gefangen war“
tenor vocals [Belmonte]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:16
8Der Troubadour (Il Trovatore): 3. Aufzug. Szene und Stretta des Manrico „L’onda de’ suoni mistici“ – „Di quella pira“
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Leonora]:
Katia Ricciarelli (soprano)
tenor vocals [Manrico]:
José Carreras (Spanish tenor)
tenor vocals [Ruiz]:
Robin Leggate (operatic tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:56
9Die Entführung as dem Serail KV 384: 3. Aufzug. Arie des Osmin „Ha, wie will ich triumphieren“
bass vocals [Osmin]:
Robert Lloyd (operatic bass)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart5:09
10Die Entführung as dem Serail KV 384: 1. Aufzug. Duett Osmin – Belmonte „Ist das des Bassa Selim Haus?“
bass vocals [Osmin]:
Robert Lloyd (operatic bass)
tenor vocals [Belmonte]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:11
11Don Giovanni :1. Aufzug. Duett Don Giovanni – Zerlina „Reich mir die Hand, mein Leben“
baritone vocals [Don Giovanni]:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals [Zerlina]:
Rita Streich (soprano)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Hans Löwlein (conductor)
recording of:
Don Giovanni: Akt I, Szene IX. Nr. 7 Duett "Reich mir die Hand, mein Leben"
composer:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart3:38
12Die Kluge: 6. Szene. Terzett der drei Strolche „Als die Treue ward geboren“
baritone vocals:
Wolfgang Hellmich (operatic baritone)
bass vocals:
Hermann Christian Polster (operatic bass)
tenor vocals:
Harald Neukirch (tenor)
orchestra:
MDR Sinfonieorchester (MDR Leipzig Radio Symphony Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Die Kluge: 7. Szene. "Als die Treue ward geborn" (Erster, Zweiter und Dritter Strolch)
composer:
Carl Orff (composer)
part of:
Die Kluge
Carl Orff3:49
13Der Barbier von Sevilla: 1. Aufzug. Finale I „Mi par d’essere con la testa“
baritone vocals:
Sir Thomas Allen (baritone)
bass vocals:
Robert Lloyd (operatic bass) and Domenico Trimarchi (bass-baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) and Sally Burgess (mezzo-soprano, opera director)
tenor vocals:
Francisco Araiza (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:56
14Der Freischütz: 3. Aufzug. Jägerchor „Was gleicht wohl auf Erden“
vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:47
15Carmina burana: O Fortuna
choir vocals:
Shinyukai Choir
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff3:08
16Der Messias: Nr. 42. Chor „Hallelujah!“
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:51

Credits

Release

part of:Das große Abenteuer Musik (Philips) (number: 7) (order: 2)