Classics 2002

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Volare
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Nel blu dipinto di blu (Volare)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
publisher:
Curci and EMI Robbins Catalog Inc. (ASCAP)
part of:
Grammy Award: Song of the Year nominees (number: 1959 winner)
Domenico Modugno3:48
2Panis Angelicus
recording engineer:
Charles Harbutt (sound engineer and reissue producer) and Mike Ross-Trevor (engineer)
assistant engineer:
Andy Granger (sound engineer) and Huw Thomas (engineer)
engineer:
Charles Harbutt (sound engineer and reissue producer)
executive producer:
Jeremy Caulton
producer:
Grace Row (engineer/producer)
editor:
Darcy Proper
choir vocals:
Chorus of the Welsh National Opera
soprano vocals:
Charlotte Church
orchestra:
Orchestra of Welsh National Opera
conductor:
Siân Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:05
3Viva!
programming:
Yoad Nevo
producer:
Orion
mixer:
Phil Da Costa
cello:
Gay-Yee Westerhoff
viola:
Tania Davis
violin:
Haylie Ecker and Eos Chater
Antonio Vivaldi3:13
4Now We Are Free (Gladiator)
vocals:
Lisa Gerrard
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
remixer:
Eric Calvi and Fred Jorio
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2000)
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
Hans Zimmer3:46
5La Gioconda: Suicidio! In questi fieri momenti
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1952-09-06 until 1952-09-10)
orchestra:
Sinfonie‐Orchester der RAI Turin (from 1952-09-06 until 1952-09-10)
conductor:
Antonino Votto (conductor) (from 1952-09-06 until 1952-09-10)
phonographic copyright (℗) by:
Nuova Fonit Cetra S.p.A. (company credits only; do NOT use as release label) (in 1953)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (from 1952-09-06 until 1952-09-10)
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda) (from 1952-09-06 until 1952-09-10)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto IV. Canal orfano
Amilcare Ponchielli4:33
6Something Wonderful (The King & I)
vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
English Northern Philharmonia (English Northern Philharmonia)
conductor:
Paul Daniel (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recording of:
Something Wonderful (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
translated version of:
דבר מה נפלא כל כך
part of:
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers3:43
7The Unknown Soldier
producer:
Jaz Coleman
đàn tranh:
Trần Quang Hải
violin:
Nigel Kennedy (violinist)
orchestra:
Symfonický orchestr hlavního města Prahy FOK (Prague Symphony Orchestra)
additional conductor:
Petr Pýcha
conductor:
Peter Scholes (NZ composer & conductor)
arranger and orchestrator:
Jaz Coleman
instrumental cover recording of:
The Unknown Soldier
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. and Nipper Music Co., Inc. (in 1968)
Robby Krieger, Ray Manzarek, John Densmore, Jim Morrison5:40
8Ai giochi addio (Our Tune)
flute:
Andrea Griminelli (Italian flautist)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
The London Film Orchestra
conductor:
Gavin Wright (UK violinist, conductor)
arranger:
Luis Bacalov and Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Ai giochi addio
lyricist:
Elsa Morante
composer:
Nino Rota (Italian composer)
version of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
Nino Rota3:45
9Time to Say Goodbye (Con te partirò)
producer:
Frank Peterson
guitar:
Peter Weihe (in 1996-10)
keyboard:
Peter Murray (pianist and keyboardist) (in 1996-10) and Michael Soltau (in 1996-10)
soprano vocals:
Sarah Brightman (in 1996-10)
vocals:
Andrea Bocelli (tenor)
conductor:
Mike Reed (UK conductor/arranger for musicals) (in 1996-10)
phonographic copyright (℗) by:
EastWest Records GmbH (not for release label use!) (in 1996)
recorded at:
Nemo Studio (Hamburg) in Hamburg, Germany (in 1996-10)
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”) (in 1996-10)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Lucio Quarantotto44:03
10Turandot: Nessun dorma
tenor vocals:
José Carreras (Spanish tenor), Plácido Domingo (tenor), Luciano Pavarotti (tenor) and The Three Tenors
orchestra:
Orchestra del Maggio Musicale Fiorentino and Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:13
11Variations
executive producer:
Anna Barry (classical producer)
editor:
Nick Kadrnka
cello:
Julian Lloyd Webber (cellist)
piano and synthesizer:
Rod Argent
orchestra:
Royal Philharmonic Orchestra
conductor:
Barry Wordsworth (conductor)
balance engineer:
Jon Hiseman
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1990)
recorded at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1989-12)
edited at:
Whitfield Street Recording Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
instrumental recording of:
Variations 1–4
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
part of:
Variations (Lloyd Webber, on theme by Paganini)
recording of:
Variations 1–4
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
part of:
Variations (Lloyd Webber, on theme by Paganini)
Andrew Lloyd Webber3:07
12Pelagia’s Song (from Captain Corelli’s Mandolin)
recording engineer and mixer:
Chris Dibble (engineer)
producer:
Stephen Warbeck
editor:
Andy Glen
solo guitar:
Dario Rossetti-Bonell
solo mandolin:
Giovanni Parricelli
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
instrumental recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
orchestrator and composer:
Stephen Warbeck
lyricist:
Paco Reconti
Stephen Warbeck4:01
13Sanctus
choir vocals:
The Nuns of the Priory of the Resurrection
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
[traditional]1:36
14Ave Maria
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Utah Symphony
conductor:
Julius Rudel (conductor)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1984)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach/Charles‐François Gounod2:42
15Crazy Dog
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (on 2001-02-13)
producer:
John Barry (English score composer)
orchestra:
English Chamber Orchestra (on 2001-02-13)
conductor:
John Barry (English score composer) (on 2001-02-13)
orchestrator:
Christian Rutherford
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom (on 2001-02-13)
recording of:
Crazy Dog
composer:
John Barry (English score composer)
John Barry3:00
16Appalachia Waltz
cello:
Yo‐Yo Ma (cellist) (from 1999-02-01 until 1999-02-05, on 1999-06-23)
recorded at:
Mechanics Hall in Worcester, Massachusetts, United States (from 1999-02-01 until 1999-02-05) and The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (on 1999-06-23)
recording of:
Appalachia Waltz
composer:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Mark O’Connor4:21
17Láska (Love)
piano:
Graham Johnson (pianist) (in 1998-10)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 1998-10)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1998-10)
recording of:
Moravská lidová poezie v písních, JW 5/2: No. 1. Láska (Love) (in 1998-10)
composer:
Leoš Janáček (Czech composer)
part of:
Moravská lidová poezie v písních, JW 5/2 (53 Moravian folk poetry in songs)
Leoš Janáček1:14
18L'Heure exquise (Virgin One Ad)
cello:
Mischa Maisky (cellist)
piano:
Daria Hovora (pianist)
recording of:
L’Heure exquise (catch-all for arrangements)
composer:
Reynaldo Hahn (composer)
arrangement of:
Chansons grises: No. 5. L'Heure exquise
Reynaldo Hahn3:29
19La campanella
violin:
Chloë Hanslip (British classical violinist)
orchestra:
London Symphony Orchestra
conductor:
Paul Mann (British conductor)
recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella”
composer:
Niccolò Paganini (Italian composer and violinist) (in 1826)
part of:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini35:33
20Maria (West Side Story)
violin:
Joshua Bell (violinist) (from 2000-12-18 until 2000-12-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 2000-12-18 until 2000-12-20)
conductor:
David Zinman (conductor) (from 2000-12-18 until 2000-12-20)
edit of:
West Side Story Suite by Joshua Bell (violinist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), David Zinman (conductor)
partial recording of:
West Side Story Suite (arr. for violin and orchestra, Brohn) (from 2000-12-18 until 2000-12-20)
orchestrator:
William David Brohn (American arranger and orchestrator)
composer:
Leonard Bernstein (American conductor, composer, pianist)
violin arranger:
William David Brohn (American arranger and orchestrator)
is based on:
West Side Story
Leonard Bernstein33:43
21Aurora
choir vocals:
Cantamus Girls Choir
recording of:
Aurora
composer:
Sarah Class (composer, singer and songwriter)
Sarah Class3:18
2▼CD
#TitleArtistRatingLength
1Ave Maria
soprano vocals:
Lesley Garrett (soprano)
orchestra:
Britten Sinfonia
conductor:
Ivor Bolton (conductor and harpsichordist)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1997)
recording of:
Ave Maria (Vavilov/Caccini, catch-all for arrangements)
composer:
Vladimir Vavilov
previously attributed to:
Giulio Caccini (Italian renaissance composer, 1551-1618)
arrangement of:
Ave Maria (Vavilov, often misattributed to Caccini)
Giulio Caccini4:04
2Mattinata
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nicholas Dodd (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Mattinata
lyricist and composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo2:14
3La Wally: Ebben?… Ne andrò lontana
soprano vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1996)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani3:40
4Where’er You Walk
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
Scottish Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recording of:
Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter)
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
librettist:
William Congreve
part of:
Semele, HWV 58: Act II
George Frideric Handel4:37
5Méditation from Thaïs
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:42
6Fratello sole, sorrella luna
producer and mixer:
Craig Leon (musician, arranger, composer and producer)
flute:
Andrea Griminelli (Italian flautist)
piano:
Luis Bacalov
choir vocals:
Coro Sinfonico di Milano Giuseppe Verdi
vocals:
Filippa Giordano (classic crossover singer)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Luis Bacalov
chorus master:
Romano Gandolfi (chorus master and conductor)
arranger:
Luis Bacalov
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
cover recording of:
Fratello sole sorella luna
lyricist:
Jean‐Marie Benjamin
composer:
Riz Ortolani (songwriter, film music composer and music director)
Riz Ortolani4:51
7Il trovatore: Di quella pira
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Günther Breest (producer for classical music) and Robert Leslie (producer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
mezzo-soprano vocals:
Rosalind Plowright (soprano / mezzo soprano)
soprano vocals:
Rosalind Plowright (soprano / mezzo soprano) (in 1984-04)
soprano vocals [Leonora]:
Rosalind Plowright (soprano / mezzo soprano) (in 1984)
tenor vocals:
Plácido Domingo (tenor) (in 1984-04) and Walter Gullino (tenor) (in 1984-04)
tenor vocals [Manrico]:
Plácido Domingo (tenor) (in 1984)
tenor vocals [Ruiz]:
Walter Gullino (tenor) (in 1984)
vocals:
Walter Gullino (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984, in 1984-04)
conductor:
Carlo Maria Giulini (conductor) (in 1984, in 1984-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1984-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-04)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:44
8The Quarry (Enigma)
orchestra:
Members of the Royal Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
John Barry (English score composer)
John Barry2:54
9Gianni Schicchi: O mio babbino caro
producer:
Michael Haas (classical music producer)
soprano vocals [Lauretta]:
Renée Fleming (soprano) (in 1999-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1999-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1999-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini4.52:53
10Eternal Vow (Crouching Tiger, Hidden Dragon)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
frame drum [hand drum]:
David Cossin and Kasim Cossin
lute:
Alimjan
solo cello:
Yo‐Yo Ma (cellist)
orchestra:
上海交响乐团 (Shanghai Symphony Orchestra, Shanghai Symphony Orchestra) and Shanghai National Orchestra (Shanghai Chinese Orchestra)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
recording of:
The Eternal Vow (Crouching Tiger, Hidden Dragon)
composer:
谭盾 (Tan Dun, Chinese composer)
Tan Dun33:01
11Carmen: Habanera
mezzo-soprano vocals:
Nana Mouskouri
arranger:
Alain Goraguer
phonographic copyright (℗) by:
Universal Music France (in 1988)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:05
12I Am a Poor Wayfaring Stranger
harp:
Stacey Shames
lute:
Edin Karamazov
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Orpheus Chamber Orchestra (US orchestra)
arranger:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Wayfaring Stranger
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Roud Folk Song Index (number: 3339)
[traditional]4:48
13’O sole mio
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
’O sole mio (arr. Chiaramello for tenor and orchestra) (in 1979-03)
lyricist:
Giovanni Capurro
composer:
Eduardo Di Capua and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”)
arranger:
Giancarlo Chiaramello
arrangement of:
’O sole mio
Eduardo di Capua3:25
14Baby Plays Around
cello [celtar]:
Svante Henryson
electronic organ [Lawery organ]:
Elvis Costello
flugelhorn:
Pat White
Hammond organ:
Bengt Forsberg (pianist)
piano:
Mats Schubert
vibraphone:
Magnus Persson (drummer and percussionist)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 2000-10)
arranger:
Elvis Costello
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Atlantis Grammofon AB in Stockholm, Stockholms län (Stockholm county), Sweden (from 2000-10-09 until 2001-01)
recording of:
Baby Plays Around
lyricist and composer:
Declan Patrick MacManus and Cait O’Riordan
publisher:
Sideways Songs
Cait O’Riordan, Declan Patrick MacManus3.53:16
15If I Ruled the World
vocals:
Harry Secombe (actor, comedian, singer, television presenter)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1963)
recording of:
If I Ruled the World (Pickwick)
lyricist:
Leslie Bricusse
composer:
Cyril Ornadel
publisher:
Delfont Music
part of:
Pickwick
Cyril Ornadel2:40
16The Blue Bird
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
Sir Charles Villiers Stanford3:24
17Sanctus II
choir vocals:
Libera
phonographic copyright (℗) by:
Warner Classics International (was reorganized into Warner Classics) (in 2001)
recording of:
Sanctus II
writer:
Robert Prizeman
is based on:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel3:50
18Gopak from Sorochintsky Fair
violin:
Chloë Hanslip (British classical violinist)
orchestra:
London Symphony Orchestra
conductor:
Paul Mann (British conductor)
orchestrator:
Nick Ingman
phonographic copyright (℗) by:
Warner Music UK (formerly Warner Records Ltd., a branch of WEA International) (in 2001)
recording of:
The Fair at Sorochintsï: Hopak
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
The Fair at Sorochintsï (catch-all)
Modest Mussorgsky1:57
19Rigoletto: La donna è mobile
tenor vocals:
Marcelo Álvarez (argentine tenor)
orchestra:
Orchestra of Welsh National Opera
conductor:
Carlo Rizzi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:25
20Carmen Variations
recorded in:
Snape, Suffolk, England, United Kingdom (in 1996)
piano:
Arcadi Volodos (pianist) (in 1996)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1996)
recording of:
Variations on a Theme from Carmen (variations written by Horowitz) (in 1996)
composer:
Vladimir Horowitz (Ukrainian‐American pianist and composer)
is based on:
Carmen Suite no. 2: VI. Danse bohème
Vladimir Horowitz43:37

Credits

Release

copyrighted (©) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
Discogs:https://www.discogs.com/release/7110030 [info]
ASIN:UK: B00005RT0L [info]