Classic Rock Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

| |
1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Working for the Weekend
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer) und Rob Porter
Techniker(in):
Bob Rock und Keith Stein
Produzent(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre und Hintergrundgesang:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Kanada
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 100)
recording of:
Working for the Weekend
Verfasser(in):
Paul Dean (Canadian guitarist), Matt Frenette und Mike Reno
Loverboy4.23:40
2Baby Hold On (single version)
Produzent(in):
Bruce Botnick
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 67)
recording of:
Baby Hold On
Verfasser(in):
Jimmy Lyon (rock guitarist, worked with Eddie Money) und Eddie Money
publisher:
Cashola Music und Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money3:02
3Frankenstein
Produzent(in):
Rick Derringer
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 97)
recording of:
Frankenstein
Komponist(in):
Edgar Winter
publisher:
Longitude Music (beendet), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Edgar Winter44:44
4Two Out of Three Ain’t Bad
Techniker(in), Produzent(in) und Mix:
Todd Rundgren
Bassgitarre:
Kasim Sultan
Gitarre:
Todd Rundgren
Klavier:
Roy Bittan
Schlagzeug:
John Wilcox
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Rory Dodd und Todd Rundgren
Sologesang:
Meat Loaf
Saiteninstrumente arranger:
Kenny Ascher
arranger:
Todd Rundgren und Jim Steinman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:23
5Eight Miles High
recording of:
Eight Miles High
Verfasser(in):
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby und Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. und TRO Essex Music Ltd.
The Byrds3:33
6Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:55
7Evil Woman
Techniker(in):
Jimmy Iovine und Reinhold Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (von 1975-05 bis 1975-06)
Cello:
Melvyn Gale (von 1975-05 bis 1975-06) und Hugh McDowell (von 1975-05 bis 1975-06)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1975-05 bis 1975-06)
Geige / Violine:
Mik Kaminski (von 1975-05 bis 1975-06)
Gitarre:
Jeff Lynne (von 1975-05 bis 1975-06) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1975-05 bis 1975-06)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1975-05 bis 1975-06)
Hintergrundgesang:
Susan Collins (von 1975-05 bis 1975-06), Ellie Greenwich (von 1975-05 bis 1975-06), Nancy O'Neill (von 1975-05 bis 1975-06) und Margaret Raymond (von 1975-05 bis 1975-06)
Sologesang:
Jeff Lynne (von 1975-05 bis 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975, in 2005) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-05 bis 1975-06), Musicland Studios (Munich) in München, Bayern, Deutschland (von 1975-05 bis 1975-06) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1975-05 bis 1975-06: Hintergrundgesang)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Evil Woman (von 1975-05 bis 1975-06)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.24:17
8More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.94:43
9Carry On Wayward Son
assistierende(r) Techniker(in):
Jeff Glixman
Techniker(in):
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
Produzent(in):
Jeff Glixman
Akustikgitarre:
Rich Williams (guitarist of Kansas) (von 1975 bis 1976)
Bassgitarre:
Dave Hope (von 1975 bis 1976)
Bratsche / Viola und Geige / Violine:
Robby Steinhardt (von 1975 bis 1976)
Clavinet, Moog und Synthesizer [Oberheim synthesizer]:
Kerry Livgren (von 1975 bis 1976)
E-Gitarre:
Kerry Livgren (von 1975 bis 1976) und Richard Williams (guitarist of Kansas) (von 1975 bis 1976)
Klavier:
Kerry Livgren (von 1975 bis 1976) und Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
Orgel, Synthesizer und Sologesang:
Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
Perkussion und Schlagzeug:
Phil Ehart (von 1975 bis 1976)
Hintergrundgesang:
Robby Steinhardt (von 1975 bis 1976) und Steve Walsh (original lead singer of Kansas) (von 1975 bis 1976)
arranger:
Kansas (US prog rock band)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
aufgenommen bei und mixed at:
Studio in the Country in Bogalusa, Louisiana, Vereinigte Staaten (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 96)
recording of:
Carry On Wayward Son (von 1975 bis 1976)
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (vom 1976 bis heute)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.655:20
10Cat Scratch Fever
Techniker(in):
Tim Geelan und Wayne Tarnowski
Produzent(in):
Cliff Davies (British drummer, songwriter and producer), Lew Futterman und Tom Werman
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (Nummer: 12) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 32)
recording of:
Cat Scratch Fever
Texter und Komponist(in):
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music und Round Hill Works
Ted Nugent3.453:37
11Rock and Roll, Hoochie Koo
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1973)
recording of:
Rock and Roll, Hoochie Koo
Texter und Komponist(in):
Rick Derringer
publisher:
Universal Music Careers
Rick Derringer33:43
12Take It on the Run
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer (drummer)
Produzent(in):
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) und Gary Richrath (guitarist and songwriter)
Akustikgitarre und Sologesang:
Kevin Cronin (guitarist, singer and songwriter)
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath (guitarist and songwriter)
Schlagzeug:
Alan Gratzer (drummer)
Synthesizer:
Neal Doughty (keyboards)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Take It on the Run (am 1980-09-18)
Texter und Komponist(in):
Gary Richrath (guitarist and songwriter)
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) und 大洋音楽 (Taiyō Music)
REO Speedwagon3.753:59
13(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) und Shelly Yakus (in 1976-03)
Techniker(in):
Andy Abrams und Shelly Yakus
Produzent(in):
Murray Krugman, David Lucas (US producer, composer & engineer) und Sandy Pearlman
Mix:
Andy Abrams (von 1975 bis 1976) und Shelly Yakus (von 1975 bis 1976)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 55) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:07
2Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Down Boys
Produzent(in):
Beau Hill
Mix:
John Jansen (US recording engineer and producer)
recording of:
Down Boys
Texter und Komponist(in):
Jani Lane
publisher:
BMG Platinum Songs US, Dixonyou Music, Erik Turner Music, Great Lips Music, Laney Jane Music und Rich McBitch Music
Warrant4.53:58
2Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:57
3Tuff Enuff
Techniker(in):
Carey Taylor
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 96)
recording of:
Tuff Enuff
Texter und Komponist(in):
Kim Wilson
publisher:
Hello Mr. Wilson
The Fabulous Thunderbirds3.53:22
4Flirtin’ With Disaster
recording engineer und Mix:
Gary Ladinsky (engineer)
assistierende(r) Techniker(in):
Cary Pritikin und Bill Vermillion
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment France (in 1979)
aufgenommen bei:
Bee Jay Recording Studios in Orlando, Florida, Vereinigte Staaten (in 1979) und Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Flirtin' With Disaster (in 1979)
Verfasser(in):
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek und Banner Thomas
Molly Hatchet44:58
5You’ve Got Another Thing ComingJudas Priest3.255:07
6867-5309/Jenny
assistierende(r) Techniker(in):
Catharina "Mix" Masters (von 1981-07 bis 1981-08)
Techniker(in):
Toby Scott (von 1981-07 bis 1981-08)
Produzent(in):
Jim Keller (member of Tommy Tutone) und Chuck Plotkin
Bassgitarre [bass]:
Jon Lyons (von 1981-07 bis 1981-08)
Gitarre, Klavier und Sologesang:
Tommy Heath (von 1981-07 bis 1981-08)
Gitarre [lead guitar]:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
Keyboard [keyboards]:
Steve LeGassick (von 1981-07 bis 1981-08)
Perkussion und Hintergrundgesang [harmonies]:
John Cowsill (von 1981-07 bis 1981-08)
Schlagzeug [drums]:
Victor Carberry (von 1981-07 bis 1981-08)
vocals:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
aufgenommen bei:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-07 bis 1981-08)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 36) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 494)
recording of:
867‒5309/Jenny (von 1981-07 bis 1981-08)
Texter und Komponist(in):
Alex Call und Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:45
7Pretty in Pink
Techniker(in):
Will Gosling und Phil Thornalley
Produzent(in):
Steve Lillywhite
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
Verfasser(in):
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn und Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) und EMI Songs Ltd.
The Psychedelic Furs4.653:58
8And We Danced
recording engineer:
John Agnello (engineer & producer) und William Wittman
assistierende(r) Techniker(in):
Carol Cafiero und Dan Nash
Produzent(in):
Rick Chertoff
Mix:
David Thoener
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
And We Danced
Verfasser(in):
Eric Bazilian und Rob Hyman
publisher:
Dub Notes Music (publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!) und Human Boy Music
The Hooters3:46
9The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Musikvideo für:
The Final Countdown von Europe (Swedish band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.055:09
10Voices Carry
assistierende(r) Techniker(in):
Jeff Lippay und Mike Krowiak
Techniker(in):
Domenic Maita
Produzent(in):
Mike Thorne (UK producer & keyboardist)
assistierende(r) Mix:
Moira Marquis
Mix:
Bob Clearmountain und Harvey Goldberg
Bassgitarre:
Aimee Mann
Gitarre:
Robert Holmes (guitarist, member of 'Til Tuesday)
Klavier und Synthesizer:
Joey Pesce
Perkussion und Schlagzeug:
Michael Hausman
vocals:
Aimee Mann, Joey Pesce und Robert Holmes (guitarist, member of 'Til Tuesday)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
aufgenommen bei:
RPM Studios in New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 56)
recording of:
Voices Carry
Texter:
Aimee Mann
Komponist(in):
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann und Joey Pesce
publisher:
'til tunes associates und Intersong U.S.A. (publisher)
’Til Tuesday4.554:20
11Cum On Feel the Noize
Techniker(in):
Duane Baron
Produzent(in):
Spencer Proffer
E-Bass:
Rudy Sarzo
E-Gitarre:
Carlos Cavazo
Keyboard:
Pat Regan (American recording engineer)
Schlagzeug:
Frankie Banali (US drummer)
Sologesang:
Kevin DuBrow
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
aufgenommen bei und mixed at:
Pasha Music House in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 41)
cover recording of:
Cum On Feel the Noize
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:49
12Poison
recording engineer:
Sir Arthur Payson (von 1988 bis 1989)
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist) (von 1988 bis 1989)
Gitarre:
John McCurry (von 1988 bis 1989)
Keyboard:
Alan St. John (von 1988 bis 1989)
Schlagzeug:
Bobby Chouinard (von 1988 bis 1989)
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico (von 1988 bis 1989)
zusätzlich Keyboard:
Paul Chiten (songwriter and producer) (von 1988 bis 1989) und Gregg Mangiafico (von 1988 bis 1989)
Hintergrundgesang:
Alan St. John (von 1988 bis 1989), Michael Anthony (US bassist, formerly of Van Halen) (von 1988 bis 1989), Desmond Child (von 1988 bis 1989), Diana Grasselli (von 1988 bis 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (von 1988 bis 1989), Louie Merlino (von 1988 bis 1989), Hugh McDonald (bassist) (von 1988 bis 1989), Jamie Sever (von 1988 bis 1989), Bernie Shanahan (von 1988 bis 1989), Stiv Bator (von 1988 bis 1989), Tom Teeley (von 1988 bis 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (von 1988 bis 1989), Myriam Valle (von 1988 bis 1989) und Maria Vidal (American singer-songwriter) (von 1988 bis 1989)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present) (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1988 bis 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten (von 1988 bis 1989), Grog Kill Studio in Woodstock, New York, Vereinigte Staaten (von 1988 bis 1989), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1988 bis 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten (von 1988 bis 1989), The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Poison (von 1988 bis 1989)
Verfasser(in):
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:28
13What I Like About You
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Nemperor Records, Inc. (in 1979)
aufgenommen bei:
Coconut Recording in Miami, Florida, Vereinigte Staaten (in 1979-10)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 483)
recording of:
What I Like About You (in 1979-10)
Verfasser(in):
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) und Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Teil von:
Freaky Friday (2003)
The Romantics4.552:55
3Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Black Magic Woman / Gypsy Queen (single version)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3.83:14
2Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:23
3Cult of Personality
Techniker(in):
Paul Hamingson
Produzent(in) und Mix:
Ed Stasium (US record producer & audio engineer)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 12) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 69)
recording of:
Cult of Personality
Verfasser(in):
Will Calhoun, Corey Glover, Vernon Reid (English-born US guitarist and songwriter) und Muzz Skillings
Living Colour4.254:53
4Mississippi Queen
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Mississippi Queen
Verfasser(in):
Corky Laing, Felix Pappalardi, David Rea und Leslie West
publisher:
Universal Music Publishing MGB Ltd. und Upfall Music Corp.
Mountain4.12:29
5Fantasy (radio edit)
Produzent(in):
Aldo Nova (Canadian rock musician)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 78)
recording of:
Fantasy
Texter und Komponist(in):
Aldo Caporuscio (Canadian rock musician)
publisher:
Sony/ATV Songs LLC
Aldo Nova3:58
6Melissa (live on U.S. Tour – December 1991/March 1992)The Allman Brothers Band5:26
7Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:22
8The House Is Rockin’
assistierende(r) Techniker(in):
Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones (engineer) und Evan Rush (engineer)
Techniker(in):
Jim Gaines und Richard Mullen
zusätzliche(r) Techniker(in):
Richard McKernen
Produzent(in):
Jim Gaines und Stevie Ray Vaughan and Double Trouble
Mix:
Jim Gaines und Dave McNair (producer, engineer, musician)
Bassgitarre:
Tommy Shannon (am 1989-02-10)
Gitarre:
Stevie Ray Vaughan (am 1989-02-10)
Keyboard:
Reese Wynans (American keyboardist) (am 1989-02-10)
Perkussion und Schlagzeug:
Chris Layton (am 1989-02-10)
vocals:
Stevie Ray Vaughan (am 1989-02-10)
mixed at:
Kiva Studios in Memphis, Tennessee, Vereinigte Staaten, Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten und Summa Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The House Is Rockin’ (am 1989-02-10)
Verfasser(in):
Doyle Bramhall und Stevie Ray Vaughan
publisher:
Hello Mr. Wilson, Stevie Ray Songs und Two Thirty Music
Stevie Ray Vaughan & Double Trouble42:23
9Barracuda
Produzent(in):
Mike Flicker
Akustikgitarre:
Nancy Wilson (guitarist/singer of “Heart”) (von 1977-02 bis 1977-04)
Bassgitarre:
Steve Fossen (von 1977-02 bis 1977-04)
E-Gitarre:
Roger Fisher (US rock guitarist) (von 1977-02 bis 1977-04)
Gitarre und mellotron:
Howard Leese (von 1977-02 bis 1977-04)
Schlagzeug:
Michael Derosier (von 1977-02 bis 1977-04)
Sologesang:
Ann Wilson (lead singer of Heart) (von 1977-02 bis 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1977-02 bis 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1977-02 bis 1977-04)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 34)
recording of:
Barracuda (von 1977-02 bis 1977-04)
Verfasser(in):
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) und Wilsongs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Heart4.154:20
10Lido Shuffle
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Louie Shelton (in 1975-09) und Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:40
11Jimmy Olsen’s Blues
Techniker(in):
Peter Denenberg
Produzent(in) und Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bass:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Jimmy Olsen’s Blues
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow-B-Jow Music Inc. und Sony/ATV Songs LLC
Spin Doctors3.64:38
12Shapes of Things
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Mickie Most (English record producer)
Steel-Gitarre:
Jeff Beck (English rock guitarist) (von 1968-05-14 bis 1968-05-26)
Sologesang:
Rod Stewart (von 1968-05-14 bis 1968-05-26)
recording of:
Shapes of Things (von 1968-05-14 bis 1968-05-26)
Verfasser(in):
Jim McCarty (UK drummer, Yardbirds member), Keith Relf und Paul Samwell-Smith
publisher:
EMI Unart Catalog Inc., J. Albert & Son P/L, Them Young Boys Music und Yardbirds Music (also with “Ltd.”; publisher; do NOT use as release label)
Jeff Beck33:17
13Sweet Jane
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
cover recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Mott the Hoople34:20
14Hurdy Gurdy Man
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1968)
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre und Tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
E-Gitarre:
Allan Holdsworth (in 1968) und Jimmy Page (in 1968)
Schlagzeug:
Clem Cattini (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan53:18

Nennungen

Veröffentlichung

kostenlos streamen:https://www.deezer.com/album/6773854 [Info]