The Early Music Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

30-CD historical collection of Western music including plainchant, music of the Catholic church, polyphony, and to the end of the 17th century.

Annotation last modified on 2020-03-28 22:57 UTC.

Tracklist

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1▼CD: Adorate Deum: Gregorian Chant from the Proper of the Mass
#TitleArtistRatingLength
1Introitus: Adorate Deum
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]34:06
2Introitus: Da pacem
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]34:37
3Introitus: Dominus illuminatio mea
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]35:49
4Introitus: Laetetur cor
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]34:08
5Gradualia: Dirigatur
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:13
6Gradualia: Domine, Dominus noster
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:26
7Gradualia: Iacta cogitatum tuum
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:57
8Gradualia: Laetatus sum
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:18
9Versus Alleluiatici: Adorabo
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]32:21
10Versus Alleluiatici: De profundis
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:20
11Versus Alleluiatici: Deus, iudex iustus
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]32:54
12Versus Alleluiatici: Laudate Deum
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]31:53
13Offertoria: De profundis
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:32
14Offertoria: Domine, convertere
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]32:22
15Offertoria: Iubilate Deo universa terra
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]37:50
16Offertoria: Iustitiae Domini
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]34:18
17Communiones: Circuibo
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]32:09
18Communiones: Dicit Dominus: Implete hydrias
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]33:56
19Communiones: Dominus firmamentum meum
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]32:28
20Communiones: Qui manducat
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]32:19
21Communiones: Gustate et videte (Psalmus 33)
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[anonymous]43:29
2▼CD: Bingen: Heavenly Revelations
#TitleArtistRatingLength
1O Euchari
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Euchari in leta via (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:57
2Alleluia - O virga mediatrix
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: Alleluia, O virga mediatrix (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen3:37
3Ave generosa
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: Ave generosa (from 1993-12-14 until 1993-12-15)
lyricist:
Hildegard von Bingen (German medieval saint)
composer:
Ola Gjeilo (Norwegian composer) and Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen6:32
4Laus Trinitati
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: Laus Trinitati (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:30
5Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
performer:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: Kyrie eleison (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen4:32
6O presul vere
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O presul vere civitatis (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:23
7O ignis spiritus
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O ignis Spiritus paracliti (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen5:54
8Procession from ‘Ordo Virtutum’
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Ordo Virtutum: Procession (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Ordo virtutum
Hildegard von Bingen4:30
9O pastor animarum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Pastor animarum (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:29
10O viridissima virga
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O viridissima virga (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen5:29
11O virga ac diadema
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O virga ac diadema (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:00
3▼CD: Music of the Troubadours
#TitleArtistRatingLength
1Tant m'abelis
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Tant m'abelis (from 1996-06-04 until 1996-06-06)
composer:
Berenguier de Palou (French / Catalan medieval troubadour, fl. 1160-1209)
Berenguier de Palou4:56
2Domna, pos vps ay chausida
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Dansa: Donna pos vos ay chausida (from 1996-06-04 until 1996-06-06)
lyricist and composer:
[anonymous] (special purpose artist)
[anonymous]2:24
3Non puesc sofrir / Contrafactum: Ar me puesc
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Non puesc sofrir (Bornelh) - Contrafactum: Ar me puesc (Cardenal) (from 1996-06-04 until 1996-06-06)
composer:
Peire Cardenal and Giraut de Bornelh
Giraut de Bornelh / Peire Cardenal8:22
4Bujo
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
bagpipe:
Peter Rabanser (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
Peire Cardenal2:44
5Bel 'es qu'ieu chant
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Bel m'es qu'ieu chant (from 1996-06-04 until 1996-06-06)
composer:
Raimon de Miraval (French troubadour, c. 1135/1160-1220)
Raimon de Miraval6:06
6Cantaben els osells
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Cantaben els osells (from 1996-06-04 until 1996-06-06)
composer:
Ramon Llull (Raymond Lully)
Ramon Llull5:55
7Ai tal domna
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Ai tal domna (from 1996-06-04 until 1996-06-06)
composer:
Berenguier de Palou (French / Catalan medieval troubadour, fl. 1160-1209)
Berenguier de Palou3:27
8Reis glorios
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
bagpipe:
Peter Rabanser (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Reis glorios (from 1996-06-04 until 1996-06-06)
lyricist and composer:
Giraut de Bornelh
Giraut de Bornelh2:40
9Ara lausatz, lausat, lausat
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
[anonymous]2:19
10Humils forfaitz
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Humils forfaitz (from 1996-06-04 until 1996-06-06)
composer:
Guiraut Riquier
Guiraut Riquier7:01
11Quan vei la lauzeta mover
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Quan vei la lauzeta mover (Quand je vois l'alouette) (from 1996-06-04 until 1996-06-06)
composer:
Bernartz de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn6:05
12Lanquan li jorn
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Lanquan li jorn son lonc en may (from 1996-06-04 until 1996-06-06)
lyricist and composer:
Jaufré Rudel
Jaufré Rudel17:31
4▼CD: Neidhart: A minnesinger and his ‘Vale of Tears’
#TitleArtistRatingLength
1cantilena ‘Der han’ (‘The cock’)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
bagpipe:
Baptiste Romain (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Baptiste Romain2:34
2Mir ist ummaten leyde (I am grieved beyond all measure)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vielle:
Marc Lewon (from 2010-04-06 until 2010-04-09) and Baptiste Romain (from 2010-04-06 until 2010-04-09)
vocals and conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal5:27
3Summer unde winder (Summer and winter)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vielle:
Baptiste Romain (from 2010-04-06 until 2010-04-09)
vocals:
Els Janssens (Belgian mezzo-soprano, aka Els Janssens-Vanmunster) (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal7:45
4clausula
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
gittern:
Marc Lewon (from 2010-04-06 until 2010-04-09)
vielle:
Baptiste Romain (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Baptiste Romain3:54
5Sinc eyn gulden hoen (Sing, you golden hen) / stantipes ‘Der munich’ (‘The monk’)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vielle:
Baptiste Romain (from 2010-04-06 until 2010-04-09)
vocals and conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal7:39
6Willekome eyn sommerweter suze (Welcome the sweet summer weather)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
gittern:
Marc Lewon (from 2010-04-06 until 2010-04-09)
vielle:
Baptiste Romain (from 2010-04-06 until 2010-04-09)
vocals:
Els Janssens (Belgian mezzo-soprano, aka Els Janssens-Vanmunster) (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal5:54
7Guoten wib wol üch der eren (Gracious ladies, you deserve honour)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vielle:
Marc Lewon (from 2010-04-06 until 2010-04-09) and Baptiste Romain (from 2010-04-06 until 2010-04-09)
vocals and conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal5:48
8muteta ‘Non veul mari’ (‘I do not want a husband’)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vielle:
Marc Lewon (from 2010-04-06 until 2010-04-09) and Baptiste Romain (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Baptiste Romain1:48
9Ich claghe de blomen (I mourn for the flowers)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vocals:
Els Janssens (Belgian mezzo-soprano, aka Els Janssens-Vanmunster) (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal9:28
10stantipes ‘Der hedamerschol’ (‘The hedamerschol’)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
bagpipe:
Baptiste Romain (from 2010-04-06 until 2010-04-09)
lute:
Marc Lewon (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Baptiste Romain2:31
11Allez daz den sumer (Everything that all summer long)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
lute:
Marc Lewon (from 2010-04-06 until 2010-04-09)
vocals and conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Neidhart von Reuenthal7:03
12Vil wol gelopter got (God, so highly extolled)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vielle:
Marc Lewon (from 2010-04-06 until 2010-04-09) and Baptiste Romain (from 2010-04-06 until 2010-04-09)
vocals:
Els Janssens (Belgian mezzo-soprano, aka Els Janssens-Vanmunster) (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Walther von der Vogelweide3:13
13Je muir, je muir (I die, I die)
engineer:
Felix Stricker (aka Félix Stricker Batista)
producer:
Marc Lewon
vocals:
Els Janssens (Belgian mezzo-soprano, aka Els Janssens-Vanmunster) (from 2010-04-06 until 2010-04-09), Marc Lewon (from 2010-04-06 until 2010-04-09) and Baptiste Romain (from 2010-04-06 until 2010-04-09)
conductor:
Marc Lewon (from 2010-04-06 until 2010-04-09)
arranger:
Marc Lewon
recorded at:
Heilig-Kreuz-Kirche (Binningen) in Binningen, Basel-Landschaft (Basel-Land), Switzerland (from 2010-04-06 until 2010-04-09)
Adam de la Halle1:36
5▼CD: Carmina Burana
#TitleArtistRatingLength
1Bache, bene venies
producer:
Elisabeth Reithofer and Wolfgang Reithofer
bagpipe:
Peter Rabanser (from 1997-05-18 until 1997-05-21)
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
hurdy gurdy:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
tambourine:
Wolfgang Reithofer (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21) and Peter Rabanser (from 1997-05-18 until 1997-05-21)
performer:
Ensemble Oni Wytars (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Bacche, bene venies
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 200)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:58
2Axe Phebus aureo
producer:
Elisabeth Reithofer and Wolfgang Reithofer
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
frame drum:
Katharina Dustmann (from 1997-05-18 until 1997-05-21)
harp:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
mandola:
Peter Rabanser (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
performer:
Ensemble Oni Wytars (from 1997-05-18 until 1997-05-21) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Axe Phebus aureo (from 1997-05-18 until 1997-05-21)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis and Carmina Burana (number: 71)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:50
3Clauso Cronos
producer:
Elisabeth Reithofer and Wolfgang Reithofer
bagpipe:
Peter Rabanser (from 1997-05-18 until 1997-05-21)
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
frame drum:
Katharina Dustmann (from 1997-05-18 until 1997-05-21)
harp:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
tambourine:
Wolfgang Reithofer (from 1997-05-18 until 1997-05-21)
performer:
Ensemble Oni Wytars (from 1997-05-18 until 1997-05-21) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Clauso cronos (from 1997-05-18 until 1997-05-21)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 73)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:11
4Katerine collaudemus
producer:
Elisabeth Reithofer and Wolfgang Reithofer
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
performer:
Ensemble Oni Wytars (from 1997-05-18 until 1997-05-21) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
[anonymous]3:30
5Fas et nefas
producer:
Elisabeth Reithofer and Wolfgang Reithofer
bagpipe:
Peter Rabanser (from 1997-05-18 until 1997-05-21)
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
hurdy gurdy:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Fas et nefas
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 19)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:39
6Tempus transit gelidum
producer:
Elisabeth Reithofer and Wolfgang Reithofer
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
hurdy gurdy:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
triangle:
Wolfgang Reithofer (from 1997-05-18 until 1997-05-21)
performer:
Ensemble Oni Wytars (from 1997-05-18 until 1997-05-21) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Tempus transit gelidum
part of:
Carmina Burana (number: 153)
is based on:
Fulget dies celebris
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:08
7Ich was ein Chint so wolgetan
producer:
Elisabeth Reithofer and Wolfgang Reithofer
harp:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
tambourine:
Wolfgang Reithofer (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Ich was ein chint so wolgetan (Carmina Burana)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis and Carmina Burana (number: 185)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:17
8Ecce torpet probitas
producer:
Elisabeth Reithofer and Wolfgang Reithofer
bell:
Wolfgang Reithofer (from 1997-05-18 until 1997-05-21)
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
harp:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Ecce torpet probitas
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 3), Carmina Moralia and Cambridge University Library MS Ff.I.17(1)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]6:07
9Exiit diluculo
producer:
Elisabeth Reithofer and Wolfgang Reithofer
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21)
harp:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
lute:
Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
tambourine:
Wolfgang Reithofer (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
performer:
Ensemble Oni Wytars (from 1997-05-18 until 1997-05-21) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Exiit diluculo
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 90)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:48
10Vite perdite
producer:
Elisabeth Reithofer and Wolfgang Reithofer
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
frame drum:
Katharina Dustmann (from 1997-05-18 until 1997-05-21)
harp:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Vite perdite
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 31)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:43
11Procurans odium
producer:
Elisabeth Reithofer and Wolfgang Reithofer
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
hurdy gurdy:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Procurans odium
part of:
Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:33
12Celum, non animum
producer:
Elisabeth Reithofer and Wolfgang Reithofer
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Celum non animum
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 15)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:01
13Tempus est iocundum
producer:
Elisabeth Reithofer and Wolfgang Reithofer
bagpipe:
Peter Rabanser (from 1997-05-18 until 1997-05-21)
fiddle:
Marco Ambrosini (from 1997-05-18 until 1997-05-21) and Thomas Wimmer (viola-da-gamba player) (from 1997-05-18 until 1997-05-21)
hurdy gurdy:
Riccardo Delfino (from 1997-05-18 until 1997-05-21)
recorder:
Michael Posch (Recorder and flute player) (from 1997-05-18 until 1997-05-21)
countertenor vocals:
Bernhard Landauer (countertenor) (from 1997-05-18 until 1997-05-21)
tenor vocals:
Eric Mentzel (tenor) (from 1997-05-18 until 1997-05-21)
recorded at:
Kartause Mauerbach in Mauerbach, Niederösterreich (Lower Austria), Austria (from 1997-05-18 until 1997-05-21)
recording of:
Tempus est iocundum
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 179)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:59
6▼CD: Machaut: La Messe de Nostre Dame / Songs from Le Voir Dit
#TitleArtistRatingLength
1La Messe de Nostre Dame: Kyrie
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: I. Kyrie (from 1996-02-20 until 1996-02-21)
lyricist:
[traditional] (special purpose artist)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut8:39
2La Messe de Nostre Dame: Gloria
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: II. Gloria (from 1996-02-20 until 1996-02-21)
lyricist:
[traditional] (special purpose artist)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut4:44
3La Messe de Nostre Dame: Credo
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: III. Credo (from 1996-02-20 until 1996-02-21)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut6:35
4La Messe de Nostre Dame: Sanctus
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: IV. Sanctus (from 1996-02-20 until 1996-02-21)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut4:56
5La Messe de Nostre Dame: Agnus Dei
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: V. Agnus Dei (from 1996-02-20 until 1996-02-21)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut3:45
6La Messe de Nostre Dame: Ite missa est
engineer:
Joel Soupiron (ended), Valérie Lavallart (engineer) (ended) and Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-20 until 1996-02-21)
vocals:
Robin Blaze (countertenor) (from 1996-02-20 until 1996-02-21), Matthew Brook (bass-baritone) (from 1996-02-20 until 1996-02-21), Robert Rice (baritone) (from 1996-02-20 until 1996-02-21) and Richard Wyn Roberts (from 1996-02-20 until 1996-02-21)
conductor:
Jeremy Summerly (conductor) (from 1996-02-20 until 1996-02-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Cathédrale Notre-Dame de Reims in Reims, Marne, Grand Est (Great East), France (from 1996-02-20 until 1996-02-21)
recording of:
Messe de Nostre Dame: VI. Ite, missa est (from 1996-02-20 until 1996-02-21)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut1:44
7Songs from Le Voir Dit: Ballade 32: Plourez dames
engineer:
Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-09 until 1996-02-10)
vocals:
Matthew Brook (bass-baritone) (from 1996-02-09 until 1996-02-10) and Caroline Trevor (contralto) (from 1996-02-09 until 1996-02-10)
conductor:
Jeremy Summerly (conductor) (from 1996-02-09 until 1996-02-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Maida Vale Studios: Studio 1 in Paddington, Westminster, London (Greater London), England, United Kingdom (from 1996-02-09 until 1996-02-10)
recording of:
Plourez, dames, plourez vostre servant (a 3) (from 1996-02-09 until 1996-02-10)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut8:55
8Songs from Le Voir Dit: Ballade 33: Nes qu'on porroit
engineer:
Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-09 until 1996-02-10)
vocals:
Matthew Brook (bass-baritone) (from 1996-02-09 until 1996-02-10) and Caroline Trevor (contralto) (from 1996-02-09 until 1996-02-10)
conductor:
Jeremy Summerly (conductor) (from 1996-02-09 until 1996-02-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Maida Vale Studios: Studio 1 in Paddington, Westminster, London (Greater London), England, United Kingdom (from 1996-02-09 until 1996-02-10)
recording of:
Nes qu'on porroit (a 3) (from 1996-02-09 until 1996-02-10)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut8:20
9Songs from Le Voir Dit: Rondeau 4: Sans cuer dolens
engineer:
Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-09 until 1996-02-10)
vocals:
Robert Rice (baritone) (from 1996-02-09 until 1996-02-10) and Caroline Trevor (contralto) (from 1996-02-09 until 1996-02-10)
conductor:
Jeremy Summerly (conductor) (from 1996-02-09 until 1996-02-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Maida Vale Studios: Studio 1 in Paddington, Westminster, London (Greater London), England, United Kingdom (from 1996-02-09 until 1996-02-10)
recording of:
Sans cuer, dolens de vous (a 2) (from 1996-02-09 until 1996-02-10)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:15
10Songs from Le Voir Dit: Lai 13: Le lay de bonne esperance
engineer:
Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-09 until 1996-02-10)
vocals:
Matthew Brook (bass-baritone) (from 1996-02-09 until 1996-02-10)
conductor:
Jeremy Summerly (conductor) (from 1996-02-09 until 1996-02-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Maida Vale Studios: Studio 1 in Paddington, Westminster, London (Greater London), England, United Kingdom (from 1996-02-09 until 1996-02-10)
recording of:
Le lay de bonne esperance (a 1) (from 1996-02-09 until 1996-02-10)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut19:31
11Songs from Le Voir Dit: Rondeau 18: Puis qu'en oubli
engineer:
Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-09 until 1996-02-10)
vocals:
Matthew Brook (bass-baritone) (from 1996-02-09 until 1996-02-10), Andrew Carwood (from 1996-02-09 until 1996-02-10) and Robert Rice (baritone) (from 1996-02-09 until 1996-02-10)
conductor:
Jeremy Summerly (conductor) (from 1996-02-09 until 1996-02-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Maida Vale Studios: Studio 1 in Paddington, Westminster, London (Greater London), England, United Kingdom (from 1996-02-09 until 1996-02-10)
recording of:
Puis qu'en oubli (a 3) (from 1996-02-09 until 1996-02-10)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:52
12Songs from Le Voir Dit: Rondeau 17: Dis et sept cinq
engineer:
Keith Wilson (engineer) (ended)
choir vocals:
Oxford Camerata (English chamber choir) (from 1996-02-09 until 1996-02-10)
vocals:
Matthew Brook (bass-baritone) (from 1996-02-09 until 1996-02-10), Robert Rice (baritone) (from 1996-02-09 until 1996-02-10) and Caroline Trevor (contralto) (from 1996-02-09 until 1996-02-10)
conductor:
Jeremy Summerly (conductor) (from 1996-02-09 until 1996-02-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
Maida Vale Studios: Studio 1 in Paddington, Westminster, London (Greater London), England, United Kingdom (from 1996-02-09 until 1996-02-10)
recording of:
Dix et sept, cinq, trese, quatorse et quinse (rondeau a 3) (from 1996-02-09 until 1996-02-10)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:33
7▶CD: Argentum et Aurum
8▶CD: Dufay: Chansons
9▶CD: Ockeghem: Requiem
10▶CD: Music from the Eton Choirbook
11▶CD: Missa Conceptio tua
12▶CD: A-La-Mi-Re Manuscripts
13▶CD: Anchieta: Missa Sine Nomine
14▶CD: Frottole
15▶CD: Des Prez: Missa L'homme armé
16▶CD: Milán / Narváez: Music for Vihuela
17▶CD: Tallis: Spem in alium
18▶CD: Palestrina: Missa Papae Marcelli
19▶CD: Lassus: Lagrime di San Pietro
20▶CD: Byrd: Complete Fantasias for Harpsichord
21▶CD: Gabrieli: Music for Brass, Vol. 2
22▶CD: Elizabethan Songs and Consort Music
23▶CD: Sweelinck: Organ Works
24▶CD: Dowland: Pavans, Galliards and Almains: Lute Music, Vol. 3
25▶CD: Gesualdo: Madrigals, Book 1
26▶CD: Campion: Lute Songs
27▶CD: Monteverdi: Madrigals, Book 5
28▶CD: Tomkins: Consort Music for Viols and Voices
29▶CD: The Guerra Manuscript, Vol. 1
30▶CD: Lawes: Consort Music for Viols, Lutes and Theorbos