Good Times "KULT" Die 60 besten Kulthits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:43
2Hold the Line
producer:
Toto (US rock group)
bass:
David Hungate
drums (drum set) and percussion:
Jeff Procaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich and Steve Porcaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recording of:
Hold the Line
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.73:31
3Don’t Stop
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac3:11
4Seasons in the Sun
producer:
Terry Jacks
arranger:
Terry Jacks
phonographic copyright (℗) by:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 19)
cover recording of:
Seasons in the Sun
lyricist and translator:
Rod McKuen
composer:
Jacques Brel
publisher:
E.B. Marks Music Corp. and Francis, Day & Hunter Ltd. (in 1973)
translated version of:
Le Moribond
Terry Jacks3.253:24
5Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.653:56
6Blockbuster
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. and Universal Music Publishing MGB Ltd.
The Sweet3:12
7Stumblin’ In
guest vocals:
Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress)
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1978)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 4) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 8)
recording of:
Stumblin’ In
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Songs, Inc. and Musik-Edition Discoton
Chris Norman + Suzi Quatro4.653:56
8American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:05
9Baby Love
live recording of:
Baby Love
lyricist and composer:
Jerry Seay
publisher:
Sat Songs Music
Mother’s Finest44:23
10Walk on the Wild Side
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
recording of:
Walk on the Wild Side
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4:12
11Rockin’ All Over the World
recording of:
Rockin’ All Over the World
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo3:31
12Way Down
recording of:
Way Down
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. and Ray Stevens Music
Elvis Presley2:37
13San Francisco
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie2:57
14Moviestar
Harpo3:19
15Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:46
16Oh Pretty Women
recording of:
Oh Pretty Woman
writer:
Joe Melson and Roy Orbison
translator:
Henk van Broekhoven
translated version of:
Oh, Pretty Woman (Roy Orbison song)
Roy Orbison2:58
17Girls, Girls, Girls
engineer:
Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
associate producer:
Rupert Holmes
producer:
Georg Kajanus, Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
mixer:
Jeffrey Lesser
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1974)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1975-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
lyricist and composer:
Georg Kajanus
publisher:
Chappell Morris Ltd.
recording of:
Girls, Girls, Girls
lyricist:
Nikki Sixx
composer:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music and WB Music Corp. (1929–2019)
Sailor33:03
18Smoke on the Water
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Smoke on the Water (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple3.953:45
19Am Fenster
recording of:
Am Fenster
lyricist:
Hildegard Maria Rauchfuß
composer:
Emil Bogdanow, Georgi Gogow, Fritz Puppel and Klaus Selmke
City53:56
20Carbonara
engineer:
Imre Sereg (in 1981)
producer:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
mixer:
Udo Arndt (in 1981)
drums (drum set):
Herwig Mitteregger (in 1981)
electric bass guitar:
Manfred Praeker (in 1981)
guitar:
Potsch Potschka (in 1981)
keyboard and lead vocals:
Reinhold Heil (in 1981)
background vocals:
Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
arranger:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) and Manfred Praeker (in 1981)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1982)
recorded at:
Spliff Studio in Berlin, Germany (in 1981)
mixed at:
Audio Studios in Berlin, Germany (in 1981)
music videos:
Carbonara by Spliff (Neue Deutsche Welle)
recording of:
Carbonara (in 1981)
lyricist and composer:
Reinhold Heil
publisher:
April Musikverlag GmbH (publisher) (in 1982) and Edition SPLIFF (publisher) (in 1982)
Spliff54:20
2▼CD
#TitleArtistRatingLength
11980 - F
additional engineer:
Pete Hammond (UK producer aka “Mixmaster”)
engineer, producer and mixer:
Mack (German rock producer/engineer Reinhold Mack)
additional producer:
Tony Mansfield (producer & songwriter)
bass guitar and lead vocals:
Andy Piercy
drums (drum set):
Pete King (UK drummer for After the Fire/BAP)
guitar:
John Russell (British guitarist, member of After The Fire)
synthesizer:
Memory Banks (keyboard player)
background vocals:
Memory Banks (keyboard player) and John Russell (British guitarist, member of After The Fire)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
mixed at and engineered at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
additionally engineered at:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, United Kingdom
produced at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
recording of:
1980-F
composer:
Peter Banks (keyboard player)
After the Fire2:32
2(I’ve Had) The Time of My Life
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (ended), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
Bill Medley & Jennifer Warnes4:48
3Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.43:46
4Our House
recording of:
Our House
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3:23
5Blue Monday 88
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order4:04
6Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:19
7Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.44:04
8Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.13:49
9Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
10Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 63)
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:55
11Big in Japan
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin (from 1984-07 until 1984-08) and Thomas Beck (technical assistant, likely German) (from 1984-07 until 1984-08)
programming:
Wolfgang Loos (from 1984-06 until 1984-08)
producer:
Andreas Budde, Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Wednesday (German‐English rock band active from 1975–1980) (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
music videos:
Big In Japan by Alphaville (German synth pop band)
recording of:
Big in Japan (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:42
12Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 14)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation (BMI)
part of:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:21
13Holding Out for a Hero
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:21
14Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:31
15Such a Shame
producer:
Tim Friese‐Greene
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk4.35:35
16Wake Me Up Before You Go Go
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
music videos:
Wake Me Up Before You Go by Wham! (British pop-duo)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 28) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 269)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:50
17It’s Raining Man
The Weather Girls3:32
18September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:35
19Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:32
20Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:27
3▼CD
#TitleArtistRatingLength
1Mit 18
Marius Müller‐Westernhagen5:09
2Irgendwie, irgendwo, irgendwann
assistant engineer:
Heff Moraes (in 1984)
engineer:
Reinhold Heil (in 1984), Heiko Rüsse (in 1984) and Nick Ryan (1970s engineer) (in 1984)
producer:
Reinhold Heil (in 1984)
mixer:
Stuart Bruce (in 1984) and Reinhold Heil (in 1984)
editor:
Siegbert Ernst (engineer) (in 1984)
bass guitar:
Jürgen Dehmel (in 1984)
drums (drum set):
Rolf Brendel (in 1984)
guitar:
Carlo Karges (in 1984)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (until 1984)
background vocals and lead vocals:
Nena (the person, performing solo since 1987) (in 1984)
orchestra:
Strings of the Deutsche Oper (Orchestra of the German Opera Berlin) (in 1984)
arranger:
Jörn‐Uwe Fahrenkrog‐Petersen
recorded at:
Heils Tonstudio in Berlin, Germany (in 1984), Institut für Wohlklangforschung in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1984), Mediterrano-Studio in Ibiza, Illes Balears (Balearic Islands), Spain (in 1984), Sarm West Coast in Los Angeles, California, United States (in 1984) and Spliff in Berlin, Germany (in 1984)
mixed at:
Audio-Studio in Berlin, Germany (in 1984)
edited at:
Sim-Studio in Berlin, Germany (in 1984)
recording of:
Irgendwie, irgendwo, irgendwann (in 1984)
lyricist:
Carlo Karges
composer:
Jörn‐Uwe Fahrenkrog‐Petersen
Nena4:10
3Dein ist mein ganzes Herz
vocals:
Heinz Rudolf Kunze
recording of:
Dein ist mein ganzes Herz (Heinz Rudolf Kunze version) (in 1985)
lyricist:
Heinz Rudolf Kunze
composer:
Heiner Lürig
is based on:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
Heinz Rudolf Kunze3:25
4Goldener Reiter
edit of:
Goldener Reiter by Joachim Witt
recording of:
Goldener Reiter (in 1980)
lyricist and composer:
Joachim Witt
translated version of:
Goldener Reiter (English version, but not "Golden Rider")
Joachim Witt4:41
5Faust auf Faust
edit of:
Faust auf Faust (Schimanski) by Klaus Lage Band
recording of:
Faust auf Faust (from 1985-07 until 1985-09-02)
lyricist:
N. Heirell
composer:
Klaus Lage
Klaus Lage Band44:02
6Der Kommissar
engineer:
Robert Ponger
producer:
Falco (Austrian pop & rock musician) and Robert Ponger
phonographic copyright (℗) by:
GiG Records (Austrian label) (in 1982)
recording of:
Der Kommissar (in 1981)
lyricist:
Johann Hölzel (Austrian pop & rock musician)
composer:
Robert Ponger
publisher:
PS Music Wien and Warner/Chappell Music Australia Pty. Ltd.
Falco4.13:52
7Da Da Da
engineer:
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
producer:
Klaus Voormann (in 1982-01)
castanets:
Hans‐Joachim Behrendt (in 1982-01)
drums (drum set):
Peter Behrens (in 1982-01)
electric bass guitar:
Klaus Voormann (in 1982-01)
electric guitar:
Kralle Krawinkel (in 1982-01)
keyboard and lead vocals:
Stephan Remmler (in 1982-01)
background vocals:
Annette Humpe (in 1982-01)
engineered at:
Audio Studios in Berlin, Germany (in 1982-01) and Powerplay Studio in Maur, Zürich (Canton of Zürich), Switzerland (in 1982-01)
edit of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha (Lange Version) by Trio (80s German band)
music videos:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha by Trio (80s German band)
recording of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha (in 1982-01)
lyricist and composer:
Kralle (in 1981) and Stephan Remmler (in 1981)
publisher:
Just Us Music Production GmbH and Phonogram GmbH
Trio53:20
8Blaue Augen
producer:
Klaus D. Müller (in 1980-06)
drums (drum set):
Hans Behrendt (in 1980-06)
electric bass guitar:
Ulli Deuker (in 1980-06)
electric guitar:
Eff Jott Krüger (in 1980-06)
keyboard and lead vocals:
Annette Humpe (in 1980-06)
background vocals:
Eff Jott Krüger (in 1980-06), Hans Behrendt (in 1980-06) and Ulli Deuker (in 1980-06)
recorded at:
IC-Studio in Winsen an der Aller, Niedersachsen (Lower Saxony), Germany (in 1980-06)
recording of:
Blaue Augen (in 1980-06)
lyricist and composer:
Annette Humpe
Ideal3:26
9Codo
recording engineer:
Richard Oesterreicher Jr. (Richard Oesterreicher III) (in 1983)
producer:
Annette Humpe (in 1983)
mixer:
Gareth Jones (UK producer/engineer) (in 1983)
drums (drum set):
Peter Kolbert (in 1983)
effects:
Christian Teuscher (in 1983)
electric bass guitar:
Robert Pistracher (in 1983)
electric guitar:
Peter Vieweger (in 1983)
background vocals:
Annette Humpe (in 1983) and Inga Humpe (in 1983)
lead vocals:
Manfred Tauchen (in 1983)
spoken vocals:
Joesi Prokopetz (in 1983)
recorded at:
Austrophon Studios in Landstraße, Wien (Vienna), Austria (in 1983)
mixed at:
Hansa Studios in Berlin, Germany (in 1983)
recording of:
Codo (… düse im Sauseschritt) (in 1983)
lyricist:
Annette Humpe, Georg Januszewski, Joesi Prokopetz and Manfred Tauchen
composer:
Annette Humpe, Joesi Prokopetz and Manfred Tauchen
DÖF4:25
10Ich liebe dich
recording of:
Ich liebe dich (in 1986)
lyricist:
Carsten Pape
composer:
Bernd Westermann
publisher:
Edition Autarc (publisher) and FMS Thomas Fenn Music Service
Clowns & Helden44:19
11Wenn der Mond die Sonne berührt
recording of:
Wenn der Mond die Sonne berührt (in 1984)
lyricist:
Hubert Kemmler (singer, songwriter, producer) and Mario Killer
composer:
Klaus Hirschburger, Hubert Kemmler (singer, songwriter, producer) and Markus Löhr
Hubert Kah3:29
12Mr. Paul McCartney
recording of:
Mr. Paul McCartney
lyricist:
Fred Jay
composer:
Joachim Heider (producer, composer, performer)
Marianne Rosenberg3:36
13Biene Maja
recording of:
Die Biene Maja (in 1976)
lyricist:
Florian Cusano
composer:
Karel Svoboda
Karel Gott2:41
14Am Tag, als Conny Kramer starb
miscellaneous support:
Jo Plée (task: musical direction)
recording of:
Am Tag als Conny Kramer starb (in 1971)
lyricist:
Hans-Ulrich Weigel
composer:
Robbie Robertson
publisher:
Budde (publisher) (in 1972)
translated version of:
The Night They Drove Old Dixie Down
Juliane Werding43:25
15Rocky
recording of:
Rocky (German)
composer:
Jay Stevens
translator:
Hans-Ulrich Weigel
translated version of:
Rocky
Frank Farian4:05
16Siebzehn Jahr, blondes Haar
recording of:
Siebzehn Jahr, blondes Haar (in 1972)
lyricist:
Thomas Hörbiger and Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
composer:
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
Udo Jürgens2:34
17Mamy Blue
cover recording of:
Mamy Blue (German version)
lyricist and composer:
Hubert Giraud
translator:
Hans-Ulrich Weigel
publisher:
Budde Music France, Rolf Budde Musikverlag (aka Budde Music) and Editions Musicales Claude Pascal (publisher) (in 1989)
translated version of:
Mamy Blue (French version)
Ricky Shayne5:02
18Winnetou
Martin Böttcher und sein Orchester3:32
19Der Junge mit der Mundharmonika
producer:
Peter Orloff (schlager-singer, songwriter, producer, actor)
conductor:
Alexander Gordan
arranger:
Alexander Gordan
phonographic copyright (℗) by:
Ariola Eurodisc GmbH (not for release label use!) (in 1972)
recording of:
Der Junge mit der Mundharmonika (in 1971)
lyricist and composer:
Fernando Arbex
translator:
Peter Orloff (schlager-singer, songwriter, producer, actor)
publisher:
Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing S.L. (Spain) and RCA Music (in 1972)
translated version of:
El chico de la armónica
Bernd Clüver3:15
20Über Sieben Brücken musst du geh’n
recording of:
Über sieben Brücken mußt du gehn (in 1979)
lyricist:
Helmut Richter
composer and arranger:
Ulrich Swillms
publisher:
Nordton Verlag
Karat23:48