Handel’s Queens

~ Release by Handel; Lucy Crowe, Mary Bevan, London Early Opera, Bridget Cunningham (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ariodante: Sinfonia
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
Ariodante: Sinfonia
composer:
Carlo Francesco Pollarolo
part of:
Ariodante
Carlo Pollarolo3:59
2Giulio Cesare, HWV 17: Da tempeste il legno infranto
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
George Frideric Handel6:09
3Dalisa: Se fosse il mio diletto
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Dalisa
composer:
Johann Adolf Hasse (composer)
librettist:
Domenico Lalli (18th century librettist)
Johann Adolf Hasse8:19
4Ottone, HWV 14: Recit: È tale Otton? / Aria: Falsa imagine
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
Ottone, re di Germania, HWV 15: Atto I, Scena III, 4. Aria “Falsa immagine, m’ingannasti” (Teofane)
part of:
Ottone, re di Germania, HWV 15: Atto I
recording of:
Ottone, re di Germania, HWV 15: Atto I, Scena III. Recitativo “È tale Otton?” (Teofane)
part of:
Ottone, re di Germania, HWV 15: Atto I
George Frideric Handel6:37
5Poro: Son prigioniera d’amore
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Poro
composer:
Nicola Antonio Porpora (Italian composer)
librettist:
Pietro Metastasio
Nicola Porpora5:29
6Nerone: Stelle, tiranne stelle
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Nerone
composer:
Giuseppe Maria Orlandini
librettist:
Agostino Piovene
Giuseppe Maria Orlandini5:27
7Alessandro, HWV 21: Solitudine amate
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
Alessandro, HWV 21: Atto II. Aria "Solitudini amate" (Rossane)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alessandro, HWV 21: Atto II
George Frideric Handel6:13
8Ariodante: Serba le belle lagrime
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Ariodante
composer:
Carlo Francesco Pollarolo
librettist:
Antonio Salvi (Italian poet and librettist)
Carlo Pollarolo6:01
9Tolomeo, HWV 25: Recit: Elisa che ricerchi / Aria: Voglio amore
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist) and Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Tolomeo, rè d'Egitto, HWV 25: Atto III
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Tolomeo, rè d'Egitto, HWV 25
George Frideric Handel5:05
10Scanderbeg, RV 732: Fra catene ognor penando
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Scanderbeg, RV 732
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Antonio Salvi (Italian poet and librettist)
part of:
Ryom-Verzeichnis (number: RV 732)
Antonio Vivaldi3:44
11Scanderbeg, RV 732: Nelle mie selve natìe
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Scanderbeg, RV 732
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Antonio Salvi (Italian poet and librettist)
part of:
Ryom-Verzeichnis (number: RV 732)
Antonio Vivaldi3:39
12Alessandro, HWV 21: Placa l’alma
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist) and Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Alessandro, HWV 21: Atto I
composer:
George Frideric Handel (German‐British baroque composer) (until 1726-04-11)
librettist:
Paolo Antonio Rolli
part of:
Alessandro, HWV 21
George Frideric Handel3:17
2▼CD
#TitleArtistRatingLength
1Scipione, HWV 20: Scoglio d’ immota fronte
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Publio Cornelio Scipione, HWV 20: Atto II
composer:
George Frideric Handel (German‐British baroque composer) (until 1726-03-12)
librettist:
Paolo Antonio Rolli
part of:
Publio Cornelio Scipione, HWV 20
George Frideric Handel5:24
2Amadis di Grecia: Recit: La sua disperazione / Aria: Se a ammollire il crudo amante
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Amadis di Grecia
composer:
Pietro Torri (baroque composer)
librettist:
Perozzo di Perozzi
Pietro Torri4:18
3Admeto, HWV 22: Gelosia, spietata Aletto
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
Admeto, re di Tessaglia, HWV 22: Atto II, Scena VII. Aria "Gelosia spietata Aletto" (Alceste)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Admeto, re di Tessaglia, HWV 22: Atto II
George Frideric Handel5:28
4Il Ciro Riconosciuto: Quel nome se ascolto
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Il Ciro riconosciuto
composer:
Leonardo Leo (composer)
librettist:
Pietro Metastasio
Leonardo Leo4:43
5Ticcardo Primo, HWV 23: Il volo così fido al dolce
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Riccardo Primo, re d'Inghilterra, HWV 23: Atto III
composer:
George Frideric Handel (German‐British baroque composer) (until 1727-05-16)
librettist:
Paolo Antonio Rolli
part of:
Riccardo Primo, re d'Inghilterra, HWV 23
George Frideric Handel5:59
6Alessandro, HWV 21: Alla sua gabbia d’oro
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Alessandro, HWV 21: Atto II
composer:
George Frideric Handel (German‐British baroque composer) (until 1726-04-11)
librettist:
Paolo Antonio Rolli
part of:
Alessandro, HWV 21
George Frideric Handel8:17
7Astianatte: Sento che già il pensier
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Astianatte
composer:
Giovanni Battista Bononcini (composer, 1670-1747)
librettist:
Nicola Francesco Haym
Giovanni Bononcini4:35
8Astianatte: Deh! lascia o core
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Astianatte
composer:
Giovanni Battista Bononcini (composer, 1670-1747)
librettist:
Nicola Francesco Haym
Giovanni Bononcini4:18
9Astianatte: Menuet
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Astianatte
composer:
Giovanni Battista Bononcini (composer, 1670-1747)
librettist:
Nicola Francesco Haym
Giovanni Bononcini1:31
10Astianatte: Ascolta o figlio
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Astianatte
composer:
Giovanni Battista Bononcini (composer, 1670-1747)
librettist:
Nicola Francesco Haym
Giovanni Bononcini1:18
11L’Elpidia, HWV A1: Dea triforme, astro fecondo
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
L’Elpidia, ovvero Li rivali generosi, HWV A1
additional composer:
George Frideric Handel (German‐British baroque composer)
composer:
Giuseppe Maria Orlandini and Leonardo Vinci (Italian opera composer)
part of:
Händel-Werke-Verzeichnis (number: HWV A1)
Leonardo Vinci arr. George Frideric Handel4:07
12Artaserse: Mi credi spietata?
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Artaserse (Opera)
composer:
Johann Adolf Hasse (composer)
additional librettist:
Giovanni Boldini (librettist)
librettist:
Pietro Metastasio
Johann Adolf Hasse3:45
13Caio Marzio Coriolano: Rendi al Padre in me la figlia
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Lucy Crowe (soprano)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
partial recording of:
Caio Marzio Coriolano
composer:
Attilio Ariosti
librettist:
Nicola Francesco Haym
Attilio Ariosti5:05
14La Libertà, Cantata (Aria di camera)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Mary Bevan (soprano vocalist)
orchestra:
London Early Opera
conductor:
Bridget Cunningham
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
La libertà
composer:
Maurice Greene (baroque composer)
Maurice Greene5:08

Credits

Release

liner notes:Bridget Cunningham
recorded at:St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (from 2018-09-03 until 2018-09-06, from 2019-02-04 until 2019-02-05)
ASIN:UK: B07RNF4S7V [info]
discography entry:https://www.hyperion-records.co.uk/dc.asp?dc=D_SIGCD579 [info]