Deborah

~ Release by Handel; Yvonne Kenny, Susan Gritton, Catherine Denley, James Bowman, Michael George, Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Deborah: Act I "Overture": Grave - Allegro - Menuett
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Overture (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51
Georg Friedrich Händel5:56
2Deborah: Act I, Scene I, No. I. Chorus "Immortal Lord of earth and skies"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. I. Chorus "Immortal Lord of earth and skies" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel5:44
3Deborah: Act I, Scene I, No. II. Recitative "O Barak, favour’d of the skies" (Deborah, Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. II. Recitative "O Barak, favour’d of the skies" (Deborah, Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:38
4Deborah: Act I, Scene I, No. III. Duet "Where do thy ardours raise me?" (Barak, Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. III. Duet "Where do thy ardours raise me?" (Barak, Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel4:12
5Deborah: Act I, Scene I, No. IV. Chorus "Forbear thy doubts! to arms! away!"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. IV. Chorus "Forbear thy doubts! to arms! away!" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel1:18
6Deborah: Act I, Scene I, No. V. Recitative "Since Heav’n has thus his will express’d" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. V. Recitative "Since Heav’n has thus his will express’d" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:30
7Deborah: Act I, Scene I, No. VI. Soli & Chorus "For ever to the voice of pray’r"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals:
Colin Campbell (baritone) (from 1993-07-24 until 1993-08-04)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
countertenor vocals:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
soprano vocals:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
tenor vocals:
Mark Milhofer (tenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. VI. Soli & Chorus "For ever to the voice of pray’r" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel1:49
8Deborah: Act I, Scene I, No. VII. Recitative "By that adorable decree" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. VII. Recitative "By that adorable decree" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:48
9Deborah: Act I, Scene I, No. VIII. Chorus "O hear thy lowly servants’ pray’r"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. VIII. Chorus "O hear thy lowly servants’ pray’r" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel2:49
10Deborah: Act I, Scene I, No. IX. Recitative "Ye sons of Israel, cease your fears" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. IX. Recitative "Ye sons of Israel, cease your fears" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:25
11Deborah: Act I, Scene I, No. X. Chorus "O blast, with thy tremendous brow"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. X. Chorus "O blast, with thy tremendous brow" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:50
12Deborah: Act I, Scene I, No. XI. Recitative "To whomsoe’er his fate the tyrant owes" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah: Act I, Scene I, No. XI. Recitative "To whomsoe’er his fate the tyrant owes" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:35
13Deborah: Act I, Scene I, No. XII. Air "How lovely is the blooming fair" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene I, No. XII. Air "How lovely is the blooming fair" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel1:55
14Deborah: Act I, Scene II, No. I. Recitative "O Deborah! Where’er I turn" (Jael, Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene II, No. I. Recitative "O Deborah! Where’er I turn" (Jael, Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel1:06
15Deborah: Act I, Scene II, No. II. Air "Choirs of Angels, all around thee" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene II, No. II. Air "Choirs of Angels, all around thee" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel3:33
16Deborah: Act I, Scene II, No. III. Recitative "My transports are too great to tell" (Jael)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene II, No. III. Recitative "My transports are too great to tell" (Jael) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:28
17Deborah: Act I, Scene II, No. IV. Air "To joy he brightens my despair" (Jael)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene II, No. IV. Air "To joy he brightens my despair" (Jael) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel3:50
18Deborah: Act I, Scene III, No. I. Recitative "Barak, my son, the joyful sound" (Abinoam)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Abinoam]:
Michael George (operatic bass) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene III, No. I. Recitative "Barak, my son, the joyful sound" (Abinoam) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:27
19Deborah: Act I, Scene III, No. II. Air "Awake the ardour of thy breast" (Abinoam)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Abinoam]:
Michael George (operatic bass) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene III, No. II. Air "Awake the ardour of thy breast" (Abinoam) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel3:28
20Deborah: Act I, Scene III, No. III. Recitative "I go where Heav’n and duty call" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene III, No. III. Recitative "I go where Heav’n and duty call" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel0:10
21Deborah: Act I, Scene III, No. VI. Air "All danger disdaining" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene III, No. VI. Air "All danger disdaining" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel4:12
22Deborah: Act I, Scene III, No. V. Chorus "Let thy deeds be glorious"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene III, No. V. Chorus "Let thy deeds be glorious" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel3:09
23Deborah: Act I, Scene IV. Recitative "My charge is to declare" (Herald) / Act I, Scene V, No. I. "Let him approach..." (Deborah, Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
tenor vocals [Herald]:
Mark Milhofer (tenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene IV. Recitative "My charge is to declare" (Herald) / Act I, Scene V, No. I. "Let him approach..." (Deborah, Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel1:19
24Deborah: Act I, Scene V, No. II. Chorus "Despair all around them"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act I, Scene V, No. II. Chorus "Despair all around them" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act I
Georg Friedrich Händel5:24
25Deborah: Act II, No. I. Chorus "See, the proud chief advances now"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. I. Chorus "See, the proud chief advances now" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel4:36
26Deborah: Act II, No. II. Recitative "That here rebellious arms I see" (Sisera)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
mezzo-soprano vocals [Sisera]:
Catherine Denley (contralto, mezzo‐soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. II. Recitative "That here rebellious arms I see" (Sisera) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:32
27Deborah: Act II, No. III. Air "At my feet extended low" (Sisera)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
mezzo-soprano vocals [Sisera]:
Catherine Denley (contralto, mezzo‐soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. III. Air "At my feet extended low" (Sisera) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel2:17
28Deborah: Act II, No. IV. Recitative "Go frown, Barbarian" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. IV. Recitative "Go frown, Barbarian" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:27
29Deborah: Act II, No. V. Air "In Jehovah’s awful sight" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. V. Air "In Jehovah’s awful sight" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel2:33
30Deborah: Act II, No. VI. Recitative "Yes, how your God in wonders can excel" (Sisera)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
mezzo-soprano vocals [Sisera]:
Catherine Denley (contralto, mezzo‐soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. VI. Recitative "Yes, how your God in wonders can excel" (Sisera) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:14
31Deborah: Act II, No. VII. Air "Whilst you boast the wondrous story" (Sisera)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
mezzo-soprano vocals [Sisera]:
Catherine Denley (contralto, mezzo‐soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. VII. Air "Whilst you boast the wondrous story" (Sisera) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel2:45
32Deborah: Act II, No. VIII. Air "Impious mortal, cease to brave us" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. VIII. Air "Impious mortal, cease to brave us" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel2:44
2▼CD
#TitleArtistRatingLength
1Deborah: Act II, No. IX. Recitative "Behold the nations all around" (Chief Priest of Baal)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
baritone vocals [Chief Priest of Baal]:
Colin Campbell (baritone) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. IX. Recitative "Behold the nations all around" (Chief Priest of Baal) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:27
2Deborah: Act II, No. X. Chorus "O Baal, monarch of the skies!" (chorus of Baal's priests)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. X. Chorus "O Baal, monarch of the skies!" (chorus of Baal's priests) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel2:00
3Deborah: Act II, No. XI. Recitative "No. more, ye infidels, No. more!" (Chief Priest of the Israelites)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Chief Priest of the Israelites]:
Adrian Peacock (bass vocalist, producer) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XI. Recitative "No. more, ye infidels, No. more!" (Chief Priest of the Israelites) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:21
4Deborah: Act II, No. XII. Chorus "Lord of eternity, who hast in store" (chorus of Israelites)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XII. Chorus "Lord of eternity, who hast in store" (chorus of Israelites) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel3:18
5Deborah: Act II, No. XIII. Recitative "By his great name, and his alone" (Deborah, Sisera)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
mezzo-soprano vocals [Sisera]:
Catherine Denley (contralto, mezzo‐soprano) (from 1993-07-24 until 1993-08-04)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah: Act II, No. XIII. Recitative "By his great name, and his alone" (Deborah, Sisera) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:37
6Deborah: Act II, No. XIV. Soli & Chorus "All your boast will end in woe"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XIV. Soli & Chorus "All your boast will end in woe" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel3:21
7Deborah: Act II, No. XV. Recitative "Great prophetess, my soul's on fire" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XV. Recitative "Great prophetess, my soul's on fire" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:18
8Deborah: Act II, No. XVI. Air "In the battle, fame pursuing" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XVI. Air "In the battle, fame pursuing" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel6:05
9Deborah: Act II, No. XVII. Recitative "Thy ardours warm the winter of my age" (Abinoam)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Abinoam]:
Michael George (operatic bass) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XVII. Recitative "Thy ardours warm the winter of my age" (Abinoam) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:31
10Deborah: Act II, No. XVIII. Air "Swift inundation of desolation" (Abinoam)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Abinoam]:
Michael George (operatic bass) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XVIII. Air "Swift inundation of desolation" (Abinoam) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel2:52
11Deborah: Act II, No. XIX. Recitative "O Judah, with what joy I see" (Israelite woman)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Israelite woman]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XIX. Recitative "O Judah, with what joy I see" (Israelite woman) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:17
12Deborah: Act II, No. XX. Air "No. more disconsolate I'll mourn" (Israelite woman)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Israelite woman]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XX. Air "No. more disconsolate I'll mourn" (Israelite woman) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel3:09
13Deborah: Act II, No. XXI. Recitative "Now, Jael, to thy tent retire" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XXI. Recitative "Now, Jael, to thy tent retire" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:22
14Deborah: Act II, No. XXII. Air "O the pleasure my soul is possessing" (Jael)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XXII. Air "O the pleasure my soul is possessing" (Jael) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel3:32
15Deborah: Act II, No. XXIII. Recitative "Barak, we now to battle go" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XXIII. Recitative "Barak, we now to battle go" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel0:11
16Deborah: Act II, No. XXIV. Duet "Smiling freedom, lovely guest" (Deborah, Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XXIV. Duet "Smiling freedom, lovely guest" (Deborah, Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel4:17
17Deborah: Act II, No. XXV. Chorus "The great king of kings will aid us today"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. XXV. Chorus "The great king of kings will aid us today" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
Georg Friedrich Händel3:02
18Deborah: Act III, Scene I, No. I. Chorus "A grand military symphony: Now the proud insulting foe" (chorus of Israelites)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene I, No. I. Chorus "A grand military symphony: Now the proud insulting foe" (chorus of Israelites) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel3:34
19Deborah: Act III, Scene I, No. II. Recitative "The haughty foe whose pride to heav'n did soar" (Israelite woman)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Israelite woman]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene I, No. II. Recitative "The haughty foe whose pride to heav'n did soar" (Israelite woman) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel0:15
20Deborah: Act III, Scene I, No. III. Air "Now sweetly smiling peace descends" (Israelite woman)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Israelite woman]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene I, No. III. Air "Now sweetly smiling peace descends" (Israelite woman) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel3:00
21Deborah: Act III, Scene II, No. I. Recitative "My pray'rs are heard, the blessings of this day" (Abinoam, Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Abinoam]:
Michael George (operatic bass) (from 1993-07-24 until 1993-08-04)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene II, No. I. Recitative "My pray'rs are heard, the blessings of this day" (Abinoam, Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel0:38
22Deborah: Act III, Scene II, No. II. Air "Tears, such as tender fathers shed" (Abinoam)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals [Abinoam]:
Michael George (operatic bass) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene II, No. II. Air "Tears, such as tender fathers shed" (Abinoam) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel2:06
23Deborah: Act III, Scene III, No. I. Recitative "O Deborah, my fears are o'er" (Jael)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. I. Recitative "O Deborah, my fears are o'er" (Jael) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel0:13
24Deborah: Act III, Scene III, No. II. Chorus "Doleful tidings, how ye wound" (chorus of Baal's priests)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah: Act III, Scene III, No. II. Chorus "Doleful tidings, how ye wound" (chorus of Baal's priests) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel2:26
25Deborah: Act III, Scene III, No. III. Air "Our fears are now forever fled" (Israelite woman)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Israelite woman]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. III. Air "Our fears are now forever fled" (Israelite woman) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel2:15
26Deborah: Act III, Scene III, No. IV. Recitative "I saw the tyrant breathless in her tent" (Barak, Jael)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. IV. Recitative "I saw the tyrant breathless in her tent" (Barak, Jael) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel1:57
27Deborah: Act III, Scene III, No. V. Air "Tyrant, now No. more we dread thee" (Jael)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Jael]:
Susan Gritton (soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. V. Air "Tyrant, now No. more we dread thee" (Jael) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel4:22
28Deborah: Act III, Scene III, No. VI. Recitative "If, Jael, I a right divine" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals and soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. VI. Recitative "If, Jael, I a right divine" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel0:20
29Deborah: Act III, Scene III, No. VII. Air "The glorious sun shall cease to shed" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. VII. Air "The glorious sun shall cease to shed" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel2:23
30Deborah: Act III, Scene III, No. VIII. Recitative "May heav'n, with kind profusion, shed" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. VIII. Recitative "May heav'n, with kind profusion, shed" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel0:14
31Deborah: Act III, Scene III, No. IX. Air "Low at her feet he bow'd, he fell" (Barak)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals [Barak]:
James Bowman (UK countertenor) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. IX. Air "Low at her feet he bow'd, he fell" (Barak) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel3:07
32Deborah: Act III, Scene III, No. X. Recitative "O great Jehovah! may thy foes" (Deborah)
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. X. Recitative "O great Jehovah! may thy foes" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel0:40
33Deborah: Act III, Scene III, No. XI. Chorus "Let our glad songs to heav'n ascend"
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of New College Oxford (from 1993-07-24 until 1993-08-04) and Choristers of Salisbury Cathedral (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
chorus master:
Edward Higginbottom (keyboardist, organist) (from 1993-07-24 until 1993-08-04) and Richard Seal (conductor) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act III, Scene III, No. XI. Chorus "Let our glad songs to heav'n ascend" (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act III
Georg Friedrich Händel6:47