Best in Show

~ Release by Grinspoon (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Sweet as Sugar
recording engineer, producer and mixer:
Lindsay Gravina (engineer & guitarist) (in 2006-09)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2005)
recorded at and mixed at:
Birdland Studios (Melbourne, Australia) in Melbourne, Victoria, Australia (in 2006-09)
produced at:
Birdland Studios (Melbourne, Australia) in Melbourne, Victoria, Australia (in 2006-09)
recording of:
Sweet as Sugar (in 2006-09)
writer:
Pat Davern and Phil Jamieson (Australian musician)
publisher:
EMI Publishing
33:16
2Champion
recording engineer:
Phil McKellar (Australian producer and engineer) (in 1996-06)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer)
phonographic copyright (℗) by:
Grinspoon (from 1996 to present)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at and mixed at:
Studio 227 (Harris Street, Ultimo NSW) in Sydney, New South Wales, Australia (in 1996-06)
recording of:
Champion (in 1996-06)
writer:
Joe Hansen and Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
2:43
3DCx3
assistant recording engineer:
Greg Courtney (in 1997-02)
recording engineer:
Phillip McKellar (Australian producer and engineer) (in 1997-02)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer) (in 1997-02)
assistant mixer:
Aaron Pratley (in 1997-04)
mixer:
Phillip McKellar (Australian producer and engineer) (in 1997-04)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at:
Rockinghorse in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-02)
mixed at:
Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-04)
produced at:
RockingHorse Studios in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-02)
recording of:
DC X 3 (in 1997-02)
writer:
Pat Davern and Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
32:56
4Post Enebriated Anxiety
recording engineer:
Phil McKellar (Australian producer and engineer) (in 1996-06)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer)
phonographic copyright (℗) by:
Grinspoon (from 1996 to present)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at and mixed at:
Studio 227 (Harris Street, Ultimo NSW) in Sydney, New South Wales, Australia (in 1996-06)
recording of:
Post Enebriated Anxiety (in 1996-06)
writer:
Pat Davern and Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
2:39
5Just Ace
assistant recording engineer:
Greg Courtney (in 1997-02)
recording engineer:
Phillip McKellar (Australian producer and engineer) (in 1997-02)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer) (in 1997-02)
assistant mixer:
Aaron Pratley (in 1997-04)
mixer:
Phillip McKellar (Australian producer and engineer) (in 1997-04)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at:
Rockinghorse in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-02)
mixed at:
Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-04)
produced at:
RockingHorse Studios in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia (in 1997-02)
recording of:
Just Ace (in 1997-02)
writer:
Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
31:49
6More Than You Are
engineer, producer and mixer:
Ulrich Wild (in 1998-07)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (from 1997 to present, in 1998)
mixed at and engineered at:
The Hit Factory in Manhattan, New York, New York, United States (in 1998-07)
produced at:
The Hit Factory in Manhattan, New York, New York, United States (in 1998-07)
recording of:
More Than You Are (in 1998-07)
writer:
Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
3:12
7Black Friday
engineer, producer and mixer:
Ulrich Wild (in 1998-07)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (from 1997 to present, in 1998)
mixed at and engineered at:
The Hit Factory in Manhattan, New York, New York, United States (in 1998-07)
produced at:
The Hit Factory in Manhattan, New York, New York, United States (in 1998-07)
recording of:
Black Friday
writer:
Pat Davern and Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
2:30
8Secrets
engineer and producer:
Jonathan Burnside (in 1999-09)
assistant mixer:
David Coulthard-Clark (in 1999-10)
mixer:
Jonathan Burnside (in 1999-10)
phonographic copyright (℗) by:
Grudge Records Australia (in 1999) and Universal Music Australia (see annotation before using) (in 1999)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1999-10)
engineered at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia (in 1999-09) and Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 1999-09)
produced at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia (in 1999-09) and Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 1999-09)
recording of:
Secrets (in 1999-09)
lyricist:
Phil Jamieson (Australian musician)
composer:
Grinspoon
publisher:
Shock Music Publishing Pty. Ltd.
33:08
9Rockshow
engineer and producer:
Jonathan Burnside (in 1999-09)
assistant mixer:
David Coulthard-Clark (in 1999-10)
mixer:
Jonathan Burnside (in 1999-10)
phonographic copyright (℗) by:
Grudge Records Australia (in 1999) and Universal Music Australia (see annotation before using) (in 1999)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1999-10)
engineered at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia (in 1999-09) and Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 1999-09)
produced at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia (in 1999-09) and Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 1999-09)
recording of:
Rock Show (in 1999-09)
lyricist:
Jonathan Burnside, Pat Davern and Phil Jamieson (Australian musician)
composer:
Grinspoon
publisher:
Shock Music Publishing (Publisher) and Shock Music Publishing Pty. Ltd.
4:08
10Ready 1
engineer and producer:
Jonathan Burnside (in 1999-09)
assistant mixer:
David Coulthard-Clark (in 1999-10)
mixer:
Jonathan Burnside (in 1999-10)
phonographic copyright (℗) by:
Grudge Records Australia (in 1999) and Universal Music Australia (see annotation before using) (in 1999)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1999-10)
engineered at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia (in 1999-09) and Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 1999-09)
produced at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia (in 1999-09) and Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 1999-09)
recording of:
Ready 1 (in 1999-09)
lyricist:
Phil Jamieson (Australian musician)
composer:
Grinspoon
publisher:
Shock Music Publishing Pty. Ltd.
32:36
111000 Miles
recording engineer:
Phillip McKellar (Australian producer and engineer) (from 2001-09 until 2001-11)
assistant engineer:
Evan McHughan
producer and mixer:
Phillip McKellar (Australian producer and engineer)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2002)
recorded at:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 2001-09) and Dodgy (Ultimo, Sydney) in Sydney, New South Wales, Australia (in 2001-11)
recording of:
1000 Miles (from 2001-09 until 2001-11)
writer:
Grinspoon
publisher:
Shock Music Publishing (Publisher) and Shock Music Publishing Pty. Ltd.
32:23
12No Reason
recording engineer, producer and mixer:
Phillip McKellar (Australian producer and engineer)
assistant engineer:
Blair Simmons and Mitch Willard
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2002)
recorded at:
Mangrove Studios in Gosford (Gosford, New South Wales), New South Wales, Australia (in 2001-12) and Megaphon in Sydney, New South Wales, Australia (in 2002-01)
recording of:
No Reason (from 2001-12 until 2002-01)
writer:
Grinspoon
publisher:
Shock Music Publishing Pty. Ltd.
33:51
13Lost Control
recording engineer and producer:
Phillip McKellar (Australian producer and engineer)
assistant engineer:
Blair Simmons and Mitch Willard
mixer:
Ulrich Wild
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2002)
recorded at:
Mangrove Studios in Gosford (Gosford, New South Wales), New South Wales, Australia (in 2001-12) and Megaphon in Sydney, New South Wales, Australia (in 2002-01)
mixed at:
Larrabee in Los Angeles, California, United States
recording of:
Lost Control (from 2001-12 until 2002-01)
writer:
Grinspoon
publisher:
Shock Music Publishing Pty. Ltd.
3:32
14Chemical Heart
recording engineer:
Phil McKellar (Australian producer and engineer) (from 2001-09 until 2001-11)
assistant engineer:
Evan McHughan
producer:
Phil McKellar (Australian producer and engineer)
mixer:
D. Sardy (American score composer)
cello:
Kate Morgan (from 2001-09 until 2001-11)
viola:
Deborah Lander (violist) (from 2001-09 until 2001-11)
violin:
Adrian Keating (from 2001-09 until 2001-11) and Nguyen Bui (Japanese classical violinist and concermaster) (from 2001-09 until 2001-11)
conductor:
Jackie Orszaczky (from 2001-09 until 2001-11: strings)
strings arranger:
Jackie Orszaczky
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2002) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2002)
recorded at:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (in 2001-09) and Dodgy (Ultimo, Sydney) in Sydney, New South Wales, Australia (in 2001-11)
mixed at:
Electric Lady in Greenwich Village, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 68)
recording of:
Chemical Heart (from 2001-09 until 2001-11)
writer:
Grinspoon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Shock Music Publishing Pty. Ltd.
34:41
15Bleed You Dry
recording engineer and mixer:
Mike Plotnikoff (in 2004-06)
producer:
Howard Benson (in 2004-06)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2004)
recorded at and mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
produced at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
recording of:
Bleed You Dry (in 2004-06)
writer:
Pat Davern, Joe Hansen, Kristian Hopes and Phil Jamieson (Australian musician)
publisher:
EMI Publishing
33:29
16Hold on Me
recording engineer and mixer:
Mike Plotnikoff (in 2004-06)
programming:
Paul DeCarli (in 2004-06)
additional engineer:
Eric Miller (engineer)
producer:
Howard Benson (in 2004-06)
editor:
Paul DeCarli
keyboard:
Paul DeCarli (in 2004-06)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2004)
additionally recorded at:
Sparky Dark Studio in Calabasas, California, United States
recorded at and mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
produced at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
recording of:
Hold on Me (in 2004-06)
writer:
Pat Davern, Joe Hansen, Kristian Hopes and Phil Jamieson (Australian musician)
publisher:
EMI Publishing
2:47
17Better Off Alone
recording engineer and mixer:
Mike Plotnikoff (in 2004-06)
programming:
Paul DeCarli (in 2004-06)
additional engineer:
Eric Miller (engineer)
producer:
Howard Benson (in 2004-06)
editor:
Paul DeCarli
keyboard:
Paul DeCarli (in 2004-06)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2004)
additionally recorded at:
Sparky Dark Studio in Calabasas, California, United States
recorded at and mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
produced at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
recording of:
Better Off Alone (in 2004-06)
writer:
Pat Davern, Joe Hansen, Kristian Hopes, Phil Jamieson (Australian musician) and Scott Russo
publisher:
EMI Publishing and Warner Chappell Publishing
33:56
18Hard Act to Follow
recording engineer and mixer:
Mike Plotnikoff (in 2004-06)
programming and editor:
Paul DeCarli
additional engineer:
Eric Miller (engineer)
producer:
Howard Benson (in 2004-06)
keyboard:
Paul DeCarli (in 2004-06)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2004)
additionally recorded at:
Sparky Dark Studio in Calabasas, California, United States
recorded at and mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
produced at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
recording of:
Hard Act to Follow (in 2004-06)
writer:
Pat Davern, Joe Hansen, Kristian Hopes and Phil Jamieson (Australian musician)
publisher:
EMI Publishing
33:33
2▼CD: Covers
#TitleRatingLength
1Don’t Change
cover recording of:
Don’t Change
writer:
Garry Gary Beers, Andrew Farriss (in band INXS), Jon Farriss, Tim Farriss, Michael Hutchence and Kirk Pengilly
publisher:
Universal Music Publishing Group
part of:
Ace Ventura: When Nature Calls
3:53
2And I Heard the Fire Sing
cover recording of:
And I Heard the Fire Sing (James Taylor Move song)
3:01
3Snap Your Fingers, Snap Your Neck
cover recording of:
Snap Your Fingers, Snap Your Neck
lyricist:
Tommy Victor
composer:
Ted Parsons (drummer) and Tommy Victor
publisher:
Sony/ATV Tunes (SOCAN)
4:28
4I Was a Kamikaze Pilot
assistant recording engineer:
Peter Farley (Australian engineer) (in 2005-06)
recording engineer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) (in 2005-06)
mixer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio)
recorded at:
Big Jesus Burger in Sydney, New South Wales, Australia (in 2005-06)
cover recording of:
I Was a Kamikaze Pilot
lyricist and composer:
Dave Faulkner (David Faulkner)
3:16
5Take a Long Line
cover recording of:
Take a Long Line
writer:
John Brewster, Rick Brewster and Doc Neeson
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Mushroom Music International and J. Albert & Son Pty. Ltd. (in 1978)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:10
6Don’t Wanna Be the One
programming, engineer, producer and mixer:
Jonathan Burnside
keyboard [keyboards]:
Josh Abrahams (Puretone, aka Puretone)
turntable:
DJ Magoo
recorded at and mixed at:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
cover recording of:
Don’t Wanna Be the One
lyricist and composer:
Peter Garrett, Peter Gifford, Rob Hirst, Jim Moginie and Martin Rotsey
3:20

Credits

Release

manufactured in:Australia
distributed by and marketed by:Universal Music Australia (see annotation before using)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music Australia (see annotation before using) (in 2005)
Discogs:https://www.discogs.com/release/6813337 [info]
ASIN:US: B000BRQOQG [info]
US: B000BSLYWE [info]