Ferris Bueller’s Day Off

~ Release by Various Artists (see all versions of this release, 7 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Love Missile F1-11 (extended version)
recording of:
Love Missile F1‐11
lyricist and composer:
Martin Degville, Tony James (UK bassist/guitarist) and Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik6:52
2Oh Yeah
producer:
Yello (Swiss electronica duo)
guest drums (drum set):
Beat Ash
guest guitar:
Chico Hablas
phonographic copyright (℗) by:
Phonogram GmbH (in 1985)
recorded at:
Yello Studio in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 48)
recording of:
Oh Yeah
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. and Neue Welt (in 1985)
Yello43:04
3Beat City
The Flowerpot Men3:29
4B.A.D.
assistant engineer:
Renny Hill (engineer) and Johnny Shinas
engineer:
Paul ‘Groucho’ Smykle
producer:
Mick Jones (The Clash/Big Audio Dynamite)
recording of:
BAD
writer:
Mick Jones (The Clash/Big Audio Dynamite), Don Letts and Greg Roberts (British drummer)
Big Audio Dynamite5:44
5Please, Please, Please Let Me Get What I Want (instrumental)
instrumental cover recording of:
Please Please Please Let Me Get What I Want
lyricist:
Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Dream Academy3:00
6Danke schön
recording of:
Danke Schoen (English version) (in 1963)
lyricist:
Kurt Schwabach (songwriter, lyricist, singer)
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
translator:
Milt Gabler
publisher:
Belinda Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
translated version of:
Danke schön (German lyrics)
Wayne Newton4.52:34
7Twist and Shout
additional engineer and assistant engineer:
Richard Langham (on 1963-02-11) and A. B. Lincoln (on 1963-02-25)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-02-11, on 1963-02-25)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-02-11, on 1963-02-25)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-02-11)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-02-11)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1963-02-11)
electric guitar [rhythm guitar] and lead vocals:
John Lennon (The Beatles) (on 1963-02-11)
background vocals:
George Harrison (The Beatles) (on 1963-02-11) and Paul McCartney (The Beatles) (on 1963-02-11)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-11)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 81)
cover recording of:
Twist and Shout (on 1963-02-11)
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Beatles3.752:34
8Radio People
Zapp5:44
9I’m Afraid
The Blue Room4:48
10Taking the Day Off
General Public3:54
11The Edge of Forever
recording of:
Poised on the Edge of Forever
composer:
Gilbert Gabriel and Nick Laird-Clowes
The Dream Academy44:22
12March of the Swivelheads (extended)
The Beat5:14