Music for You

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl
#TitleArtistRatingLength
A1Champagne Galop
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Petersborg Champagne Galop
composer:
Hans Christian Lumbye
Hans Christian Lumbye2:10
A2Ballet Egyptian (Slow Movement)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Ballet égyptien, op. 12: II. Andante sostenuto
composer:
Alexandre Luigini
part of:
Ballet égyptien, Suite no. 1
Alexandre Luigini4:36
A3New Pizzicato Polka
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Pizzicato-Polka
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss3:20
A4Tannhäuser: Grand March
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner5:03
A5Song Without Words
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Souvenir de Hapsal, op. 2: III. Chant sans paroles (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arrangement of:
Souvenir de Hapsal, op. 2: III. Chant sans paroles (for piano)
Peter Ilyich Tchaikovsky3:03
A6Jesu, Joy of Man's Desiring
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:53
B1The Grenadiers Waltz
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Les Grenadiers, op. 207
composer:
Émile Waldteufel (classical composer)
Émile Waldteufel4:43
B2Dance of the Nymphs and Reapers
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
The Tempest: No. 10. Dance of Nymphs and Reapers
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer) (from 1861 until 1862)
part of:
The Tempest
Arthur Sullivan4:16
B3Cow-Keepers Tune and Peasant Dance
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
To nordiske melodier, op. 63, nr. 2: Kulokk og Stabbelåten (2 Nordic Melodies, Op. 63, No. 2: Cow - Call and Peasant Dance, for string orchestra)
composer:
Edvard Grieg (composer) (in 1895)
part of:
To nordiske melodier, op. 63 (2 Nordic Melodies, Op. 63)
Edvard Grieg4:10
B4Musical Snuffbox
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
A Musical Snuffbox, op. 32 (catch-all for arrangements)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer) (in 1893)
arrangement of:
A Musical Snuffbox, op. 32 (original for piano)
Anatoly Liadov2:06
B5Picturesque Scenes: Bohemian Festival
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Robinson (conductor)
recording of:
Scènes pittoresques: IV. Fête bohème
composer:
Jules Massenet (French Romantic composer)
part of:
Scènes pittoresques
Jules Massenet5:20
2▼12" Vinyl
#TitleArtistRatingLength
C1Overture, the Journey to Rheims
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Il viaggio a Reims: Overture
composer:
Gioachino Rossini (composer)
Gioachino Rossini6:54
C2Nocturne
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Nocturne for Strings (orchestration by Sargent)
orchestrator:
Sir Malcolm Sargent (conductor)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
orchestration of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin8:08
C3Solomon: Arrival of the Queen of Sheba
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
arranger:
Sir Thomas Beecham (conductor)
recording of:
The Arrival of the Queen of Sheba (arranged by Beecham)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
arrangement of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
George Frideric Handel2:59
C4Rule, Britannia
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Rule, Britannia! (orchestrated by Sargent)
orchestrator:
Sir Malcolm Sargent (conductor)
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer) (in 1740)
publisher:
Oxford University Press
orchestration of:
Rule, Britannia!
Thomas Arne3:36
C5Jerusalem
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
arranger:
Sir Malcolm Sargent (conductor)
recording of:
Jerusalem (catch-all for arrangements)
composer:
Hubert Parry (English composer) (in 1916)
arrangement of:
Jerusalem (anthem by Hubert Parry)
Sir Hubert Parry3:10
D1Cockaigne Overture
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Cockaigne (In London Town), op. 40
composer:
Edward Elgar (composer) (in 1897)
premiered at:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-06-20)
part of:
Works of Edward Elgar by opus number (number: op. 40)
Edward Elgar16:23
D2Fantasia on Greensleeves
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:32
D3Marching Song
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Two Songs Without Words, op. 22: II. Marching Song
composer:
Gustav Holst (composer) (in 1906)
part of:
Two Songs Without Words, op. 22
Gustav Holst4:07
D4Things to Come: March
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Arthur Bliss (composer)
recording of:
Things to Come, March
composer:
Sir Arthur Bliss (composer)
part of:
Things to Come
Sir Arthur Bliss4:19
3▼12" Vinyl
#TitleArtistRatingLength
E1On With the Motley
tenor vocals:
Charles Craig (british operatic tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:49
E2My Name Is Mimi
soprano vocals:
Margaret Price (soprano)
orchestra:
London Symphony Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:57
E3None Shall Sleep
tenor vocals and tenor vocals [Calaf]:
Charles Craig (british operatic tenor)
orchestra:
London Symphony Orchestra
conductor:
Edward Downes (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:07
E4Swear in This Hour
baritone vocals:
John Shaw (baritone)
tenor vocals:
Charles Craig (british operatic tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:12
E5Where Are the Beautiful Hours
soprano vocals:
Margaret Price (soprano)
orchestra:
London Symphony Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:31
E6Enemy of My Country
baritone vocals:
John Shaw (baritone)
orchestra:
London Symphony Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano4:52
F1One Fine Day
soprano vocals:
Patricia Clark (Scots operatic soprano, fl. late 20c)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:43
F2Toreador Song
baritone vocals:
Claude Calès (French baritone)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet4:54
F3Barcarolle
mezzo-soprano vocals:
Francine Arrauzau
soprano vocals:
Nicole Broissin
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach2:28
F4Tosca: Prelude To Act III
soprano vocals [Boy soprano]:
David Sellars (Boy soprano)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. Preludio: Andante sostenuto (Orchestra)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. Preludio: Lento (Le campane suonano mattutino) (Orchestra)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
version of:
Tosca: 3. Akt. Einleitung zu „Und es blitzten die Sterne“
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini6:40
F5Softly Awakes My Heart
mezzo-soprano vocals:
Francine Arrauzau
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Samson and Delilah : Act II, Scene 3. “Softly Awakes My Heart”
composer:
Camille Saint‐Saëns (composer)
translated version of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Giacomo Puccini5:30
4▼12" Vinyl
#TitleArtistRatingLength
G1Coppelia: Ballet Suite
orchestra:
Royal Philharmonic Orchestra
conductor:
Anatole Fistoulari (conductor)
recording of:
Coppélia : Ballet Suite
composer:
Léo Delibes (French composer)
is based on:
Coppélia
Léo Delibes10:32
G2Sylvia: Ballet Suite
orchestra:
Royal Philharmonic Orchestra
conductor:
Anatole Fistoulari (conductor)
recording of:
Sylvia: Ballet Suite
composer:
Léo Delibes (French composer)
is based on:
Sylvia
Léo Delibes13:29
H1The Sleeping Beauty: Ballet Suite
orchestra:
Royal Philharmonic Orchestra
conductor:
Douglas Gamley (film composer)
recording of:
The Sleeping Beauty, op. 66a (Suite)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-02 until 1890-10)
premiered at:
Winter Gardens (Bournemouth) in Bournemouth, Dorset, England, United Kingdom (on 1901-01-07)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66a) and The Tchaikovsky Handbook (number: TH 234)
is based on:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Peter Ilyich Tchaikovsky25:54
5▼12" Vinyl
#TitleArtistRatingLength
I1Capriccio Espagnol
orchestra:
Royal Philharmonic Orchestra
conductor:
Oskar Danon (conductor)
recording of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
dedicated to:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 34)
Nikolai Rimsky Korsakov16:25
I2The Golden Cockerel March
orchestra:
Royal Philharmonic Orchestra
conductor:
Oskar Danon (conductor)
recording of:
Introduction and Wedding Procession from "Le coq d'or": II. Corthège des noces
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Introduction and Wedding Procession from the opera "The Golden Cockerel"
Nikolai Rimsky Korsakov3:18
J1Pictures at an Exhibition: The Great Gate of Kiev
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Douglas Gamley (film composer)
recording of:
Pictures at an Exhibition: No. 10 "The Great Gate at Kiev" (catch-all for arrangements and unknown versions)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
arrangement of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Pictures at an Exhibition (catch-all for arrangements)
Modest Mussorgsky6:58
J2Sadko: Song of India
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Douglas Gamley (film composer)
recording of:
Hindu Song from Sadko (catch-all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
arrangement of:
Sadko: Scene IV. Song of the Indian Guest
Nikolai Rimsky Korsakov3:09
J3Eugene Onegin: Polonaise
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Douglas Gamley (film composer)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Ilyich Tchaikovsky4:18
J4Khovanshchina: Introduction
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Douglas Gamley (film composer)
recording of:
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River"
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
publisher:
Internationale Musikverlage Hans Sikorski
part of:
Хованщина: Действие 1
Modest Mussorgsky5:47
J5The Snow Maiden: Dance of the Tumblers
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Douglas Gamley (film composer)
recording of:
Suite from “The Snow Maiden”: IV. Dance of the Tumblers
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1895)
part of:
Suite from “The Snow Maiden”
Nikolai Rimsky Korsakov3:50
6▼12" Vinyl
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K1Flight of the Bumble-Bee
performer:
The Virtuoso Piano Quartet
recording of:
Flight of the Bumble Bee (Tommy Newson arrangement)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer)
arranger:
Tommy Newsom
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky Korsakov1:15
K2Artist's Life Waltz
performer:
The Virtuoso Piano Quartet
recording of:
Künstlerleben, op. 316 (catch-all for arrangements)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
arrangement of:
Künstlerleben, op. 316 (Artist’s Life, op. 316)
Johann Strauss8:47
K3Spinning Song
performer:
The Virtuoso Piano Quartet
recording of:
Lied ohne Worte C-Dur, op. 67 Nr. 4 (catch-all for arrangements)
composer:
Felix Mendelssohn (composer) (from 1843 until 1845)
arrangement of:
Lied ohne Worte C-Dur, op. 67 Nr. 4 (Song Without Words in C major, Op. 67 No. 4, Spinnerlied; Spinning Song)
Felix Mendelssohn2:58
K4Hungarian Rhapsody No 6
performer:
The Virtuoso Piano Quartet
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:59
L1Impromptu in G
cello:
Francisco Gabarro
piano:
John Curtis (pianist)
recording of:
Impromptu in G‐flat major, op. 90 no. 3, D. 899 no. 3. Andante (catch‐all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
Franz Schubert2:30
L2Liebeslieder Waltz No 6
piano:
John Curtis (pianist) and Douglas Gamley (film composer)
choir vocals:
Pro Arte Vocal Quartet
recording of:
Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms2:32
L3Concert Etude in D Flat (Un Sospiro)
piano:
Earl Wild (pianist, composer and conductor)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Trois études de concert, S. 144: III. "Un sospiro" in D-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Trois études de concert, S. 144
Franz Liszt5:32
L4Evening in Vienna
piano:
Earl Wild (pianist, composer and conductor)
recording of:
Soirées de Vienne, S. 427: No. 7 in A major. Allegro spiritoso
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Soirées de Vienne, S. 427
Franz Liszt; Franz Schubert6:12
L5Melody in F
cello:
Francisco Gabarro
piano:
Robert Docker
recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano)
composer:
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer) (in 1852)
part of:
2 Mélodies, op. 3
Anton Rubinstein3:21
L6Spring Song
flute:
William Bennett (flautist)
piano:
Robert Docker
recording of:
Lied ohne Worte A‐Dur, op. 62 Nr. 6 (catch‐all for arrangements)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
arrangement of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano)
Felix Mendelssohn2:50
7▼12" Vinyl
#TitleArtistRatingLength
M1Pavane
orchestra:
Royal Philharmonic Orchestra
conductor:
Gilbert Vinter (English conductor and composer)
recording of:
American Symphonette no. 2: II. Pavanne
composer:
Morton Gould (American composer and conductor) (in 1938)
part of:
American Symphonette no. 2
Morton Gould3:33
M2Toy Trumpet
orchestra:
Royal Philharmonic Orchestra
conductor:
Gilbert Vinter (English conductor and composer)
recording of:
The Toy Trumpet
composer:
Raymond Scott (US composer, band leader, pianist & producer)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Raymond Scott3:37
M3Athalie: War March of the Priests
orchestra:
Royal Philharmonic Orchestra
conductor:
Gilbert Vinter (English conductor and composer)
recording of:
Athalie, op. 74: War March of the Priests
composer:
Felix Mendelssohn (composer)
part of:
Athalie, op. 74
Felix Mendelssohn3:54
M4Rodeo: Hoe Down
orchestra:
Royal Philharmonic Orchestra
conductor:
Gilbert Vinter (English conductor and composer)
recording of:
Rodeo: Hoe-Down
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (Rodeo: Ballet in one act)
Aaron Copland3:11
M5The Little Train of the Brazilian Countryman
orchestra:
Royal Philharmonic Orchestra
conductor:
Gilbert Vinter (English conductor and composer)
recording of:
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) (for orchestra)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
part of:
Bachianas Brasileiras nº 2, W247 (for orchestra)
Heitor Villa‐Lobos3:26
M6Sabre Dance
orchestra:
Royal Philharmonic Orchestra
conductor:
Gilbert Vinter (English conductor and composer)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Kachaturian2:29
N1In a Clock Store
orchestra:
Royal Philharmonic Orchestra
conductor:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
recording of:
Im Uhrenladen
composer:
Charles J. Orth
Charles J. Orth6:17
N2Carnival of the Animals: Fossils
orchestra:
Royal Philharmonic Orchestra
conductor:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:48
N3Carnival of the Animals: Elephants
orchestra:
Royal Philharmonic Orchestra
conductor:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:28
N4Babes in Toyland: March of the Toys
orchestra:
Royal Philharmonic Orchestra
conductor:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
recording of:
Babes in Toyland: Act II. March of the Toys
composer:
Victor Herbert (American composer)
part of:
Babes in Toyland
Victor Herbert3:59
N5Hunt in the Black Forest
orchestra:
Royal Philharmonic Orchestra
conductor:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
recording of:
Hunt in the Black Forest
composer:
George Voelker (jr., composer)
George Voelker6:15
8▼12" Vinyl
#TitleArtistRatingLength
O1On Wings of Song
soprano vocals:
Patricia Clark (Scots operatic soprano, fl. late 20c)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:57
O2Springtime
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg3:23
O3Who Is Sylvia?
baritone vocals:
Neilson Taylor (baritone and footballer)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
An Silvia, D. 891 (for orchestra (unknown orchestrator))
orchestrator:
[anonymous] (special purpose artist)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
version of:
An Sylvia, D. 891 (for voice and piano)
Franz Schubert2:39
O4Romance
piano:
Douglas Gamley (film composer)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Romance in E-flat major, op. 44 no. 1 (for piano)
composer:
Антон Григорьевич Рубинштейн (Anton Rubinstein, Russian composer)
part of:
6 Soirées à Saint-Petersbourg, op. 44 (for piano)
Anton Rubinstein4:03
O5Ave Maria
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:19
P1Valse Sentimentale
violin:
Sidney Sax (violinist and concertmaster)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
6 Pieces, op. 51 no. 6: Valse sentimentale (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1882)
arrangement of:
6 Pieces, op. 51 no. 6: Valse sentimentale (for piano)
Peter Ilyich Tchaikovsky4:53
P2Lullaby
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:02
P3Eros
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Eros (op 70, no. 1) (orchestrated version)
lyricist:
Otto Benzon
composer:
Edvard Grieg (composer)
translator:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
is based on:
Fem digte op. 70 no. 1. Eros
Edvard Grieg3:48
P4Plaisir d'Amour
soprano vocals:
Patricia Clark (Scots operatic soprano, fl. late 20c)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Plaisir d’amour (Romance du chevrier)
lyricist:
Jean-Pierre Claris de Florian
composer:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
publisher:
Warlock Music Ltd.
Jean‐Paul‐Égide Martini3:23
P5Dedication
piano:
Douglas Gamley (film composer)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Myrthen, op. 25: Nr. 1. Widmung (catch-all for arrangements)
composer:
Robert Schumann (German classical composer)
arrangement of:
Myrthen, op. 25: Nr. 1. Widmung
Robert Schumann2:29
P6A Swan
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Sex digte, op. 25: No. 2. En svane (for orchestra)
lyricist:
Henrik Ibsen
composer:
Edvard Grieg (composer)
version of:
Sex Digte (Ibsensangene) op. 25: No. 2. En svane (for voice and piano)
Edvard Grieg3:19
9▼12" Vinyl
#TitleArtistRatingLength
Q1La Belle Helene: Overture
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
La Belle Hélène: Ouverture
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Die schöne Helena
part of:
La Belle Hélène
part of:
La Belle Hélène (English lyrics)
Jacques Offenbach8:55
Q2Marche Joyeuse
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
Joyeuse marche (for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:52
Q3Peer Gynt: Solveig's Song
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:36
Q4The Prophet: Coronation March
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Giacomo Meyerbeer3:34
R1Mignon: Overture
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
Mignon : Ouverture
composer:
Ambroise Thomas (opera composer)
part of:
Mignon
Ambroise Thomas8:16
R2Thais: Meditation
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:27
R3William Tell: Dance (Passo A Sei)
orchestra:
Orchestra Filarmonica di Roma (Freelance recording orchestra, mainly used by RCA & Reader’s Digest)
conductor:
René Leibowitz (conductor)
recording of:
Guglielmo Tell: Atto I, scena 8. Passo a sei
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini5:22
10▼12" Vinyl
#TitleArtistRatingLength
S1Paris by Night
orchestra:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
arranger:
René Leibowitz (conductor)
partial recording of:
La Vie parisienne
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
Jacques Offenbach25:44
T1Midsummer Night's Dream Overture
orchestra:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
recording of:
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre
composer:
Felix Mendelssohn (composer) (in 1826)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn12:21
T2Octet for Strings: Scherzo
orchestra:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
Felix Mendelssohn4:45
T3Oberon Overture
orchestra:
Royal Philharmonic Orchestra
conductor:
René Leibowitz (conductor)
recording of:
Oberon, J. 306: Overture
composer:
Carl Maria von Weber (composer)
part of:
Oberon, J. 306
Carl Maria von Weber8:52